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10 "Songs of the Summer" Going Back a Century

Mother Jones

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As the amount of time we spend debating which track is truly the song of the summer swiftly approaches the amount of time spent listening to said tracks, it can be helpful to turn backward for guidance. How can we argue about 2013 without first arguing about 1993? 1953? 1913? Using Billboard chart performance as well as more subjective measures, let’s get our summer hit house in order.

1913: “When Irish Eyes Are Smiling,” Chauncey Olcott

Going by Tsort’s chart consolidations (which will be the main standard for here for the years Billboard was only publishing sheet music and vaudeville charts), “When Irish Eyes Are Smiling” was a number one hit in 1913, entering the charts in June and remaining for 16 weeks. Olcott—who was from New York—meant to evoke the serenity and peacefulness of Ireland when she wrote the song for the musical The Isle O’Dreams.
(Also considered: “When I Lost You” by Henry Burr and “The Spaniard That Blighted My Life” by Al Jolson.)

1923: “Down Hearted Blues,” Bessie Smith

With lyrics like “Trouble, trouble, I’ve had it all my days / It seems that trouble’s going to follow me to my grave,” Bessie Smith’s recording of this ode to an abusive ex-lover wasn’t exactly a feel-good hit. Anyone who was darb enough in the summer of 1923 still thought it was the bee’s knees, though, and that frazzle-snazzle helped it reach number one after charting in June. In 2006, the track was inducted into the Grammy Hall of Fame.
(Also considered: “Yes! We Have No Bananas” by Billy Jones (later performed by the Swedish Chef of Muppets fame) and “Parade of the Wooden Soldiers” by Paul Whiteman.)

1933: “The Gold Diggers’ Song (We’re in the Money),” from Gold Diggers of 1933

What could have happened in the 1930s that would make this image resonate with audiences? While it may only be the second-best gold digger-related song of all time (scratch that, third-best), “We’re in the Money” was a huge hit in the summer of 1933. Not only did it lead off the Gold Diggers film, which premiered in late May, but star Dick Powell recorded a separate version that got radio play on its own. With apologies to Duke Ellington, whose instrumental “Sophisticated Lady” charted for four months that year—maybe if he had included a pig latin breakdown, he would have won out. (Also considered: “Sophisticated Lady” by Duke Ellington and “Stormy Weather” by Ethel Waters.)

1943: “You’ll Never Know,” Dick Haymes

No, you’re not a bored college student again—that song really is a cappella. Musicians were on strike in 1943, and since it would be decade before they could all be replaced by Pro Tools and a Casio keyboard, singers like Dick Haymes had to make due. “You’ll Never Know” first rose to prominence after Alice Faye performed it in Hello, Frisco, Hello. (It won the Academy Award for best original song.) Haymes’ version hit number one on the Billboard charts in the middle of July and didn’t drop from that spot for another month. (Also considered: “I’ve Heard That Song Before” by Harry James and “Taking A Chance On Love” by Benny Goodman.)

1953: “The Song From Moulin Rouge,” Percy Faith

No, not that Moulin Rouge. It may not have originally been a summer song—it first hit the Billboard sales charts in March—but Percy Faith’s track lasted 24 weeks, peaking at number one from May to July. It didn’t do as well on the jukebox charts as Eddie Fisher’s totally-not-about-a-stalker hit “I’m Walking Behind You,” though Faith did outpace Fisher in radio plays. Do they still measure jukebox plays, or can we just assume Bon Jovi has been number one since 1984? (Also considered: “I’m Walking Behind You” by Eddie Fisher and “Vaya con Dios” by Les Paul and Mary Ford.)

1963: “Fingertips Part 2,” Stevie Wonder

So it turns out the ’60s existed before the Beatles came to America. Who knew? In a strange year that saw “Hey Paula” by Paul and Paula sell more than a million copies, and The Singing Nun hold down the number one spot on the charts for a solid month, picking a definitive song of the summer is tough. The edge goes to Stevie Wonder’s live recording of Fingertips Part 2, because it’s fun as hell, features Marvin Gaye on drums, and has an impromptu encore at the end (“What key?!”). This track sat at number one for most of August. (Also considered: “Surf City” by Jan and Dean and “Sukiyaki” by Kyu Sakamoto.)

1973: “My Love,” Paul McCartney and Wings

McCartney wrote this track for his wife and bandmate Linda, proving that inter-band relationships aren’t always the worst. “My Love” sat atop the Billboard charts for four weeks in June before fellow Beatle George Harrison unseated it with “Give Me Love (Give Me Peace On Earth).” Five months later, “Photograph” hit the top of the charts, making Nickelback Ringo Starr the third Beatle with a number one song that year. (Also considered: “Will It Go Round In Circles” by Billy Preston and “Bad, Bad Leroy Brown” by Jim Croce.)

1983: “Every Breath You Take,” The Police

This track owned the summer of 1983, sitting at No. 1 throughout July and August. Sting apparently still makes $2,000 a day in royalties from “Every Breath You Take,” meaning he pulls in a cool $730,000 a year for however many wedding couples never bothered to listen to the lyrics that closely. (Also considered: “Flashdance…What A Feeling” by Irene Cara; Seriously, that’s it.)

1993: “That’s The Way Love Goes,” Janet Jackson

In the closest summer battle of the century, Jackson—whose track sat at number one from the middle of May into July—beats out UB40, whose cover of Elvis’ “Can’t Help Falling In Love” held that mark from July into September. (Let’s also toss in Tag Team’s “Whoomp! (There It Is)” as 1993’s “Get Lucky.”) “That’s The Way Love Goes” won a Grammy for best R&B song and went on to be certified platinum in the US. Sorry, UB40. I blame the A-Teens. (Also considered: “Can’t Help Falling In Love” by UB40 and “Protect Ya Neck” by Wu-Tang Clan—because this is my list.)

2003: “Crazy In Love,” Beyoncé, featuring Jay-Z

“Crazy In Love” combines the 1983 winner’s stranglehold on summer airwaves with the 1973 winner’s ‘aww’ factor. (Little-known fact: Beyoncé and Jay-Z actually actually got married five years after this track was released!) It’s also the second-highest selling single since 2000, moving more than eight million copies. In 2003, it reigned over the Billboard charts from the middle of July into September. (Also considered: “21 Questions” by 50 Cent, featuring Nate Dogg and “This Is The Night,” by Clay Aik—nope. Let’s just stop this right here.)

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10 "Songs of the Summer" Going Back a Century

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A One-Word Review of Disney’s "Planes"

Mother Jones

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Why?

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A One-Word Review of Disney’s "Planes"

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Stephen Colbert Dances With Henry Kissinger

Mother Jones

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Stephen Colbert—Comedy Central host, ex-presidential candidate, and fierce critic of President Obama’s targeted killing policy—was recently snubbed by Daft Punk. The French electro-pop duo was supposed to perform on The Colbert Report for “StePhest Colbchella ‘013,” but was forced to cancel due to contractual obligations with Comedy Central’s sister network MTV.

So on Tuesday’s show, Colbert spent much of the program taking lighthearted swipes at the electronic music stars and debuted a comedic dance-party clip set to Daft Punk’s hit song “Get Lucky.” In the video, Colbert gleefully dances with Matt Damon, Jeff Bridges, Bryan Cranston, Hugh Laurie, and… Henry Kissinger:

The Colbert Report
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At the 2:44 mark, Colbert enters Kissinger’s office and proceeds to groove around his desk. Kissinger’s segment ends with the former secretary of state and national security advisor picking up the phone and calmly calling “security” on the dancing comedian.

The video is, of course, all in good fun, and many American political figures (some of whom have appeared on The Colbert Report) are criticized for US foreign policy decisions. But Kissinger’s reputation is unique, and now is a good time to revisit why. Here are just some of the reasons why Colbert and Co. should have thought twice before making Kissinger seem like an aging teddy bear in a five-minute dance video:

Various human rights groups and journalists, including Amnesty International and the late Christopher Hitchens, have highlighted Henry Kissinger’s alleged complicity in major human rights violations and war crimes around the globe, in Chile (murder and subversion of democracy), Bangladesh (genocide), and East Timor (yet more genocide), to name a few. Perhaps his most notorious alleged act was taking part in the sabotage—on behalf of the Nixon presidential campaign—of the 1968 Vietnam War peace talks (secret diplomacy that quite possibly constituted a violation of the Logan Act). Subsequently, the Vietnam War was prolonged well into the Nixon years, allowing the US ample opportunity to do things like carpet-bomb eastern Cambodia.

Kissinger’s lesser offenses include venting about “self-serving” Jewish “bastards” who were trying to escape persecution and cultural eradication in the Soviet Union. (Kissinger is Jewish, and his family fled from Nazi Germany in the late 1930s.)

The Nobel Peace Prize-winning statesman has previously appeared on The Colbert Report, including in this clip with Eliot Spitzer and guitarist Peter Frampton. Comedy Central did not respond to a request for comment regarding Kissinger’s multiple appearances, and Colbert’s personal publicist could not be reached for comment. I will update this post if that changes.

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Stephen Colbert Dances With Henry Kissinger

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Twitter Slowly Becoming More Cool Than Facebook

Mother Jones

Over at Balloon Juice, mistermix highlights this paragraph from a story about bullying at an Ohio high school:

At Hudson High School, Facebook is yesterday’s news — “Most of Facebook is just people saying, ‘Is anyone still on Facebook?'” one student says — and increasingly, students are interacting on Twitter. In the five months since it was created, an account named Hudson Confessions (@HudConfessions) has amassed more than a thousand followers, or about two-thirds of the size of Hudson’s current student body.

Hmmm. Just a year or two ago, I remember reading that despite its aura of coolness, kids didn’t really use Twitter much. It was mostly us oldsters who used it, while Facebook reigned supreme among teens. But mistermix says that although the lamestream media doesn’t report much about Facebook’s decline, “it’s been true for a while.”

But I want numbers. I want Science™. What is America’s youth really up to? A Pew report from last May has this to say:

Teen Twitter use has grown significantly: 24% of online teens use Twitter, up from 16% in 2011….Focus group discussions with teens show that they have waning enthusiasm for Facebook, disliking the increasing adult presence, people sharing excessively, and stressful “drama,” but they keep using it because participation is an important part of overall teenage socializing.

So there you have it. Oddly enough, the social networking site beloved of political junkies and journalists is now spreading its tentacles into the Justin Bieber set. I’ll bet that’s not somethat that happens very often. For now, though, we old folks can pride ourselves on being social media trendsetters.

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Twitter Slowly Becoming More Cool Than Facebook

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Liam Neeson Joins UNICEF’s Campaign To Stop Violence Against Children, Citing “Taken” As Inspiration

Mother Jones

Actor Liam Neeson—recently famous for playing a good-natured CIA torturer who massacres ethnic stereotypes who’ve kidnapped his daughter—has a long history of working with the United Nations Children’s Fund (UNICEF). In 1997, Neeson was the celebrity face of Change for Good, a partnership between UNICEF and international airlines. Since then, he has traveled to Mozambique in support of HIV and AIDS prevention programs, and became a UNICEF Goodwill Ambassador in 2011.

And this week, UNICEF began promoting their new public service announcement starring Neeson. The PSA is part of a campaign to combat violence against children around the world, from gang rape to cyber-bullying. “As a UNICEF Goodwill Ambassador, I have long followed the issue of violence against children and the devastating impact it has on children, families and communities,” Neeson said. “It was a topic that became increasingly real to me as a child growing up in Ireland and during the filming of Taken, which focuses on one aspect of violence and abuse against children in the form of trafficking and sexual exploitation.” (Neeson has lent his time and celebrity to a number of causes and charities, including that time he stripped almost completely naked to raise money for breast cancer research.)

Watch the PSA here:

“By generously giving his time and talent…Liam Neeson helped garner attention to UNICEF’s #ENDviolence initiative,” Marissa Buckanoff, a spokeswoman for UNICEF, told Mother Jones in an email. “His compassion and dedication to the issue will make a real difference in children’s lives as this powerful video message is one more way to urge everyone…to join forces and make the invisible visible and help stop violence against children.”

Other celebrity Goodwill Ambassadors include “Twitter Nazi hunter” Mia Farrow and Orlando Bloom. UNICEF works with famous entertainers on a regular basis; for instance, pop singer Katy Perry traveled with the organization to visit slums and villages in Madagascar earlier this year.

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Liam Neeson Joins UNICEF’s Campaign To Stop Violence Against Children, Citing “Taken” As Inspiration

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Here’s Why Some People Think the Smurfs Are Jew-Hating Communists

Mother Jones

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The Smurfs 2
Columbia Pictures
105 minutes

Ever since The Smurfs—the Belgian TV and cartoon franchise—kicked off in 1958, the little blue creatures have gained an enviable international presence. The Smurfs have been on money. They’ve been featured in a UNICEF ad campaign in which the peaceful Smurf village is indiscriminately carpet bombed. And in summer 2011, the big-screen Smurfs adaptation, starring Neil Patrick Harris and Sofía Vergara, was a box-office hit; the Smurfs even got to ring the opening bell at the New York Stock Exchange.

And with The Smurfs 2 hitting theaters this week, it’s a good time to revisit another important piece of the Smurf legacy: The lovable blue-skinned animals might also be rabid totalitarians and raging anti-Semites.

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Here’s Why Some People Think the Smurfs Are Jew-Hating Communists

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Is Ginni Thomas’ Expanding Activism a Problem for Supreme Court Justice Clarence Thomas?

Mother Jones

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Virginia “Ginni” Thomas is no ordinary Supreme Court spouse. Unlike Maureen Scalia, mother of nine, or the late Martin Ginsburg, mild-mannered tax law professor who was good in the kitchen, Thomas came from the world of bare-knuckled partisan politics. Over the years, she has enmeshed herself ever more deeply in the world of political advocacy—all the while creating a heap of conflict of interest concerns surrounding her husband, Supreme Court Justice Clarence Thomas. Her role in Groundswell, the coalition of conservatives waging a “30 front war” against progressives and the GOP establishment that was revealed by Mother Jones on Thursday, revives questions about the propriety of Thomas’ activism on issues that have or could become the subject of Supreme Court cases.

Conflict of interest issues were first aired during Clarence Thomas’ confirmation hearings in 1991, when critics argued that Ginni Thomas’ political work might compromise her husband’s objectivity. At that time, her political resume included stints as a Capitol Hill aide to a Republican congressman; a staffer at the US Chamber of Commerce, where she fought the Family and Medical Leave Act; and as a political appointee at the Labor Department during the first Bush administration. Thomas didn’t leave politics after her husband was confirmed. “I did not give up my First Amendment rights when my husband became a justice of the Supreme Court,” she has said in the past. She would later return to the Hill as a staffer to House majority leader Rep. Dick Armey (R-Texas) and work for the Heritage Foundation, the conservative think tank. But in those jobs, Thomas kept a relatively low profile.

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Is Ginni Thomas’ Expanding Activism a Problem for Supreme Court Justice Clarence Thomas?

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Rebecca Solnit’s Stories Within Stories

Mother Jones

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The Faraway Nearby

By Rebecca Solnit

Viking

Some years ago, I visited my father at a nursing home in Council Bluffs, Iowa. Forty years earlier, after my parents divorced, he’d moved out there, remarried, got a good job selling insurance, played golf, developed diabetes, heart disease, and then Alzheimer’s. Bea, his second wife, warned me that he might not recognize me, his third son, and that he would tire quickly. We timed my visit around dinner, the high point of the day. I’d come to say goodbye.

I could count on one hand the number of times I’d seen him since he left my mother, my brothers, and me, age three. But he was dying, and I needed to make this visit. We had about 45 minutes together, most of it taken up with my father’s monologue, stories inside of stories that made sense to him, about people I never knew and places I’d never seen. But as it got closer to the time for me to leave, there came a moment when he paused, took a closer look at me and said—so fast I almost missed it, as if it wasn’t really meant for me—”I love you.” I held his hand, and remembered all the times I’d wished he’d been there to say that. And then my father disappeared back into his stories. Three weeks later, he died.

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Rebecca Solnit’s Stories Within Stories

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The #RoyalBaby Is Born. Here’s a Playlist For #RoyalBaby

Mother Jones

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#RoyalBaby was born today. The famous spawn of the United Kingdom’s Prince William and Duchess Kate Middleton, #RoyalBaby is a bundle of joy who is supposedly worth roughly $380 million in stimulus to the British economy. There has been much international anticipation over the birthing of #RoyalBaby. For instance, here is the Google Trends graph of “Royal Baby” searches over the past 90 days:

Via Google Trends

“Given the special relationship between us, the American people are pleased to join with the people of the United Kingdom as they celebrate the birth of the young prince,” Barack and Michelle Obama said in a statement. “Barring revolution in Britain,” the BBC wrote, “the shape and trajectory of this baby’s life is, in every real sense, inescapable. This is a child whose destiny is to inherit one of the oldest hereditary thrones in the world.”

Hereditary throne, indeed. So in honor of the latest addition to the British royal family—a bloodline marked by tabloid fame, generations of autocracy, and Nazi sympathies—here is Mother Jones‘ #RoyalBaby Playlist.

1. Pavement

2. The Smiths

3. The Sex Pistols

4. Schoolhouse Rock!

5. Aerosmith

America.

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The #RoyalBaby Is Born. Here’s a Playlist For #RoyalBaby

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Behind the Scenes With CDZA, the YouTube Musical-Comedy Stars

Mother Jones

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“Whenever we sit down to write our stuff, we always say, ‘Man, this is the stupidest shit’—but then when it all comes together, it works!” On that note, Michael Thurber ends his break and heads back into Terminus Recording Studios, which is something of a landmark in the Manhattan Theater District. Paul McCartney and Liza Minnelli have recorded here. It’s in the same building where Tupac Shakur was shot five times.

It’s also where Thurber’s crew, CDZA (Collective Cadenza), creates musical videos with a meta twist. “The Beatles Argument,” for instance, features a lovers’ quarrel sung almost entirely in Beatles lyrics.

Hip Hop Shopping Spree,” a three-minute rap medley, is accompanied by a calculation of the cumulative retail value of the songs’ product placements—almost $57 million. One video samples the history of misheard lyrics, from Carl Orff to Pink. Another chronicles the history of wooing and seducing men in song, ranging from Aretha Franklin (“A Natural Woman,” 1967) to Riskay (“Smell Yo Dick,” 2008).

And another takes the theme song from the ’90s sitcom The Fresh Prince of Bel-Air and translates it into foreign languages and then back to English using Google Translate; the broken lyrics are performed to violins and a rhythm section.

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Behind the Scenes With CDZA, the YouTube Musical-Comedy Stars

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