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L’Oreal is about to 3D print human skin — because you’re worth it

It puts the lotion in the basket

L’Oreal is about to 3D print human skin — because you’re worth it

By on 18 May 2015 4:06 pmcommentsShare

Here’s some The Silence of the Lambs-level horror to ruin your day: One of the most popular cosmetics brands in the world grows human skin, and is actively researching technology to increase its production. Using samples donated by French plastic surgery patients, the cosmetics powerhouse L’Oreal already raises more than 54 square feet of skin per year to test its products, which provides an alternative to animal testing. And now, to help speed up production, the company is turning to 3D printing.

Bloomberg Business has the story:

L’Oreal needs human skin. Lots of it. That’s why the French cosmetics giant earlier this month announced that it’s partnering with bioprinting startup Organovo to figure out how to 3D print living, breathing derma that can be used to test products for toxicity and efficacy. “We’re the first beauty company Organovo has worked with,” says Guive Balooch, global vice president of L’Oreal’s tech incubator.

This isn’t L’Oreal’s first foray into skin production. Looking to avoid animal testing, the company started farming derma back in the 1980s. In Lyon, France, it runs lab facilities the size of three Olympic swimming pools, dedicated entirely to growing and analyzing human tissues.

Unlike the legendary French women who can chain smoke cigarettes, eat a pound of brie a week, and still not age a day past 25, I occasionally turn to cosmetics for a Bardot-esque complexion. (Best believe this quarter-French mademoiselle is starting to see wrinkles.) So thank you, people of France, for all your breast lifts and tummy tucks that made my flawless complexion possible! Mwah.

Source:
L’Oreal’s Plan to Start 3D Printing Human Skin

, Bloomberg Business.

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L’Oreal is about to 3D print human skin — because you’re worth it

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Look How Much Bigger Thanksgiving Turkeys Are Today Than in the 1930s

Mother Jones

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Illustration by Chris Philpot

Thanksgiving turkeys are one of America’s oldest holiday traditions. But with their giant size, stooped frame, and limited mobility, today’s birds bear little resemblance to their early counterparts. So how did we end up with these modern megabirds? According to Suzanne McMillan, senior director of the farm animal welfare campaign of the American Society for the Prevention of Cruelty to Animals, it wasn’t by accident.

Up until the the 1950s, turkeys found on Thanksgiving tables were essentially the same as their wild counterparts. But then, says McMillan, American poultry operations began to expand to meet Americans’ growing demand for meat. Turkey farmers began to selectively breed birds for both size and speed of growth—especially in the breast, the most popular cut among American diners. The birds grew so fast that their frames could not support their weight, and as a result, many turkeys were bowlegged and could no longer stand upright. The male turkeys, or toms, got so big—as heavy as 50 pounds—that they could no longer manage to transfer semen to hens. Today, reproduction happens almost exclusively through artificial insemination.

At around the same time, producers also began moving their operations indoors, where they could fit more birds and ensure that they developed uniformly, so turkeys’ feeding and care did not have to be individualized. In these close quarters, birds began to develop infections, like sores on their breasts and foot pads. To prevent these problems, and also to encourage growth, producers added low doses of antibiotics to the birds’ feed. Also because of space limitations, birds became aggressive and often resorted to cannibalism. In response, hatcheries began trimming birds’ beaks—known as debeaking—when they were a few days old.

If all of this makes turkey sound unappetizing, consider the latest development: As of October 20, turkey slaughter facilities were allowed to speed up their lines from 51 to 55 birds per minute—while also reducing the number of federal inspectors, as my colleague Tom Philpott has reported.

Consumer demand for cheap turkey has fueled these trends. The National Turkey Federation reports that turkey consumption has doubled over the last 30 years—today, the average American eats 16 pounds of turkey per year. Meanwhile, turkey prices haven’t increased much; in fact, this year turkey is cheaper than last year. Reuters reported that some grocery chains “use turkeys as ‘loss leaders’ to entice shoppers to buy other popular Thanksgiving foods.”

No wonder, then, that we end up trashing a lot of turkey:

By Jaeah Lee

If you don’t want to support turkey factory farms, McMillan says, look for birds that are certified through animal welfare programs. Grist has a good guide to picking a turkey with real humane bona fides here. A word of caution, though: This year, turkey giant Butterball says it has gone humane, but as Philpott reports, it so far hasn’t ditched many of the most cruel practices.

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Look How Much Bigger Thanksgiving Turkeys Are Today Than in the 1930s

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Seth Rogen and Rose Byrne in “Neighbors” Are the Best On-Screen Couple in Years

Mother Jones

When you think of the greatest on-screen couples in TV and cinema history, a handful of pairs jump to mind: Bergman and Bogart in Casablanca. Cusack and Skye in Say Anything Chandler and Britton on Friday Night Lights.

You can add Rogen and Byrne to the list.

In the new comedy Neighbors (directed by Nicholas Stoller), Seth Rogen and Rose Byrne play Mac and Kelly Radner, a married couple struggling to adjust to a new era of parenthood. When a rowdy fraternity—led by Teddy Sanders (Zac Efron) and Pete Regazolli (Dave Franco)—moves in next door, the two houses go to war in hilarious fashion.

Although the film’s advertisements don’t make it look bad, necessarily, Neighbors is much smarter and emotionally deeper than its TV spots and trailers would have you believe. But what sets the movie over the top is the pairing of Rogen and Byrne. As the two plot and execute their campaign of revenge against the frat boys next door, their moments of scheming are infused equally with a delightful chemistry and a sense of strained, fumbled maturity.

And the reason this works so well is because the filmmakers didn’t treat the female lead as a comic prop or as some stereotypical wet blanket, as is the case with so many male-centric comedies: She’s as devious and committed as the boys. “From the start, they wanted to make my character very much a part of the story,” Byrne told the New York Times. “From Day 1, Nick Stoller, the film’s director and Seth were both like, ‘She’s as in on this as everybody else—and as irresponsible as everybody else.’ That was really exciting.”

You can catch glimpses of the Radners doing there thing here:

Their best scenes actually have nothing to do with plotting physical destruction against their neighbors. In one sequence, Kelly and Mac awake following a night of heavy drinking. A hungover Kelly goes to breastfeed their newborn, only to have Mac intervene, warning her that at this hour her breast milk would be like a “White Russian.” In pain from the excess milk, she orders Mac to milk her. The sequence, including the aftermath of the deed, is a thing of comic beauty—chaotic, appropriately horrifying, and just cute enough.

Anyway, the whole movie is very good. TheWrap calls it, “an instant classic.” Slate dubs it, “a surprisingly progressive take on bro privilege that still has lots of dick jokes.” I’m inclined to agree.

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Seth Rogen and Rose Byrne in “Neighbors” Are the Best On-Screen Couple in Years

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