Tag Archives: film and tv

Stuart Scott’s Deeply Moving ESPYs Speech About Beating Cancer Will Leave You Speechless

Mother Jones

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We have no words. Just watch:

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Stuart Scott’s Deeply Moving ESPYs Speech About Beating Cancer Will Leave You Speechless

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How "Citizen Koch" Saw the Light of Day After Public TV Snubbed It

Mother Jones

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Oscar-nominated filmmakers Carl Deal and Tia Lessin were steeped in the production of a documentary on the influence of money in politics, but it wasn’t until funding for their project was unceremoniously yanked last year that the power of big donors truly hit home.

The pair had received a $150,000 commitment from the Independent Television Service (ITVS), a Corporation for Public Broadcasting-funded organization that bankrolls projects aired on PBS. They would later learn that their film, Citizen Koch, which explores the post-Citizen United political landscape and the rise of the tea party, had touched a nerve among public television officials worried about angering a generous benefactor, David Koch, who served on the boards of Boston’s WGBH and New York City’s WNET. In the fall of 2012, PBS had aired Alex Gibney’s Park Avenue: Money, Power and the American Dream, which featured a highly unflattering portrait of the billionaire, including an interview with a former doorman at Koch’s elite Manhattan apartment building who singled him out as its most miserly resident. Public television officials were sensitive about offending Koch again.

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How "Citizen Koch" Saw the Light of Day After Public TV Snubbed It

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Emma Watson Crashes United Nations Website With Her Goodwill Ambassador Announcement

Mother Jones

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Emma Watson—the humanitarian and staunch feminist who you may recognize from such films as The Bling Ring, Noah, and the Harry Potter movies—is now working with the United Nations on gender equality and female empowerment.

On Monday, UN Women and Watson announced that she had been appointed as a celebrity Goodwill Ambassador. The 24-year-old British actress will work on the “empowerment of young women and will serve as an advocate for UN Women’s HeForShe campaign,” according to the UN Women’s press release. (The HeForShe campaign enlists men and boys to stand up for gender equality.) In 2012, Watson became an ambassador for the Campaign for Female Education.

The announcement drew enough web traffic to crash the UN Women website. “We apologize & hope to be back up soon,” the UN entity tweeted. Here is Watson’s full statement on her new gig:

Being asked to serve as UN Women’s Goodwill Ambassador is truly humbling. The chance to make a real difference is not an opportunity that everyone is given and is one I have no intention of taking lightly. Women’s rights are something so inextricably linked with who I am, so deeply personal and rooted in my life that I can’t imagine an opportunity more exciting. I still have so much to learn, but as I progress I hope to bring more of my individual knowledge, experience, and awareness to this role.

(Watson expressed her excitement on Twitter with a blushing emoticon.)

Other celebrity Goodwill Ambassadors for the UN include Liam Neeson, “Twitter Nazi hunter” Mia Farrow, and Orlando Bloom. I reached out to UN Women to ask about what other initiatives we can expect to see Watson working on. I will update this post if/when I get a response.

Below is video of Watson visiting slum homes and a fair trade group in Bangladesh: “I still find it hard to convey what fair trade means to those producing our fashion—it’s just so impressive to see how the women have used fair trade clothing to escape poverty and empower themselves and their children,” Watson said. “I was moved and inspired.”

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Emma Watson Crashes United Nations Website With Her Goodwill Ambassador Announcement

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British Brewer Still Bitter Over American Revolution

Mother Jones

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British actor and writer Stephen Merchant, who you can thank in-part for creating the original version of The Office, has a challenge for you this 4th of July: imagine if his people had won the war for independence. He’s tired of acting like he’s not bloody pissed that each year we celebrate beating his little country. He’s so pissed in fact that he’s made the following ad for Newcastle Brown Ale. Watch his plea, as he begs of you to image how “great” Great Brtiain 2 would be. And then, enjoy a hoedown, just to spite him:

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British Brewer Still Bitter Over American Revolution

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"Jaws" Is Ridiculous, Say Kids Who Owe Everything to "Jaws"

Mother Jones

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Happy Fourth of July! Thirty-nine years ago, Jaws became the first summer blockbuster. In it the town of Amity Island is terrorized by a killer great white shark around July Fourth weekend. In honor of that, we decided to publish a chat we just had about it. This chat has been edited for clarity.

Emily Dreyfuss: I saw Jaws last night in a movie theater.

Ben Dreyfuss: Why?

ED: Because it was playing right by our house and we needed to be somewhere air conditioned.

BD: Okay.

ED: Two things: 1) You and dad are exactly alike and 2) I forgot that “we’re going to need a bigger boat” wasn’t his line, which makes me even angrier when people quote that in regard to him.

BD: LOL, everyone thinks dad said that. He and I have this joke about Roy Scheider being pissed off about it for 25 years.

ED: I would be too! I hadn’t seen Jaws since we saw it as a family 20 years ago.

BD: I watched it with mom last year. She was like, “I love Jaws. My favorite part is when dad kills the shark,” and I was like, “Uh, he doesn’t,” and she was all, “Shut up, Ben. I was married to him for 10 years. He killed Jaws.” So we watched it and then she was like, “Huh, I could have sworn he killed Jaws. I’ve been telling people that my ex-husband killed Jaws.” “Well, I guess people think you were married to Roy Scheider.” “I guess so.”

ED: I mean, the way I read it last night, dad kind of fucked up and was semi-responsible for Quint’s death. He dropped the dagger, then swam away and hid, and then the shark ate the captain and Roy Scheider was a hero.

BD: Yeah, I mean, he had the pole knocked out of his hand. Then he swims away and hides. He had just gone down in the cage which was a pretty brave thing to do. By the time he hides he had no chance of killing Jaws. Like, either let yourself be eaten or swim and hide. Scheider was objectively the hero though.

ED: Yeah, I mean, dad had no other options, but i just forgot that he wasn’t the hero.

BD: Look, look, we love dad.

ED: Yes, to be clear, dad is the best.

BD: No one here is saying otherwise.

ED: I also forgot that his character was the rich kid! I guess I basically forgot everything.

BD: Oh yeah, with his tony, rich boat that they should have taken to avoid the whole death/sinking thing?

ED: I mean, they don’t even address that, which is ridiculous. Like, his boat had all the things they needed! Like sonar.

BD: Right? And Quint demands that they take his rickety piece of shit which is just an insane thing to do. The only reasonable thing to say to Quint when he makes that demand is, “Sir, you are insane. We are not putting our lives in the hands of an insane person. You’re fired. Good day.”

ED: “Also, we should add, you can’t catch a shark this big with a fishing pole. It had to be said.”

BD: HAHAHAHAHA.

ED: Like, his big plan is that he is going to REEL it in with his human man arms.

BD: I was under the impression that he was using some sort of contraption to leverage the weight of the boat or something? But that might not be how science works.

ED: I don’t think so. I think he was using the power of a metal cup to help hold the fishing rod and that is that and then it shows him reeling in and letting out and then being like, “This shark is so smart! i can’t pull him in!”

BD: “He’s either very very smart or very very dumb.”

ED: LOL, yes. That’s the line. Then he hands the rod—with the shark on the line!—to Scheider who knows nothing about fishing and isn’t even strapped in!

BD: Then at the end he tries to tow him back to shore.

ED: Yeah and that works out well.

BD: Also, the entire notion of the shark following them out to sea seems suspect. Why would Jaws follow their dumb boat? It’s just one boat.

ED: Because of the dead fish and blood trail.

BD: That little bit of dead fish that Scheider throws in there though, it’s not much! Like it’s just a bit of blood. Jaws can eat that much fish whenever he wants.

ED: Oh oh oh, another thing that makes no sense is when dad and Roy find the boat with the dead fisherman at night and in the scariest moment of the film the dead body pops out and freaks dad out? WHY WOULD THE SHARK KILL THE FISHERMAN AND NOT EAT HIM? He is not a murderer. He’s a “maneater!” He would have eaten that body!

BD: Jaws: Actually a story of a shark out for revenge against Ben Gardner. All the other attacks are just to cover up his crime.

ED: HAHAHHAHAHAHAHAHA.

BD: I mean, maybe Jaws didn’t kill Ben Gardner. Maybe someone else did. Maybe they got away with it.

ED: Wow, you remembered that character’s name. i am kind of blown away.

BD: “That’s Ben Gardner’s boat.”

ED: Yeah, that is the line but like, what are you? A savant? I barely remember dad’s character’s name. I’m confused if it’s hooper or hopper.

BD: Emily, I know all the lines to almost all of dad’s movies. I watched them all dozens of times when I was young…It’s Hooper.

ED: Where was i? I watched Always a lot…and cried.

BD: Yeah, Always is sad. I love the bit of that movie when Holly Hunter comes down in the dress dad bought her and that song “Smoke Gets In Your Eyes” plays. That song makes me cry.

ED: That is a very good moment. Ok, but so, we can agree, Jaws makes no sense.

BD: Yeah. Great film.

ED: Wonderful film.

BD: Makes no sense.

ED: Makes little sense.

BD: It could make more sense.

ED: It could make more sense!

The end.

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"Jaws" Is Ridiculous, Say Kids Who Owe Everything to "Jaws"

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TV Strike Against Dodgers May be the Straw That Breaks the Sports Bubble

Mother Jones

LA Times columnist Steve Lopez thinks it’s long past time for everyone to figure out a way to end the Dodgers TV blackout in Southern California:

This all began in 2012 when the Guggenheim Group, or whatever they call themselves, paid too much money — about $2 billion — to buy the Dodgers from the hated Frank McCourt….The new owners then managed to dupe Time Warner Cable into spending an even more obscene amount — $8.4 billion — for the rights to broadcast the games on SportsNet LA.

….They figure they’ll get all of it back from you and me by raising the price of tickets and hot dogs and the fees for getting the games on TV….But in the case of the Dodgers, there was a snag along the way. DirecTV and other companies didn’t like Time Warner’s asking price for the right to carry the games, and they told the cable giant to stuff it. So the standoff continues, with half the season gone and no relief in sight.

Actually, I don’t think this is quite right. It’s not the asking price per se that cable companies don’t like, it’s the fact that Time-Warner is demanding that their spiffy new all-Dodgers channel be added to the basic cable menu. Other broadcasters aren’t willing to do this. If Time-Warner wants to set a carriage fee of $5 or $10 or whatever, that’s OK as long as it’s only being paid by people who actually want to watch the Dodgers. It’s not OK if every single subscriber has to pay for it whether they like it or not. At that point, it basically becomes a baseball tax on every TV viewer in Southern California.

Of course, this is just another way of saying what Lopez said: Everyone involved in this fiasco has overpaid. Time-Warner is demanding that their Dodgers channel be added to basic cable because they know they can never justify their purchase price if they can only get subscription revenue from the one-half or one-third of all households who actually care about the Dodgers. So they’re holding out for the tax.

I’d like to see the Dodgers on TV, but I hope everyone holds out forever anyway. It’s time for a revolt against the absurd spiral in prices for sports teams, and maybe historians will eventually point to this as the straw that finally broke the sports bubble. But that all depends on how long everyone can hold out.

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TV Strike Against Dodgers May be the Straw That Breaks the Sports Bubble

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WATCH: MoJo’s Dan Schulman Talking Koch Brothers, ‘Sons of Wichita’ on The Daily Show

Mother Jones

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Mother Jones’ own Daniel Schulman appeared on The Daily Show with Jon Stewart on Tuesday to talk about Sons of Wichita, his new book on the Koch brothers. If you’d like to buy the book, click here.

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WATCH: MoJo’s Dan Schulman Talking Koch Brothers, ‘Sons of Wichita’ on The Daily Show

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Ruby Dee Was a Badass

Mother Jones

On Wednesday, actress Ruby Dee passed away at the age of 91. Her long career brought her much acclaim and many honors, including an Academy Award nomination for her work in Ridley Scott’s American Gangster. She, along with her late husband and fellow actor Ossie Davis, was also famous for her civil rights activism, which dated back to the 1950s.

Dee began attending protests as a child, joining picket lines to campaign against hiring discrimination. She and Davis emceed the 1963 March on Washington where Martin Luther King, Jr. delivered his landmark “I Have a Dream” speech. They rallied against apartheid in South Africa. In 1999, they were arrested while protesting the death of Amadou Diallo, an unarmed immigrant from Guinea, who was gunned down by four NYPD officers. And the list goes on.

“I never remember, like, saying, ‘I’m gonna join the civil rights movement’—that’s all I knew all my life, some aspect of it, even before it was called the civil rights movement,” Dee once told an interviewer from the Archive of American Television. “When I first, years ago, saw my first picture of black men hanging from trees, well, I could scarcely know the meaning of things. Or, I remember things that stuck in my head, this family strung up and the woman was pregnant and they opened the belly up, the baby had fallen out…So I can’t say that I joined the civil rights movement; I was born into it. Racism is a disease of democracy. Our country could be one of the greatest countries that god ever imagined, were it not for this thing of racism…This grand experiment that is America is tainted by racism and bigotry, and these kinds of hatreds…This ridiculous thing of racism.”

Via New York’s PIX11 News, here is footage of Dee in 1969 reading the names of young black men killed by police officers:

“Ruby Dee was…a woman who believed deeply in fairness, a conviction that motivated her lifelong efforts to advance civil rights,” SAG-AFTRA president Ken Howard said in a statement. “The acting community—and the world—is a poorer place for her loss.”

Via Google News Archive

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Ruby Dee Was a Badass

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Animal Planet’s Turtleman Returns to Air Despite Damning Federal Investigation

Mother Jones

Earlier this year, Mother Jones reported on malnourished raccoons, caged coyotes, and bats left for dead behind the scenes of Animal Planet’s hit show Call of the Wildman. During a seven-month investigation, we discovered that the show’s producers routinely sourced trapped wildlife to perform roles in heavily scripted “rescue” scenes.

Now, federal authorities have confirmed cases of animal mistreatment in the show. In a 60-page internal dossier, one investigator says animals used on set likely suffered “deprivation and distress” that “threatened their health and well-being.”

The documents from the United States Department of Agriculture (USDA)—released for the first time to Mother Jones—reveal investigators criticizing the show’s producers for supplying “contradictory and incomplete” statements to authorities, and calling for a “more exhaustive and detailed” investigation than the preliminary “fact finding” the department has been engaged in since Mother Jones first broke the story.

Our complete coverage of animal mistreatment behind the scenes at Animal Planet


Drugs, Death, Neglect: Behind the Scenes at Animal Planet


Animal Planet Star Was Warned He Was Breaking the Law


How a Coyote Suffered Behind the Scenes at Animal Planet


Viewers are Furious With Animal Planet for Mistreating Animals on “Reality TV”


Animal Planet’s “Call of the Wildman” Abruptly Canceled in Canada

Inspectors also fault the show’s star, Ernie Brown Jr., known as Turtleman, for traumatizing a protected species of zebra by tackling the animal to the ground by its neck, all with the cameras rolling. The zebra’s owner, a production contractor, was issued a formal citation for non-compliance with the Animal Welfare Act in March.

The complete dossier—a mix of emails, case files, and memoranda compiled over four months by one of the USDA’s law enforcement arms—contains new details that add to Mother Jones’s reporting about the show’s cavalier production practices.

In one lengthy memo, USDA animal welfare inspector Juan F. Arango writes:

Although they deny it, Sharp Entertainment acquires, holds, uses and disposes of the animals during and after the filming the show…It appears that Sharp Entertainment could not legally become licensed to use trapped or captured native wildlife without circumventing state law.

Neither Sharp nor Animal Planet responded to questions from Mother Jones. Reached by phone, Animal Planet’s vice president for communications, Patricia Kollappallil, declined to comment on the internal USDA report or refer questions. “I don’t think there’s anybody that’s equipped to speak with you, frankly,” she said. “I’m going to hang up.”

In spite of grave concerns, Call of the Wildman is back on the air

Despite the federal investigation, Animal Planet premiered a new run of the show with an episode called “Phantom Menace” last Sunday, June 8. Animal Planet Canada, one of the network’s sister channels, abruptly canceled future episodes of the show in April, saying the show had stopped “resonating with Canadian audiences.”

The show returns to US airwaves amid concerns by state officials in Kentucky that Turtleman might be planning to film new episodes without holding a proper wildlife permit to catch animals himself—the defining part of Turtleman’s on-camera performance. As of Monday this week, officials with the Kentucky Department of Fish and Wildlife confirmed that Ernie Brown Jr. does not possess a current Nuisance Wildlife Control Officer (NWCO) license, a permit he has previously held and that enables him to catch and handle wildlife.

“They shouldn’t be doing anything in Kentucky,” says Mark Marraccini, a spokesperson for the department, referring to filming.

The show’s producers have not contacted the department, which overseas the licenses, to notify officials of their intentions, Marraccini says. But multiple sources have told Mother Jones the show is “in production.”

An official citation against the owner of a zebra

In the Texas-based episode of the show called “Lone Stars and Stripes”, Turtleman chases a Grévy’s zebra—an animal protected under the Endangered Species Act—before cornering it and tackling it to the ground. Jason Clay, owner of the zebra and an animal park called Franklin Drive-Thru Safari, told Mother Jones that the animal was treated properly by the crew. But USDA’s inspection report confirms that by allowing Brown to tackle the animal, Clay did not comply with the part of the Animal Welfare Act that prohibits handling animals in a manner that could cause “trauma, behavioral stress, physical harm or unnecessary discomfort.” Clay could not be reached for comment on the citation, and did not return a message left at the Franklin Drive-Thru Safari.

Sick baby raccoons left in the care of production staffers

The USDA documents also reveal new details of the saga that eventually led to the death of one of the raccoons used for a 2012 episode involving the staged “rescue” of a family of raccoons. The investigator found that the vet who received the baby raccoons as part of the episode’s rescue scene immediately diagnosed the babies with dehydration, contradicting Sharp Entertainment’s earlier statements to Mother Jones that the baby raccoons were transferred to the vet in question in a good condition, and “by all accounts were healthy.”

Arango concludes in his investigation notes that show’s producers likely exposed raccoons in its care to unnecessary harm through mistreatment:

… based on the age and medical history of the raccoon kits used on the show, and what appeared to be inappropriate handling, it is likely that these animals experienced unnecessary deprivation and distress, accompanied by a lack of adequate veterinary care, which threatened their health and well being.

Arango also found that that “the raccoons were acquired by Sharp on April 5, at least 7 days before they were released or transferred on April 12.” This would place the handling of the raccoons well outside the maximum 48 hours allowed under Kentucky law.

Disappointment greets the show’s return to Animal Planet

Animal welfare organizations are upset about the return of the show to Animal Planet on Sunday, and have renewed calls for its cancelation.

“The Humane Society of the United States is disappointed that the network has decided to renew Call of the Wildman in the face of allegations that the animals were taken from the wild, became sick, and endured inappropriate confinement on previous shows,” said Nicole Paquette, a vice president for the organization. “We urge the network to take immediate action and discontinue this program. The only way to ensure animals are not harmed is to not use them.” Carter Dillard, from the Animal Legal Defens4e Fund praised the USDA’s investigative work, saying that it shows “significant violations and pattern in practice across multiple licensees.”

Elsewhere, wildlife officials with the state of Texas and the city of Houston both have separate, ongoing formal investigations into Call of the Wildman.

Meanwhile, fans of Animal Planet’s brand of reality TV enjoyed a double-dose of Turtleman on Sunday. Before Call of the Wildman aired last Sunday, Turtleman and his sidekick Neal made cameo appearances in the season premiere of Finding Bigfoot, a show that follows researchers who collect evidence for the existence of the mysterious Sasquatch.

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Animal Planet’s Turtleman Returns to Air Despite Damning Federal Investigation

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Maybe Cable Bundling Is OK, But We Should Unbundle Sports

Mother Jones

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Josh Barro makes the case today that unbundling cable channels and offering them a la carte wouldn’t really benefit consumers. This point has now been made so many times that I don’t think it counts as counterintuitive anymore, but Barro makes one additional point that represents my real gripe with channel bundling:

Not everyone would lose out. For example, if you never watch sports, you might be better off not having to pay for ESPN, which charges the highest carriage fee of any basic cable channel. But Mr. Byzalov estimates that sports channel carriage fees would more than triple under unbundling, as most subscribers opt out and only die-hard sports fans buy in. Consumers who don’t care about sports at all would be better off, but casual sports fans would be worse off: They wouldn’t find it worth paying $37 for an unbundled cluster of sports channels, even if they would have paid the roughly $9 that it costs to get those channels as part of a bundled package.

Most people don’t know just how much sports channels cost them, but they can account for nearly half of your average cable bill in some areas. Not everywhere, mind you, but the explosion of sports channels (Fox Sports 1, the NFL channel, the Golf channel, the NBC Sports Channel, etc.) and rise of dedicated team channels (the Lakers channel, the Dodgers channel, the Pac-12 channel, etc.) have steadily pushed the price of sports skyward in big media markets like Southern California. You don’t pay $9 for that collection. Carriage fees are a closely guarded secret, so it’s hard to say how much you do pay, but it’s probably something like $25 or more.

This doesn’t hurt me, since I watch enough sports to (mostly) make this worthwhile. And the fact that all you non-sports watchers have to pay for this stuff basically subsidizes my habit. So thanks! But honestly, I don’t think you should have to. When Time Warner demands that the Dodgers channel be part of basic cable—my latest hobbyhorse—it basically amounts to a Dodgers tax on every family in the LA area. But I’m afraid I don’t really see why Time Warner should be allowed to levy a tax on every family in the LA area.

So go ahead and keep bundling. Maybe it’s more efficient in the end, and doesn’t really cost most of us very much money. But unbundle sports. It’s a big expense, and those of us who are sports junkies ought to be the ones paying it. Plus there’s this: if we all paid the true cost, instead of forcing everyone to subsidize the rest of us, it might finally provoke some serious pushback—and maybe the astronomical and absurd upward spiral of sports rights would finally abate. If this means the Dodgers are worth only $1.7 billion instead of $2 billion, that’s OK with me.

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Maybe Cable Bundling Is OK, But We Should Unbundle Sports

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