Author Archives: HymanLeist

Sorry, Donald: Pittsburgh Thinks You Are Wrong About Climate Change

Mother Jones

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On Thursday, President Donald Trump portrayed his decision to pull the United States out of the historic Paris climate deal as a key part of his campaign pledge to put America first. “I was elected to represent the citizens of Pittsburgh, not Paris,” the president said.

There’s just one problem: The citizens of Pittsburgh are strongly supportive of climate action. According to a recent study from the Yale Program on Climate Change Communication, 68 percent of adults in the Pittsburgh metro area support strict limits on carbon emissions from coal-fired power plants—a key element of the US commitment under the Paris deal. For Allegheny County, which includes Pittsburgh, that number is 74 percent. For Pennsylvania’s 14th Congressional District, which also includes Pittsburgh, it’s 78 percent.

Roughly two-thirds of Pennsylvanians—and Americans as a whole—believe the United States should remain in the Paris agreement, according to the Yale research.

There doesn’t appear to be any data on the popularity of the Paris agreement within Pittsburgh itself, but it’s worth noting that the city’s mayor, Bill Peduto, actually traveled to Paris during the 2015 negotiations to help press for an agreement. “Pittsburgh and other cities are on the front lines of the climate change crisis, and it is our responsibility to address the deep challenges it is creating for us, our children and our grandchildren,” he said in a statement at the time, according to the Pittsburg Post-Gazette.

Peduto took to Twitter Thursday to express his displeasure with Trump’s comments:

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Sorry, Donald: Pittsburgh Thinks You Are Wrong About Climate Change

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Films to Quench Your 60’s Music Nostalgia

Mother Jones

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The Beatles
Eight Days a Week—The Touring Years
Capitol/UMe

T.A.M.I. Show/The Big T.N.T. Show
Shout! Factory

Courtesy of Apple Corps Ltd./UMe

Nostalgic fans of a certain age who like to pontificate about how great music was in the ’60s can cite a couple of new home video releases to back up their argument. Directed by Ron Howard, documentary Eight Days a Week—The Touring Years offers a concise, 100-minute survey of the Fab Four’s career up to the point they stopped touring in 1966. Inevitably, it only skims the surface, but the music is (of course) terrific and the footage of the lads sending audiences into a hysterical frenzy captures the bizarre, sometimes frightening energy of the day. Extras on the two-disc edition include charming reminiscences by American fans and uncut performances of five songs that prove what a cooking live act they were. While The Beatles probably had to stop touring just to preserve their sanity, it’s hard not to conclude from this engaging film that a special spark left their music when they retired from the road, even as their artistic ambitions expanded exponentially.

T.A.M.I. Show/The Big T.N.T. Show pairs two mid-’60s concert films presenting rock and soul acts live on stage, each delivering a brief set in the style of multiple-artist package tours of the day. The previously available T.A.M.I. Show offers strong performances from the likes of Chuck Berry, Marvin Gaye, The Beach Boys, Lesley Gore and Smokey Robinson and the Miracles, among others, as well as a few duds, but the centerpiece remains James Brown’s surreal, over-the-top display of genius. Writhing and shouting, yet always fully in control, the Godfather of Soul embodies performance art at its mind bending best, and makes the Rolling Stones, who follow him in the movie, seem like capable but callow little boys by comparison. (T.A.M.I. is “Teenage Awards Music International,” fyi, but there were no such awards.)

Long unavailable, The Big T.N.T. Show isn’t quite in the same league, but more than bears watching. Highlights include the sloppy and charming Lovin’ Spoonful, witty country songsmith Roger Miller and early rock’n’roll great Bo Diddley, laying down deep grooves (not to mention The Byrds, Ray Charles and The Ronettes). The weirdest moment occurs when folk queen Joan Baez fronts an orchestra for a faithful cover of The Righteous Brothers’ “You’ve Lost That Lovin’ Feelin’,” with Phil Spector, who produced the original, conducting the musicians. It’s as astounding in its own puzzling way as James Brown’s titanic “Please Please Please.” Those were the (strange) days.

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Films to Quench Your 60’s Music Nostalgia

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