Tag Archives: mixed media

White People Could Learn a Thing or Two About Talking About Race From the Orioles’ Manager

Mother Jones

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On Wednesday, after the Baltimore Orioles trounced the Chicago White Sox in front of over 48,000 empty seats at Camden Yards, Orioles’ manager Buck Showalter offered a blunt assessment of the ongoing protests happening just beyond the stadium gates.

More coverage of the protests in Baltimore.


Eyewitnesses: The Baltimore Riots Didn’t Start the Way You Think


Obama: It’s About Decades of Inequality


Rand Paul: Blame Absentee Fathers


What MLK Really Thought About Riots


Photos: Residents Help Clean Up


Orioles Exec: It’s Inequality, Stupid


These Teens Aren’t Waiting Around for Someone Else to Fix Their City


Ray Lewis: “Violence Is Not the Answer”


Bloods and Crips Want “Nobody to Get Hurt”

When a Baltimore resident asked what advice Showalter would give to young black residents in the community, the manager explains emphasis added:

You hear people try to weigh in on things that they really don’t know anything about. … I’ve never been black, OK? So I don’t know, I can’t put myself there. I’ve never faced the challenges that they face, so I understand the emotion, but I can’t. … It’s a pet peeve of mine when somebody says, ‘Well, I know what they’re feeling. Why don’t they do this? Why doesn’t somebody do that?’ You have never been black, OK, so just slow down a little bit.

I try not to get involved in something that I don’t know about, but I do know that it’s something that’s very passionate, something that I am, with my upbringing, that it bothers me, and it bothers everybody else. We’ve made quite a statement as a city, some good and some bad. Now, let’s get on with taking the statements we’ve made and create a positive. We talk to players, and I want to be a rallying force for our city. It doesn’t mean necessarily playing good baseball. It just means doing everything we can do. There are some things I don’t want to be normal in Baltimore again. You know what I mean? I don’t. I want us to learn from some stuff that’s gone on on both sides of it. I could talk about it for hours, but that’s how I feel about it.

Fans watched from outside the stadium gates after demonstrations in response to the death of Freddie Gray forced the team to play the first game behind closed doors in Major League Baseball history. At Wednesday’s press conference, outfielder Adam Jones, who related to the struggles of Baltimore’s youth as a kid growing up in San Diego, called on the city to heal after the unrest.

Jones goes on to say:

The last 72 hours have been tumultuous to say the least. We’ve seen good, we’ve seen bad, we’ve seen ugly…It’s a city that’s hurting, a city that needs its heads of the city to stand up, step up and help the ones that are hurting. It’s not an easy time right now for anybody. It doesn’t matter what race you are. It’s a tough time for the city of Baltimore. My prayers have been out for all the families, all the kids out there.

They’re hurting. The big message is: Stay strong, Baltimore. Stay safe. Continue to be the great city that I’ve come to know and love over the eight years I’ve been here. Continue to be who you are. I know there’s been a lot of damage in the city. There’s also been a lot of good protesting, there’s been a lot of people standing up for the rights that they have in the Constitution, in the Bill of Rights, and I’m just trying to make sure everybody’s on the same page.

It’s not easy. This whole process is not easy. We need this game to be played, but we need this city to be healed first. That’s important to me, that the city is healed. Because this is an ongoing issue. I just hope that the community of Baltimore stays strong, the children of Baltimore stay strong and gets some guidance and heed the message of the city leaders.

Like team exec John Angelos, Showalter, Jones and the rest of the Orioles organization get it.

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White People Could Learn a Thing or Two About Talking About Race From the Orioles’ Manager

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Today Is The 23rd Anniversary of the Rodney King Riots. Obama Is Right, Not Much Has Changed

Mother Jones

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Speaking from the White House on Tuesday, President Obama told reporters that the tensions between Baltimore residents and local police were “not new, and we shouldn’t pretend that it’s new.”

He’s right. Wednesday is the twenty-third anniversary of the riots that followed the acquittal of four white police officers accused of beating Rodney King.

“Why does it take a catastrophe like this in order for America to hear our cry?” one demonstrator asked an MSNBC reporter on Tuesday.

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Today Is The 23rd Anniversary of the Rodney King Riots. Obama Is Right, Not Much Has Changed

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"Violence Is Not the Answer": Baltimore Icon Ray Lewis Calls For Peace

Mother Jones

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Athletes and celebrities have taken to social media to call for an end to the Baltimore riots that flared overnight after the funeral of Freddie Gray, a 25-year-old black man who died in police custody having suffered a spinal cord injury.

Ray Lewis, who played for the Baltimore Ravens for 17 years before retiring in 2013, posted this fiery speech to residents on Facebook on Tuesday, asking for peace: “Young kids, you gotta understand something. Get off the streets. Violence is not the answer. Violence has never been the answer.” (Ray Lewis was charged with murder in 2000 after a brawl in Atlanta, but those charges were later dropped.)

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I’ve got a message for the rioters in Baltimore. #BaltimoreRiots

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Ray Lewis on Tuesday, April 28, 2015

Professional basketball player and Baltimore native Carmelo Anthony delivered this message to his hometown.

We all want Justice. And our city will get the answers we are looking for. My deepest sympathy goes out to the GRAY Family. To see my city in a State of Emergency is just shocking. We need to protect our city, not destroy it. What happens when we get the answers that we want, and the media attention is not there anymore? We go back to being the same ol Baltimore City again. If not yourself, then Think about the youth. How this will impact them. Let’s build our city up not tear it down. Although, we want justice, let’s look at the real issues at hand. For example, When was the last school built in Baltimore? That’s just one example. I know my community is fed up. I’m all about fighting for what we believe in. The anger, the resentment, the neglect that our community feels right now, will not change over night. Continue, fighting for what you believe in. But remember, it takes no time to destroy something. But, it can take forever to build it back up. Peace7. #Thisonehitshome #BeMore #LetsNotFallForTheTrap “Please Understand What State Of Emergency Mean”(Destroy and Conquer) #StayMe7o

A photo posted by @carmeloanthony on Apr 27, 2015 at 8:16pm PDT

Washington Wizards forward Paul Pierce also denounced violence, recalling the Los Angeles riots after the 1992 beating of Rodney King by police, which he witnessed as a teenager in Inglewood, California:

Comedian Cedric The Entertainer, who was born in Jefferson City, Missouri, linked the upheaval to what happened in Ferguson (near his hometown), after the death of Michael Brown, a young unarmed black man shot and killed by white police officer Darren Wilson.

At least 15 police officers were injured in Monday’s riots. On Tuesday morning, about 2,500 residents responded, sweeping debris throughout the city left in the wake of buildings destroyed by fires and looted businesses.

Continued – 

"Violence Is Not the Answer": Baltimore Icon Ray Lewis Calls For Peace

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This Was Pretty Good/Sad/Awful

Mother Jones

I haven’t liked Cecily Strong’s speech tonight very much but this was pretty good/sad/awful.

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This Was Pretty Good/Sad/Awful

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Here is Obama’s White House Correspondents’ Dinner Speech

Mother Jones

Obummer’s speech starts at 3:08.

What did you think?

Link:  

Here is Obama’s White House Correspondents’ Dinner Speech

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Native American Actors Walk Off Set of New Adam Sandler Movie Over Racist Jokes

Mother Jones

About a dozen Native American actors quit the set of a new Adam Sandler film, produced by Netflix, to protest the script’s portrayal of Apache culture and what the actors claim are racist jokes about native women and elders.

According to a report by Indian Country, the actors of “The Ridiculous Six,” a spoof of the classic western flick “The Magnificent Seven,” complained to producers about the offensive stereotypes, which include the naming of female characters as Beaver’s Breath and No Bra. One scene also has a native woman “squatting and urinating while smoking a peace pipe.”

Allison Young, a Navajo Nation tribal member and student, said the actors talked to the producers and told them what they found offensive. “They just told us, ‘If you guys are so sensitive, you should leave,'”she said. “I didn’t want to cry but the feeling just came over me. This is supposed to be a comedy that makes you laugh. A film like this should not make someone feel this way.”

Loren Anthony, another tribal member and actor, told Indian Country that while he initially had reservations about appearing in the film, producers had assured him the jokes would not be racist. But from the very beginning, he said, things “started getting weird” and what were supposed to be jokes were simply offensive.

On set, going to brawl out with Nick Nolte. #TheRidiculousSix #NickNolte #NMfilm #NM #film #SAGfilm #LasVegasNM #movies #NativeActor #Acting #Actor #hollywood #Comedy #NativePride #NativeAmerican

A photo posted by Loren Anthony (@lorenanthony) on Apr 21, 2015 at 7:31am PDT

Netflix defends the film as a supposed satire. “The movie has ‘ridiculous’ in the title for a reason: because it is ridiculous,” the company said in a statement. “It is a broad satire of Western movies and the stereotypes they popularized, featuring a diverse cast that is not only part of—but in on—the joke.”

“The Ridiculous Six” follows a string of flops for Sandler, whose recent films include the 2012 movie “Jack and Jill,” which succeeded in winning every single category at the Razzies that year. His latest production stars Nick Nolte, Steve Buscemi, Will Forte, and Vanilla Ice. A preview of what that looks like below:

Awesome time with all my fellow Native’s – Navajo, Apache, Comanche, Choctaw. Cherokee.

A photo posted by Vanilla Ice â&#156;… (@vanillaiceofficial) on Apr 23, 2015 at 8:14pm PDT

“Nothing has changed,” Young says. “We are still just Hollywood Indians.”

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Native American Actors Walk Off Set of New Adam Sandler Movie Over Racist Jokes

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The New "Star Wars" Trailer Is Here And It’s Pretty Great

Mother Jones

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Watch:

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The New "Star Wars" Trailer Is Here And It’s Pretty Great

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The Mountain Goats’ New Album Takes On the Noble Warriors of Professional Wrestling

Mother Jones

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The Mountain Goats
Beat the Champ
Merge

Don’t be fooled by the easygoing folk-pop melodies and likable everyday-guy vocals: John Darnielle, leader of California’s long-running Mountain Goats, writes some of the sharpest, most thoughtful songs around. On Beat the Champ, he turns to professional wrestling, one of his cultural fixations (another being death metal), and as usual, treats his characters with perceptive compassion, savoring the orchestrated drama of the “sport” without a hint of condescension. While “The Legend of Chavo Guerrero” (“I need justice in my life”) highlights the uplift that wrestling’s morality plays provide for the fans, more often Darnielle depicts the daily struggles, emotional and physical, of its participants in and out of the ring. From “Choked Out” (“I can see the future, it’s a real dark place”) to “The Ballad of Bull Ramos” (“Get around fine on one leg/Lose a kidney, then go blind/Sit on my porch in Houston/Let the good times dance across my mind”), his noble hard-luck warriors are not soon forgotten.

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The Mountain Goats’ New Album Takes On the Noble Warriors of Professional Wrestling

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Area Doctor Seeks SEO Boost

Mother Jones

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Here’s one way to drum up some business.

The Times’ Letters Editor should talk to the Times’ sponsored content department. This could be a bold new revenue stream.

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Area Doctor Seeks SEO Boost

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This New Country Blues Compilation Is the Best Kind of History Lesson

Mother Jones

Various Artists
The Rough Guide to Unsung Heroes of Country Blues
Rough Guide

There are any number of ways to approach this fine 24-track compilation of performances from the ’20s and ’30s. First, it’s an intriguing history lesson, showing how ragtime, jazz, folk, and other styles were blended to create the music that would ultimately become the blues. If that seems too much like eating your vegetables, instead consider it an exploration of the roots of more celebrated artists. The Lovin’ Spoonful covered Henry Thomas’ “Fishing Blues,” while Cream updated Blind Willie (Joe) Reynolds’ “Married Man Blues” and Muddy Waters turned Hambone Willie Newbern’s “Roll and Tumble Blues” into a landmark of the genre.

It’s easy to imagine the Stones cribbing from any of these songs. But the best way to appreciate The Rough Guide to Unsung Heroes of Country Blues is on a strictly musical level. There’s infinite variety and subtlety to be found in the artful singing and inventive acoustic guitar playing of the men—and a handful of women, including the elusive Geeshie Wiley—represented on this excellent set. Start with Lane Hardin’s spooky “California Desert Blues,” or practically any other song, and prepare to be hooked.

From – 

This New Country Blues Compilation Is the Best Kind of History Lesson

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