Tag Archives: moments

"Bad Hombres" and "Nasty Woman": Internet Unites to Slam Donald Trump’s Debate Remarks

by ReinaImlay Posted on October 20, 2016

Mother Jones

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Donald Trump stunned the political world during Wednesday’s third and final presidential debate when he refused to promise he would respect the upcoming general election results. But on social media, two phrases spoken by the GOP candidate managed to dominate the conversation: “bad hombres” and “nasty woman.”

The remarks sparked instant outrage online, quickly becoming a rallying point for voters opposed to Trump’s hard line on immigrants and women—two demographics widely predicted to vote against the Republican nominee. Here’s how the internet re-appropriated the phrases:

Trump dropped his “nasty woman” insult at Hillary Clinton, seemingly out of nowhere, when she was in the middle of criticizing his failure to pay income taxes. Moments later NastyWomenGetShitDone.com redirected to Clinton’s campaign site.

This is amazing! #imwithher

A photo posted by Travis Wall (@traviswall) on Oct 20, 2016 at 6:20am PDT

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"Bad Hombres" and "Nasty Woman": Internet Unites to Slam Donald Trump’s Debate Remarks

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The Pure Pleasure of "Getz/Gilberto ’76"

by VirgilMuse Posted on February 24, 2016

Mother Jones

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Stan Getz and Joao Gilberto
Getz/Gilberto ’76
Resonance

Courtesy of Resonance Records

In 1964, with America in the throes of Beatlemania, “The Girl from Ipanema” breezed into the Top Five and sparked the bossa nova craze. This unlikely hit was a collaboration between American tenor sax great Stan Getz and Brazilian singer-guitarist Joao Gilberto (with enchanting vocals by his soon-to-be-ex-wife Astrud Gilberto), who would continue to work together on and off in the 1960s and ’70s. The previously unreleased Getz/Gilberto ’76 is pure pleasure, as inviting as a gentle summer breeze (something especially welcome this time of year). Recorded at San Francisco’s Keystone Klub—you can hear glasses clinking in the background, with no detriment to the music—this delicious live set features Gilberto’s shimmering acoustic guitar and gentle singing unaccompanied on some tracks; elsewhere, he’s supported by Getz’s gorgeous sax and deftly understated band, which includes pianist Joanne Brackeen, bassist Clint Houston, and drummer Billy Hart. Either way, it would be almost impossible to overstate the silkily seductive charms of this wonderful set. For those who prefer a straight-ahead jazz experience, the same cast, minus Gilberto, shines on the companion release Moments in Time, also previously unheard and recorded at the same venue.

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The Pure Pleasure of "Getz/Gilberto ’76"

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