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Why the Producer of "The Hangover Part III" Has Spent So Much Time in Prison

Mother Jones

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The past few weeks have been particularly busy ones for Scott Budnick, the 36-year-old executive producer of the hilarious, cringe-inducing, and incredibly lucrative Hangover film franchise. In case you hadn’t noticed, this is opening weekend for The Hangover Part III, starring Bradley Cooper, Zach Galifianakis, and Ed Helms. It is almost certain to kick ass at the box office—so least so long as they didn’t let Mike Tyson sing again.

Yet even as Budnick prepared for his big premiere, the ink was still drying on the incorporation papers of his other major launch this month. Unlike the comedies he produces—Starsky & Hutch, Project X and Due Date are also among his babies—the Anti-Recidivism Coalition is serious business. It’s a nonprofit whose task is neither glamorous nor lucrative, and whose payoff will be measured not in ticket sales and licensing deals, but in bills passed, lives saved, futures salvaged, and families reunited.

ARC is just the latest of Budnick’s efforts to ensure a second chance for young California prisoners who have shown the will and the desire to make something of their lives. It’s partly a support network for high-achieving former prisoners—many of whom have Budnick to thank for the education they managed to get behind bars. But it’s also an advocacy group that uses the kids’ turnaround stories to convince jaded state legislators that rehabilitation is possible, if only they would enable it. His kids have already managed to restore $1.8 million in state cuts to prison college programs. In recent weeks, they have been rallying behind SB 260, a bill that guarantees a sentencing review after 10 years for prisoners who committed their crimes as minors. If they have taken serious steps toward rehabilitation, the judge could reconsider their sentence.

“I was very skeptical when I first met him,” recalls Julio Marcial, who oversees violence-prevention programs for the California Wellness Foundation, one of Budnick’s primary funders. That introduction took place at the Sylmar branch of LA County’s juvenile hall, circa 2003. Budnick was volunteering at the time (and still does) with InsideOUT Writers, a Hollywood nonprofit that brings journalists and creative types into juvie to help incarcerated kids find positive ways to express themselves. “I’ve seen Hollywood folks come and go. I’ve seen people do this to make themselves feel better,” Marcial says. “But when I asked the kids why this program was so important to them, they said Scott was the consistent adult in their lives. He became a father-like figure to them.”

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Why the Producer of "The Hangover Part III" Has Spent So Much Time in Prison

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This Is Why Michael Bay Gets To Keep On Making Movies

Mother Jones

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Michael Bay is one of the most intensely reviled filmmakers of the past 30 years.

“The crassest hack in the business,” Rolling Stone‘s Peter Travers—perhaps Bay’s least generous critic—said of the director after watching 2003’s Bad Boys II. “Is Michael Bay the Devil?” an Entertainment Weekly headline read in 1998. South Park co-creator Trey Parker wrote an entire love song for Team America: World Police about how much he thinks Michael Bay is terrible.

Bay has been nominated for four different “Worst Director” Golden Raspberry Awards—a near-record. “Michael Bay is quite the perennial!” says John Wilson, founder of the Golden Raspberry Awards. “I don’t think he’s an adult filmmaker. He has this tendency to revert to the model of, ‘It’s Been 7 Minutes, Something Has To Blow Up Now.'”

This near-constant stream of criticism and condemnation of which the director is fully aware.

And he insists he couldn’t possibly care less about it.

“I really, really don’t care,” Bay tells me, calling from Los Angeles. “For instance, you look at the box-office returns: Break it down, and you see that 120 million people went to see Transformers 3. So, you know, 500 critics are not going to take the fun out of it for me. I make movies for people. I make movies for audiences to enjoy. A few sour apples are not going to spoil my fun.”

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This Is Why Michael Bay Gets To Keep On Making Movies

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Watch: Ghosts of the Asylums

Mother Jones

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Mother Jones‘ cover story for May/June 2013, “Schizophrenic. Killer. My Cousin.“, features a collection of eerie, yet beautiful photographs of abandoned mental illness hospitals. They’re the work of Jeremy Harris, a Brooklyn photographer who began sneaking into these buildings in 2005. In this video Jeremy explains the project and shows off some of the hospital artifacts he’s collected along the way.

Note: the video production was originally a co-production between Mother Jones and Tumblr’s Storyboard. But following the interview, Tumblr announced it was closing Storyboard.

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Tig Notaro: You’ll Laugh, You’ll Cry

Mother Jones

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One evening last August, comedian Tig Notaro sat at home in Los Angeles, wondering what she’d tell the crowd at the Largo club. Five months earlier she’d fought off pneumonia only to be waylaid by a gut infection that siphoned 20 pounds off her scrappy frame. Then her mother died and her relationship crumbled. Through it all, she had managed to keep people laughing, but a diagnosis of stage II breast cancer the day before had left her at wit’s end. When the solution finally dawned on her, she couldn’t stop laughing. That night she bounded onstage, waving: “Good evening! Hello. I have cancer! How are you?”

What followed “was one of the greatest standup performances I ever saw,” wrote Louis C.K., who posted the set on his website. Soon Notaro was everywhere. She did a segment on This American Life, landed a book deal, released a live recording, and, after a double mastectomy, appeared on Conan and teamed up with comedian pals Kyle Dunnigan and Amy Schumer to write Inside Amy Schumer, a new series that debuts April 30 on Comedy Central.

She’s also set to commence a tour with Dunnigan and comedian David Huntsberger, doing a live version of their popular weekly podcast, Professor Blastoff. I spoke with Notaro, 42, about her Huck Finn childhood, turning tragedy into comedy, and what to say to someone who has cancer. But first, listen to her “No Moleste” shtick…

Mother Jones: So how did this motley crew of comedians end up doing a podcast about religion, science, and philosophy?

Tig Notaro: David and I used to live together, and it seemed like he was always talking about that kind of stuff. And then Kyle and I were inseparable and he was talking about the same stuff. It just came about. I ran into Scott Aukerman, who hosts Comedy Bang Bang. He was just starting his Earwolf Podcast Network. I told him I was considering starting a podcast, and he said, “We’d love for you to be on.”

MJ: Give us the basic premise of Professor Blastoff.

TN: The idea is that we stumbled upon a hatch below Kyle’s house and we found all this old radio equipment, and it used to belong to a professor who built a time machine and got lost in space, and we communicate with him through this equipment, and that spins us off into these topics. We bring in guests that are comedians or doctors, specialists, friends, musicians—we just ask that people be knowledgeable or passionate about the topic. We get a lot of things wrong. It’s just a curiosity conversation, basically. I also describe it as if a teacher never quieted down the class clowns.

MJ: What’s the most eye-opening subject you’ve tackled?

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Tig Notaro: You’ll Laugh, You’ll Cry

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My Innocent Brother Was Made Into a Bombing Suspect: Sunil Tripathi’s Sister Speaks

Mother Jones

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In the aftermath of Monday’s Boston Marathon attack, a heaving pile of junk information clouded the breaking news reports. Casualty figures were botched, the number of explosive devices was misreported, and suspects were wrongly identified. On that last front, one of the families deeply affected by the press and public’s false conclusions was that of Sunil Tripathi, a 22-year-old Brown University philosophy student who went missing on March 16.

Sunil’s family, who live in Radnor Township, Pennsylvania and describe him as “kind, gentle, and shy,” had launched a social-media campaign to find him; their Facebook page garnered nearly a quarter million views in the first week of his disappearance. As the police search for Sunil expanded, his story began to make national news last month with mentions from Fox News, ABC News, the Boston Globe, and other outlets.

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My Innocent Brother Was Made Into a Bombing Suspect: Sunil Tripathi’s Sister Speaks

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"You’ve Got To Pick Yourself Up and Go Forward."

Mother Jones

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On December 7, 1993, a disturbed man boarded a Long Island Rail Road train carrying a handgun with a 15-round magazine and a canvas bag full of ammunition. He coolly gunned down six people and wounded 19 others before passengers subdued him. Among the dead was Dennis McCarthy, the husband of future Rep. Carolyn McCarthy (D-N.Y.). He was on his evening commute back to Mineola with the couple’s son, Kevin.

Another of the gunman’s bullets tore through Kevin’s brain. In a Manhasset hospital, doctors gave him a 10 percent chance of survival. He beat the odds, and in 2012 he told the New York Times that despite the brain trauma that still affects his daily life, he’s been able to move on: “Get married. Live life. Have two kids.”

But almost two decades ago, as her son began his arduous recovery, Carolyn McCarthy had suddenly found herself in the regular eye of the media. She embraced the attention, becoming an important voice for gun control. In 1996 she coasted into Congress and quickly established a reputation as the “doyenne of anti-gun advocates in the House.” McCarthy has since sponsored a range of gun legislation, including a bill to improve the National Instant Criminal Background Check System NICS that passed with the blessing of the National Rifle Association, and multiple attempts to ban assault weapons and guns with magazines of more than 10 rounds—her current legislative focus.

McCarthy now serves as a vice chair of the House’s newly assembled gun violence task force. She spoke with Mother Jones last week before Congress reconvened to once again take up the divisive task of reforming America’s gun laws.

Mother Jones: You recently described your efforts against gun violence as a “very lonely battle for many, many years.” After the Long Island Rail Road shooting, there have been dozens more like it. What goes through your mind when you hear news of another?

Carolyn McCarthy: I first got to Congress, obviously, to try to get involved with reducing gun violence because of what happened to my family, and learned over the course of time that these kind of killings and daily shootings were destroying so many families. Each time there was another mass killing there would usually be a very short period of concentration on it. You would see that the papers and TV would pick the story up and if it lasted more than 10 days of coverage that would be considered a lot.

And then Virginia Tech happened. I noticed that everybody was shocked when we found out that shooter Seung-Hui Cho had been adjudicated mentally ill. That’s when we passed the NICS bill that I had worked with the NRA on; we knew we could get it onto the floor for a vote.

MJ: During a Senate Judiciary Committee hearing on Sen. Dianne Feinstein’s (D-Calif.) assault weapons ban, Sen. Richard Blumenthal (D-Conn.) said that Newtown had “changed America.” What’s different about this shooting that has kept it in the news for so long?

CM: You have to remember, we had Aurora, the shooting at the temple, we had a number of other shootings leading up to Newtown. But Newtown, I think, struck a chord with everybody. Having innocent children, and anybody with an imagination trying to visualize when you’re talking about a child being shot seven to 11 times, that went way over the line. People started thinking, Wait a minute, this is happening in our schools now? And when you think about the large magazines, which is something I’ve been fighting for a ban on because that is what was used in the shooting on the Long Island Rail Road, why do we need large magazines? Why? I understand sportsmen use it when they go to the shooting clubs. Hunters certainly don’t use it.

MJ: In the Senate, NRA member Joe Manchin (D-W. Va.) has reportedly been negotiating with Republicans to reach a compromise on expanded background checks. Is the NRA is more willing to negotiate behind the scenes than it will publicly admit?

CM: No, I don’t think they are willing to negotiate behind the scenes. The statements that have come out from the leadership of the NRA have made that very clear, and the message they keep sending out is, it’s infringing on 2nd Amendment rights. Which is not true; anybody with common sense can understand that.

When we met with them in the beginning with our task force, they seemed to be interested in working on background checks with us. But then 10 days later LaPierre came out and said absolutely not.

They’re afraid to give one inch. The NRA is basically afraid of the other fringe groups—Gun Owners of America and one or two of the others—where they feel everybody should have the right to own a gun. Which they do. Everybody keeps forgetting that. The Supreme Court made it very clear that people do have a right to own a gun, but they also said that the municipalities and the cities and the government have a right to protect their people.

MJ: Gun advocates argue that handguns are responsible for the majority of gun violence and that mass shootings are statistically rare, overcovered, and sensationalized in the media. Do they have a point that measures like a ban on assault weapons are misguided?

CM: No, they don’t. I’m talking as a victim now. We don’t want to be a number. Each one of those people who was killed leaves a family, leaves a community in shock.

I can speak for other victims of gun violence: It brings them back to that one moment when they learned that someone in their family was either killed or severely wounded. I think that’s the hardest part of this job, because it brings you back.

And those are memories—you get on with your lives, and we do. It’s very, very painful, and we know what these families are going to go through. It hits at our heart and our mind, and also takes another little piece away from ourselves.

MJ: How were your House colleagues affected by the Tucson shooting that wounded Rep. Gabrielle Giffords (D-Az.)? Did it make any of them more sympathetic to gun control?

CM: A couple of members have certainly come up to me after Gabby and after Aurora and, because it happened in their backyards, they were more sympathetic to what we were trying to do, and have begun working with us. So they are becoming more aware, and I think most Americans are becoming more and more aware. When you’re talking about how more than 3,000 people have died since Newtown, people are going, Wait a minute, why are we doing this?

Gabby has become more public with her daily struggle with life. Everyone who knew Gabby before the shooting, how outgoing she was, how energetic she was—she was just an absolutely lovely person. And she still is. But to see her struggle… How long does it take her to get dressed? How long does it take her to do something that would have taken only seconds to do? People don’t hone in on the leftover residue of that kind of a shooting.

MJ: Last July, you told the Daily Beast, “People used to say these killings take place only in the inner cities—that’s not true—it’s like a cancer, and it goes out everywhere.” But do we too conveniently ignore gun violence that doesn’t shock the sensibilities of relatively affluent, white Americans?

CM: It’s true. The daily killings that we see that add up to quite a large amount are basically in the urban settings. In the suburban areas people think they don’t have that issue.

It’s the easy access to these particular guns that is the problem. Anybody can get them. I’ve talked to young people: “How long if you wanted to go out and get a gun, how long would it take?” And they said, 15, 20 minutes. Everybody knows where you can buy a gun illegally, and that’s why even with New York and other states that have good laws, the guns are coming from out of state. That’s why you need to have federal legislation.

MJ: What do you make of this new concept of using 3D printers to make gun parts?

CM: A lot of people are concerned about that. Steve Israel (D-N.Y.) introduced legislation last year on that. Not only can they do guns, but they could probably do other things that could be a danger to the general population. Both sides are looking at that.

But technology—that’s something else I don’t understand about the NRA. They started off being a gun safety group, and yet with the technology that’s out there, we’re going to see improvements in gun safety. And yet they’re against that. They don’t want the information coming out of the CDC.

Speaking as a nurse, people forget that information on how to save lives from car accidents, from motorcycle head injuries, a lot of that information that came out from studies from the CDC . We can make sure that we don’t see as many suicides, we can see the effects of laws on domestic violence or an order of protection, when there’s a cooling off period where you can’t buy a gun.

MJ: You must be encouraged by Obama’s executive action on the CDC, then.

CM: I think the CDC has the right to look into gun violence. It’s not judging anybody, it’s just saying, This is the way that we could save lives, this is the way we can prevent more injuries from happening. Why is the Tiahrt Amendment so important? Why are you trying to stop our police officers from stopping crime? If they’re so protective of our police force, why do they stop them at every turn?

I’ll never understand the stances that they take. If anything, because of the NRA we saw higher incidences of violence in our country.

MJ: With groups like Michael Bloomberg’s Mayors Against Illegal Guns, do you see a counter NRA forming?

CM: Oh yes, I definitely do. I had said that many years ago when Mayor Bloomberg first started getting involved in the gun issue. He’s taken this issue very, very personally, mainly because he was the person who had to go to the hospital if a police officer was shot or killed. He had to go to the funerals, he had to go visit the parents of the young child who was murdered on the streets of his city.

All these gun groups are all on the same page. We’ve never been able to do that before. That’s the one thing we were always lacking. We didn’t have the money to counteract the NRA. Now we do.

MJ: If enough Republicans see that their constituents are overwhelmingly supportive of background checks, will they press for a vote because they feel not acting would cost them elections?

CM: They’ve got to vote. But I do not believe there is as much risk as they might think. I have always felt that the NRA was not as strong as most people gave them credit for. Yes, they’re powerful. No one should ever take them for granted. But I also believe that they have this myth about them that they can take down any member of Congress.

MJ: Why have so many politicians bought into that myth?

CM: The NRA has won some elections. But I never understood, even on the Democratic side, why they would bow to the NRA when it still was not there with them. There was one member from a very conservative state, he voted with me on a gun bill many years ago. It was a rough year for him, but he went out and explained why he voted for it—it was the right thing to do, he had been a former sheriff—and he won his election easily.

MJ: At what point would gun enthusiasts’ paranoia about a government gun grab become a legitimate complaint?

CM: This is their sport. I used to go skeet shooting. I just didn’t like it. Some people don’t like skiing; I was a great skier. It’s their sport, I respect their sport. They’re law-abiding citizens. It’s the ones who don’t care about the laws, don’t follow the laws, and don’t go for the background checks we need to worry about, and we make it too easy for them to buy guns.

But this paranoia out there, that the government is going to come over and knock at your door and take away your guns, that is purely the NRA’s tactic of fear. There are people who believe that, but they also believe in machine guns, which are banned, and making bombs to be prepared to fight the government.

MJ: After Virginia Tech, you were interviewed on MSNBC by Tucker Carlson, who hounded you about the definition of a barrel shroud.

CM: It was late at night, I was tired, I knew I would make mistakes. We were talking about the NICS bill and all of a sudden he threw that out at me.

But you know what? It doesn’t matter. I don’t have to know every little thing about a gun. All I know is that the kind of guns that—and banning the large magazines that we’re trying to do on gun safety can save lives.

MJ: When did you first start feeling less lonely on this issue?

CM: I think it was after Virginia Tech. After Virginia Tech I wasn’t recovering as fast. The killings would keep going on in my mind more and more. Talking to other victims who have been in this battle for a long, long time—we had a hearing and I walked in and saw people whom I hadn’t seen in 15, 16 years, and we would just look at each other and break down crying. It’s very difficult, because you’re fighting for something you believe in. To see it continue, it breaks your heart. It just breaks your heart.

MJ: What gives you peace of mind after something like that?

CM: I worked as an ICU nurse, and if the patient didn’t survive it would be almost like the same feeling. Was there more that I could have done? Was there anything different that could have been done? But you go over it, over it, over it, and you know that there wasn’t anything else you could have done. Believe me, you wanted to stay home and get underneath that comforter and probably not face the world. There’s nothing wrong with that. But you’ve got to pick yourself up and go forward.

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"You’ve Got To Pick Yourself Up and Go Forward."

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5 Ways Biotech Is Changing Our Pets and Wildlife

Mother Jones

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Ever since humans first tamed a friendly wolf, we’ve been shaping animals to conform to our needs and wants. Just look at a Siberian husky next to a poofy, orange Pomeranian. Science journalist Emily Anthes’ new book, Frankenstein’s Cat, explores animals created by molecular genetics or wired up to electronics, but, she says, the ethical questions that come along with these futuristic critters are not completely new.

Anthes considers herself an animal lover— she shares her author photo with her pooch, Milo—and the book works through her thoughts on animal welfare and science.

From pretty glow-in-the-dark pet fish to goats that make anti-diarrhea milk, biotech animals cover an incredibly broad range. “Biotechnology sometimes get talked about as if it’s this monolithic entity that only has one meaning, like all genetic engineering is ethically the same,” she says, “We really need to start looking at individual cases and applications and highlight them.” So Anthes and I talked about some animals that may soon be found (and in some cases are already found) in pet shops, grocery stores, and research labs near you.

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5 Ways Biotech Is Changing Our Pets and Wildlife

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Covering Hugo Chávez: "If Only He Ruled As Well As He Campaigned"

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With the death of Venezuelan president Hugo Chávez, Latin America—and the world—lost one of its most polarizing leaders. Responses from the international community have ranged from devastated to celebratory, while the barrage of political postmortems in the United States has tended toward ambivalence (see here and here).

This isn’t surprising. Chávez was a contradictory figure: a champion of the poor who globe-trotted in a $65 million Airbus; a folk hero who feted Hollywood royalty and retained one of Caracas’ top fashion designers; an irrepressible showman whose recent private life remained a mystery. If at times he seemed like a throwback to an earlier generation of caudillos (most notably Fidel Castro, with whom Chávez shared an intense bond), he was nonetheless a populist, genuinely and rapturously loved by Venezuela’s poor.

His political legacy is decidedly murky. While chavistas are quick to praise the regime’s accomplishments—free education, free health care, reduced poverty, massive food and agricultural subsidies, a 93 percent literacy rate—the reality of day-to-day life in Venezuela tells a more troubling story. Caracas claims one of the world’s highest murder rates and a steady drumbeat of kidnapping, carjacking, and home invasion. One of its most notorious landmarks, the unfinished 45-story Tower of David, is now home to 2,500 squatters, a monument to the bungled economy.

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Covering Hugo Chávez: "If Only He Ruled As Well As He Campaigned"

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Teju Cole on the "Empathy Gap" and Tweeting Drone Strikes

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“Mrs Dalloway said she would buy the flowers herself. Pity. A signature strike leveled the florist’s.” Thus begins a series of tweets from the writer Teju Cole, each one a famous novel’s opening line rudely interrupted by drones. He calls them “drone short stories.”

Discursive, allusive, and always thought-provoking, @tejucole stands out in a Twitterverse crowded by hashtags and throw-away jokes. The Nigerian-American writer published his debut novel, Open City, to great acclaim in 2011, but Cole may be best known (online, at least) for his “small fates” tweets about Lagos. Small Fates is inspired by the French journalistic tradition of fait divers, roughly equivalent to “news briefs.” Perfunctory accounts of crime from Nigerian newspapers are transformed with a literary, humanizing twist: “Love is so restless. When T. Dafe’s girlfriend dumped him in Surulere, he went at her with a pen knife until she was no more.â&#128;&#139;”

His drone vignettes also breathe empathy into anonymous killings that happen far away. And Cole, also an occasional Twitter essayist, previously posted a a series of tweets linking drones, Downton Abbey, the IMF, and Virgin America. It’s easy to ignore drone strikes quietly happening halfway across the world; it’s harder to ignore them when they invade our familiar cultural turf.

1. Mrs Dalloway said she would buy the flowers herself. Pity. A signature strike leveled the florist’s.

2. Call me Ishmael. I was a young man of military age. I was immolated at my wedding. My parents are inconsolable.

3. Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather. A bomb whistled in. Blood on the walls. Fire from heaven.

4. I am an invisible man. My name is unknown. My loves are a mystery. But an unmanned aerial vehicle from a secret location has come for me.

5. Someone must have slandered Josef K., for one morning, without having done anything truly wrong, he was killed by a Predator drone.

6. Okonkwo was well known throughout the nine villages and even beyond. His torso was found, not his head.

7. Mother died today. The program saves American lives.

Intrigued by all of the above, I telephoned Cole to ask him what it means to be a writer in the 140-character era.

Mother Jones: What was the inspiration for your drone stories?

Teju Cole: I had been thinking so intensely so much about the global war on terror, especially the heavy silence that has surrounded the use of drones to assassinate people outside this country. I just realized that we’re facing here is an empathy gap. And this was just another way to generate conversation about something that nobody wanted to look at. The weird way that things come together is that when I wrote those drone tweets, the subject was not on the front page of papers. Two, three weeks later, it’s on the front page of the New York Times and everybody is talking in a very direct way because the release of this white paper.

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Teju Cole on the "Empathy Gap" and Tweeting Drone Strikes

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Shark, Sexposition, and "Game of Thrones" Season 3

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In 2006, when David Benioff and Dan Weiss, cocreators of the hit HBO series Game of Thrones, sat down with author George R.R. Martin to talk about adapting his epic fantasy series, A Song of Ice and Fire, Martin’s Hollywood bullshit detector was on high alert. “He gave us a pop quiz,” Weiss told one interviewer, but they passed the test because their passion for Martin’s books “was real and natural and completely unforced.”

Their geek-boy résumés probably didn’t hurt: Benioff, a D&D dungeon master in his youth, did the screenplay for X-Men Origins: Wolverine, and Weiss had a video-game-themed novel under his belt. Nor did their willingness to shelve all other creative pursuits—no small sacrifice for Benioff, who had adapted his own first novel, The 25th Hour, into the Spike Lee film starring Edward Norton, and followed that up with the fabulous 2008 book City of Thieves.

For the uninitiated, Game of Thrones is an engrossing tale of clans struggling for dominion in the fictional realm of Westeros. (Benioff’s two-second elevator pitch: “The Sopranos in Middle Earth.”) With a stellar crew and ensemble cast anchored by Peter Dinklage as Tyrion Lannister, the dwarf scion of a power-hungry family, the show has raked in 17 Emmy nominations and eight wins, including Dinklage as outstanding supporting actor. Benioff and Weiss told me via email about their favorite characters, learning to “fail better,” and the challenges of shooting Season 3, which premieres March 31 on HBO.

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Shark, Sexposition, and "Game of Thrones" Season 3

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