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When Garry Winogrand died in 1984, the celebrated street photographer left behind close to 6,500 rolls of undeveloped film. Now his old friend and student Leo Rubinfien, along with Erin O’Toole, a curator at San Francisco’s Museum of Modern Art, have mined this trove to produce the first major Winogrand retrospective in almost three decades. The touring exhibit—which kicked off at SFMOMA this week—and accompanying catalog consist of more than 400 images derived largely from Winogrand’s later days roaming the streets of Los Angeles with his Leicas. While he may be best known for his New York City scenes, these photos prove that Winogrand’s wry eye could unpack the social complexities of Cold War America no matter where he prowled.