How Postmodern Jukebox Turns Kesha to Doo-Wop, Guns N’ Roses to NoLa Blues
Mother Jones
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Ever wonder what Miley Cyrus might sound like if it were written and recorded in the 1950s? Or what Pitbull and Kesha’s “Timber” would be like if it were produced at the height of doo-wop? Lady Gaga transposed to the ’40s? Daft Punk done by Irish tenor singers? A Motown tribute to Nickelback? Lorde’s “Royals” sung by a talented clown? “Blurred Lines” converted into a bluegrass dance tune?
Postmodern Jukebox’s “alternate history of pop music” has all that, and much more. For instance, check out the group’s recent cover of Guns N’ Roses’ “Sweet Child O’ Mine,” featuring Miche Braden—in the style of New Orleans blues:
“Before things took off on YouTube, I was a jazz pianist,” says Scott Bradlee, the group’s founder. “When I moved to New York when I was 24, I did the thing all musicians do: played clubs and so on. I had all these ideas in my head since high school, like when would I take classic rock and made it ragtime. I was probably the only kid in my high school who really liked ragtime. I wanted to find a venue for that kind of experience. I didn’t find it in jazz clubs—i found it on YouTube.”
Originally from:
How Postmodern Jukebox Turns Kesha to Doo-Wop, Guns N’ Roses to NoLa Blues
