Tag Archives: resonance

The Pure Pleasure of "Getz/Gilberto ’76"

Mother Jones

<!DOCTYPE html PUBLIC “-//W3C//DTD HTML 4.0 Transitional//EN” “http://www.w3.org/TR/REC-html40/loose.dtd”>

Stan Getz and Joao Gilberto
Getz/Gilberto ’76
Resonance

Courtesy of Resonance Records

In 1964, with America in the throes of Beatlemania, “The Girl from Ipanema” breezed into the Top Five and sparked the bossa nova craze. This unlikely hit was a collaboration between American tenor sax great Stan Getz and Brazilian singer-guitarist Joao Gilberto (with enchanting vocals by his soon-to-be-ex-wife Astrud Gilberto), who would continue to work together on and off in the 1960s and ’70s. The previously unreleased Getz/Gilberto ’76 is pure pleasure, as inviting as a gentle summer breeze (something especially welcome this time of year). Recorded at San Francisco’s Keystone Klub—you can hear glasses clinking in the background, with no detriment to the music—this delicious live set features Gilberto’s shimmering acoustic guitar and gentle singing unaccompanied on some tracks; elsewhere, he’s supported by Getz’s gorgeous sax and deftly understated band, which includes pianist Joanne Brackeen, bassist Clint Houston, and drummer Billy Hart. Either way, it would be almost impossible to overstate the silkily seductive charms of this wonderful set. For those who prefer a straight-ahead jazz experience, the same cast, minus Gilberto, shines on the companion release Moments in Time, also previously unheard and recorded at the same venue.

Link – 

The Pure Pleasure of "Getz/Gilberto ’76"

Posted in Anchor, Citizen, FF, GE, LG, ONA, PUR, Radius, Uncategorized, Venta | Tagged , , , , , , , , , , , | Comments Off on The Pure Pleasure of "Getz/Gilberto ’76"

The Freewheeling Fun of Jazz Guitarist Wes Montgomery’s Live Concerts

Mother Jones

<!DOCTYPE html PUBLIC “-//W3C//DTD HTML 4.0 Transitional//EN” “http://www.w3.org/TR/REC-html40/loose.dtd”>

Wes Montgomery
In the Beginning
Resonance

Near the end of his life, jazz guitar virtuoso Wes Montgomery (1923-1968) caught the ear of pop audiences with a series of records that were slick and sophisticated, but a little dull. This vibrant two-disc set is far more satisfying. Spanning 1949 to 1958, In the Beginning is dominated by live performances from Montgomery’s hometown of Indianapolis, in small-group settings that often featured brothers Monk (bass) and Buddy (piano), along with underrated tenor sax player Alonzo “Pookie” Johnson. The recordings aren’t perfect technically, and the playing isn’t always razor-sharp, but all concerned sound like they’re having a great time, especially Wes, who swings and struts with a freewheeling joy missing from his later work. Also included are five polished studio tracks produced by none other than a 22-year-old Quincy Jones, although these pale next to the spontaneous sounds of Wes Montgomery onstage, finding himself and having fun.

View original post here: 

The Freewheeling Fun of Jazz Guitarist Wes Montgomery’s Live Concerts

Posted in alo, Anchor, FF, GE, LG, ONA, Radius, Uncategorized, Venta, Vintage | Tagged , , , , , , , , , , , | Comments Off on The Freewheeling Fun of Jazz Guitarist Wes Montgomery’s Live Concerts