Tag Archives: davis

Gene editing could help save the planet — if scientists can avoid the typos

For the last few years, writers and scientists have marveled at the potential for gene editing to allow farmers to grow more food on less land and allow more of the earth to grow carbon-sucking forests and savannas.

The main advantage of gene editing is precision. It’s right there in the name: Instead of dealing with the randomness of breeding, or the rough power-tool work implied by the term “genetic engineering,” the “editing” suggests that scientists could now change the letters of genetic code with the same ease that a writer corrects typos.

But in late July, FDA scientists found a chunk of bacterial DNA in gene-edited calves, prompting people to wonder if this precision tool wasn’t as precise as advertised. That hopeful vision of a gene-edited future — verdant with pesticide-free, carbon-sequestering crops — flickered.

On Monday, the scientists studying these gene-edited cattle published a paper in the journal Nature Biotechnology explaining what happened. Essentially, this new paper tells us that gene editing precisely tweaked specific letters of DNA, exactly what it was supposed to do. But scientists also used older, cruder tools, and one of those caused the genetic typo. Even so, the end result might be that gene-editing slides into the muck of controversy over GMOs.

To be clear, the cows at the center of this study have nothing to do with creating more productive, pest-resistant foods. The scientists had edited their genes in stem cells, which grew into calves without horns. Farmers usually remove the horns to prevent cattle from injuring each other — goring is a real danger.

When I visited the University of California Davis in 2015, I saw a pair of these black-and-white bull calves standing and chewing in an outdoor pen, like ordinary but adorable bovines. Unlike other calves, however, they wouldn’t have to suffer through a painful dehorning operation, in which a veterinarian burns out their horn buds.

Some cows are naturally hornless: Angus and Hereford breeds, for instance. But those are beef cattle. For dairy you want Holsteins or Jerseys, and these champion milk producers are more carefully bred than the winners of the Westminster dog show. If you started crossing muscled Herefords with black-and-white Holsteins, it would take decades of breeding to move the hornless trait into the dairy line then weed out all the beefy traits.

What if you just plucked a single gene and moved it into dairy cows? With gene editing, you could tweak dairy cows without messing up their finely tuned milk-producing DNA so that they would no longer have to endure dehorning. The Minnesota-based company Recombinetics tried this using a technique called TALENS (you might have heard of CRISPR — this is just a different version of the same thing).

To run with the editing metaphor, Recombinetics basically took out the DNA that laid out instructions for “HORN” and replaced it with 202 letters of DNA that said “HORNLESS.” But first, they attached it to a bacterial plasmid — think of it as a sub-cellular copy machine — that would reproduce this strand over and over again (HORNLESS, HORNLESS, HORNLESS!). Then they injected all those copies into a cow cell — that gave one of those copies a much better chance of bumping into the one spot in the DNA that read HORN. This is where things went wrong. Instead of just replacing HORN with HORNLESS, the plasmid also folded into the cell’s DNA so that it read something like HORNLESS-COPYMACHINE-HORNLESS. That genetic information went into an egg, which went into a cow’s uterus, and, in 2015, grew into a hornless calf. No one noticed until years later.

The calves I saw at Davis were there to be studied by Alison Van Eenennaam, an animal geneticist. Funded by a U.S. Department of Agriculture program to assess the risks of biotech, her team first verified that the hornless trait was being passed down through generations of cattle. “Basically, we found that Mendel knew his shit,” said Van Eenennaam (that’s Gregor Mendel, the scientist from the 1800s who described how traits are inherited).

With this new paper, Van Eenennaam’s team showed that the bacterial plasmid had also been passed down to some of the calves, again following the rules of genetics 101. It doesn’t seem to be causing a problem — it’s fairly normal for DNA from germs and viruses to work its way into genomes (the human genome is about 8 percent virus DNA), and critters can usually just roll with it. But because these cattle had DNA from a bacteria, it meant they were genetically modified organisms, or GMOs in the eyes of government regulators. That, in turn, meant they would have to undergo years of testing. A giant corporation like Bayer could afford that, but not a small startup like Recombinetics. The FDA is now treating gene-edited animals like new drugs, requiring multiple rounds of safety testing, which effectively puts an end to the quest to make hornless dairy cows. Longtime opponents of biotechnology think that would be a good thing. Friends of the Earth recently released a report with Janet Cotter, who runs the consultancy Logos Environmental, condemning gene edited animals.

“The scientific evidence shows that gene editing, particularly in animals, is far from precise.” Cotter said in a statement. “Instead, it can produce unintended changes to genetic material and disrupt genetic processes. Such effects could have far reaching consequences for food safety, so these applications will require a rigorous assessment if they are to be used in agriculture.”

It would be easy enough to screen out plasmids before putting gene-edited eggs into a cow’s womb. That’s a routine procedure, said Van Eenennaam. But she worries that won’t quell fears that gene editing is sloppier than expected. Treating gene-edited animals like drugs is not proportionate with the risk, Van Eenennaam said, and would prevent breakthroughs that might help us meet the challenge of climate change, whether it’s cows that don’t belch methane, or corals that can survive heat., Van Eenennaam said.

“The debate has pretty much blocked the technology in animals through my whole career. I was hoping gene-editing would be different,” she said. “I have students who are excited about gene editing for disease-resistance — but now I feel like it’s Ground Hog Day. Here we go again.”

Excerpt from:

Gene editing could help save the planet — if scientists can avoid the typos

Posted in Accent, alo, FF, G & F, GE, LAI, LG, ONA, Uncategorized | Tagged , , , , , , , , | Comments Off on Gene editing could help save the planet — if scientists can avoid the typos

Half of all rides on Uber and Lyft didn’t have to happen.

Those trips — 49 to 61 percent of all rides in metro areas — would otherwise have been made on foot, bike, or public transit, according to new analysis from UC Davis.

Sustainability-inclined urbanists — including us — often credit car- and ride-sharing services for reducing the overall number of cars in cities. After all, if people know they can get a ride when they need one, they will presumably be less likely to invest in a car of their own.

But the UC Davis study shows that the vast majority of ride-sharing users — 91 percent — have not made a change in their personal vehicle ownership as a result of Uber or Lyft. Meanwhile, these ride-share users took public transit 6 percent less.

That means that ride-hailing services aren’t necessarily taking people out of their cars — they’re taking them off of buses and subways.

There’s still lots of evidence that shows car ownership is an increasingly unappealing prospect for young people in America’s cities (after all, a big chunk of that 91 percent may not own a car in the first place).

Taxi apps may help kill the private car, but they won’t fix all our traffic and transit problems, either. That will take more work.

Source article:  

Half of all rides on Uber and Lyft didn’t have to happen.

Posted in alo, Anchor, FF, G & F, GE, InsideClimate News, LAI, ONA, Uncategorized | Tagged , , , , , , , , | Comments Off on Half of all rides on Uber and Lyft didn’t have to happen.

Arkansas Just Executed Its 4th Man in 8 Days—His Lawyers Said His Death Was “Horrifying”

Mother Jones

<!DOCTYPE html PUBLIC “-//W3C//DTD HTML 4.0 Transitional//EN” “http://www.w3.org/TR/REC-html40/loose.dtd”>

Last night, Arkansas conducted the last of a series of executions in its rushed attempt to execute eight men in 11 days before its supply of midazolam, a controversial sedative that’s been behind several botched executions, expires at the end of the month. Kenneth Williams, a convicted murderer, was reportedly convulsing, jerking, lurching, and coughing for about 10 to 20 seconds after the officials administered the midazolam.

Kelly Kissel, a media witness, said he could hear Williams in the next room even after the microphone was turned off. J.R. Davis, a spokesman for Arkansas Gov. Asa Hutchinson, denied that the inmate had suffered and claimed that his movements were due to “involuntary muscular reaction.”

“There was no testimony that he was in pain,” he added. Davis was not in the execution chamber. Williams’ lawyers, however, are demanding an investigation; they described the execution as “horrifying.”

A series of legal setbacks halted four of the planned executions, but in the midst of public outcry, the state put four men to death in the span of eight days—three others have received stays, and one inmate received a stay after the parole board recommended clemency. Many of the men suffered from mental illnesses, were physically abused, and received substandard lawyering during their trials. Williams, who suffered physical abuse at the hands of his father was intellectually disabled and had an IQ of 70. At some point, doctors said he may have suffered brain damage. One expert noted, “His brain is not working the way it should.”

Williams escaped from prison in 1998, where he was serving time for the murder of Dominique Hurd. He first killed Cecil Boren and, during a police chase, he killed Michael Greenwood in a car crash. The family of Michael Greenwood, asked Gov. Hutchinson to spare his life. “I believe justice has already been served,” said Greenwood’s wife, Stacey Yaw. “He hasn’t been able to kill anyone else. Executing him is more of revenge.”

For his last meal, Williams asked to be served Holy Communion, and in his final statement, he apologized to the families of his victims he “senselessly wronged and deprived of their loved ones.”

Source:  

Arkansas Just Executed Its 4th Man in 8 Days—His Lawyers Said His Death Was “Horrifying”

Posted in FF, GE, LAI, LG, ONA, Radius, Uncategorized, Venta | Tagged , , , , , , , , , , | Comments Off on Arkansas Just Executed Its 4th Man in 8 Days—His Lawyers Said His Death Was “Horrifying”

Please Tell Us Why These Movie Stars Are Paid Less Than Men

Mother Jones

<!DOCTYPE html PUBLIC “-//W3C//DTD HTML 4.0 Transitional//EN” “http://www.w3.org/TR/REC-html40/loose.dtd”>

In early December, Emmy Rossum became the latest actress to demand the appropriate pay for her work. Rossum, who plays the feisty Fiona Gallagher on the hit Showtime series Shameless, asked for greater compensation than her co-star, William Macy, who has more experience but less screen time on the show. Variety reported that the studio offered Rossum pay equal to Macy’s, but that her team asked for more in order to compensate for her previous seven seasons of lower earnings.

Hollywood’s wage gap can’t compare with the wage gap affecting everyone else, particularly the working class and, to an even greater degree, women of color. But these movie stars show that no woman, regardless of her status, is completely exempt from gender-based disparity in pay. A report released by Forbes earlier this year reviewing Hollywood salaries found that the nation’s top actresses collectively are paid less than half of what their male counterparts earn. Top-earning actress Jennifer Lawrence was paid $46 million from June 2015 to June 2016. Dwayne “The Rock” Johnson, America’s top-earning actor, was paid $64.5 million. Melissa McCarthy, the runner-up for the top female earner, earned $33 million, compared with Jackie Chan’s $61 million.

Some leading ladies have spoken out about the wage gap and how they handle it. Here’s what they have to say:

Felicity Jones: The female lead for the latest installment in the Star Wars universe negotiated a seven-figure salary for her role in Rogue One. Diego Luna and Ben Mendelsohn, the male leads in the blockbuster, earned six figures. “I want to be paid fairly for the work I’m doing,” Jones said in an interview with Glamour. “That’s what every single woman around the world wants.”

Robin Wright: During an event called “Insight Dialogues,” billed as a series of conversations with thought leaders and activists hosted by the Rockefeller Foundation in New York, Wright said she had recently demanded pay equal to that of co-star Kevin Spacey on the Netflix political drama House of Cards. “I was looking at statistics and Claire Underwood’s character was more popular than Frank’s for a period of time,” Wright said. “So I capitalized on that moment. I was like, ‘You better pay me or I’m going to go public,’ and they did.”

Michelle Rodriguez: The Fast and Furious actress told TMZ she gets paid less than her colleagues. “It’s like, ‘Oh damn. Darn my luck. I wish I was born somewhere else or maybe some other way,'” she said. “That’s the world we live in, it’s a patriarchal society.”

Jennifer Lawrence: In an essay for Lenny Letter, Lawrence wrote about her frustration with the wage gap and, not surprisingly, the 26-year-old Hunger Games star did not mince words. “When the Sony hack happened and I found out how much less I was being paid than the lucky people with dicks, I didn’t get mad at Sony,” she wrote. “I got mad at myself. I failed as a negotiator because I gave up early.” Lawrence went on to describe how women have been socialized to not seem “difficult,” and how any hint of such behavior will garner negative responses from male colleagues. As of 2016, Lawrence is the world’s highest-paid actress.

Sharon Stone: Last year, the actress and producer told People that after her 1992 performance in Basic Instinct, she could not get the pay she knew she deserved. “I remember sitting in my kitchen with my manager and just crying and saying I’m not going to work until I get paid,” she said. “I still got paid so much less than any men.” She observed that eliminating the earning disparities has to start with “regular pay, not just for movie stars, but regular pay for regular women in the regular job.”

Rooney Mara: Perhaps best known for her jarring performance as the lead in The Girl With the Dragon Tattoo, Mara told the Guardian about her own experience with the wage gap. “I’ve been in films where I’ve found out my male co-star got paid double what I got paid, and it’s just a reality of the time that we live in,” she said. “To me, it’s frustrating but, at the same time, I’m just grateful to be getting paid at all for what I do.”

Patricia Arquette: The Boyhood actress made headlines last year when she used her acceptance speech for Best Supporting Actress to speak out against the wage gap. She told Mother Jones that her fight goes far beyond Hollywood—Arquette has gone to the halls of Congress to lobby for the Equal Pay Act. “I don’t want the wage gap to be viewed as this myopic problem, because it’s not,” she said. “It’s in 98 percent of all businesses, and it’s easy for people to dismiss the conversation when they think it’s around white women entertainers. But this is about all women in America.”

Viola Davis: In an interview with Mashable, Viola Davis, who recently won an Emmy for her role on in How to Get Away With Murder, said the wage gap sends the wrong message to young women. “What are you telling your daughter when she grows up?” Davis asked. “‘You’ve got to understand that you’re a girl. You have a vagina, so that’s not as valuable.'” But the barriers are much harder to surmount for women of color. “The struggle for us as women of color is just to be seen the same as our white female counterparts.”

Rose McGowan: Last year, McGowan, best known for her roles in Charmed and Grindhouse, hijacked a bipartisan political gala in DC to take a stand against unequal pay. “And I would say to you: One, get out of my body; two, equal pay for women; three, integrate,” she shouted before storming out. She had not been invited to speak at the event. McGowan had been fired by her agent months earlier after her very public criticism of a casting call for an Adam Sandler film that called for actresses to wear pushup bras.

Gillian Anderson: Twice Anderson was offered less pay than her co-star David Duchoveny on The X-Files—first when the show aired in the ’90s, and again when they revived their roles for a new season in 2015. The second time, Anderson objected and reportedly won out in the end. The two actors were paid the same for the reboot.

Visit site:  

Please Tell Us Why These Movie Stars Are Paid Less Than Men

Posted in alo, Everyone, FF, GE, LAI, LG, ONA, oven, Radius, Uncategorized, Venta | Tagged , , , , , , , , , | Comments Off on Please Tell Us Why These Movie Stars Are Paid Less Than Men

Friday Cat Blogging – 24 June 2016

Mother Jones

<!DOCTYPE html PUBLIC “-//W3C//DTD HTML 4.0 Transitional//EN” “http://www.w3.org/TR/REC-html40/loose.dtd”>

Here are the cultural references in this morning’s four blog posts:

Bette Davis, All About Eve.
New York Daily News, October 30, 1975.
The Sun, April 11, 1992.
Sinclair Lewis, It Can’t Happen Here.

And here is Hilbert, one of the primary cultural references for Friday catblogging. How could you possibly walk by this and not give him a tummy rub?

See original article – 

Friday Cat Blogging – 24 June 2016

Posted in FF, GE, LAI, LG, ONA, Uncategorized, Venta | Tagged , , , , , , , , , , , | Comments Off on Friday Cat Blogging – 24 June 2016

Trees lining California streets are worth an extra $1 billion a year

tree-total-ers

Trees lining California streets are worth an extra $1 billion a year

By on Jun 16, 2016Share

It’s not easy to price a tree, but a group of researchers from the U.S. Forest Service and U.C. Davis have tried to do exactly that.

Working with a dataset of about 900,000 trees that line California’s public streets, the group sought to place a dollar value on the services those trees perform, which include “energy savings, carbon storage, air pollutant uptake, and rainfall interception.”

All told, the researchers estimate the trees contribute about $1 billion annually — nearly $111 per tree for each of the state’s 9.1 million street trees.

They found that the trees are worth $839 million annually alone based on the value they add to property, by providing more privacy and better views.

Trees help us fight climate change, too. The study values their carbon-storage abilities at $10 million each year and their energy savings (from the shade they provide) at $101 million. Between carbon sequestration and emissions reductions from energy savings, the state’s street trees avoid nearly 600,000 metric tons of CO2 emissions annually, which is like removing 120,000 cars from the road.

Trees also take pollutants like ozone and particulate matter out of the air — adding another $18 million to the tally.

Going forward, urban foresters can use the study to help guide what types of trees pack the maximum economic and environmental impact and, importantly, where to plant more of our leafy friends. Tree-lined streets and public green spaces tend to be located in the affluent, whiter parts of town.

The researchers write that there’s enough vacant space for another 16 million street trees to be planted in the state.

Find this article interesting?

Donate now to support our work.

Get Grist in your inbox

Excerpt from – 

Trees lining California streets are worth an extra $1 billion a year

Posted in alo, Anchor, Brita, Everyone, FF, GE, LAI, ONA, solar, solar panels, Uncategorized | Tagged , , , , , , , , | Comments Off on Trees lining California streets are worth an extra $1 billion a year

Forget psychedelics. If you wanna get weird, check out this bioart

Forget psychedelics. If you wanna get weird, check out this bioart

By on 23 Nov 2015commentsShare

Bioart is weird, pure and simple. It’s DNA engineered to encode messages like “I am the Riddle of Life. Know me and you will know yourself,” paintings made of bacteria, rabbits genetically modified to glow (then don’t actually glow because fluorescent proteins don’t work in fur), living tissue grown to resemble Guatemalan worry dolls or mini leather jackets, and a “biocompatible” ear replica implanted in a human arm.

In short, bioart is what you’ll find at the bottom of the lab-grown, biofluorescent rabbit hole that emerges when scientists and artists get together and turn the building blocks of life into a new kind of creative medium. And according to a group of researchers at MIT and Harvard, it’s also a funky new way to engage the public in the controversial and often frightening world of biotech. Here’s how they put it in the latest issue of the journal Trends in Biotechnology:

Regardless of their potential for health benefits and quality of life, genetic technologies have consequences that are not absolutely foreseeable and this has led to public uncertainty about implications for personal privacy and human rights, eugenics, food and drug safety, replacement of natural systems with bioengineered counterparts, involvement of multinational corporations with genetic propriety, worldwide agricultural monopolies, and prospects for the weaponization of biotechnological accessories for the military and law enforcement. Bioartists find these issues to be compelling subjects for their art.

“Historical and Contemporary Bioart. (A) Germ paintings on paper by Alexander Fleming. Bar, 1 cm. Courtesy of Kevin Brown of the Alexander Fleming Laboratory Museum. (B) Cleared and stained Pacific tree frog gathered from Aptos, CA, USA by Brandon Ballengée (2012) in scientific collaboration with Stanley K. Sessions. DFA 186: Hades, unique digital c-print on watercolor paper. Bar, 9 cm. Courtesy of Ronald Feldman Fine Arts, New York and reproduced with permission. (C) Conceptual drawing of Microvenus. Courtesy of Joe Davis, 1988. (D) Victimless Leather project showing a miniaturized leather jacket using skin cells by SymbioticA. Bar, 2 cm. Courtesy of Oron Catts and Ionat Zurr and reproduced with permission. (E) Ear on Arm project. Bar, 3 cm. Courtesy of Nina Sellars and reproduced with permission.”

Yetisen, et al. Trends in Biotechnology

George Church, a Harvard geneticist and synthetic biologist famous for trying to bring back the woolly mammoth by splicing mammoth DNA into an elephant, was one of the co-authors on the paper. His lab at Harvard is currently hosting the artist Joe Davis, another co-author, who in the ’80s worked with a geneticist to encode a message into the DNA of E. coli. The project, called Microvenus, was meant to explore the possibility of one day sending such messenger organisms into space as a way to communicate with extraterrestrials. In a press release about the new paper, Davis and Church spoke with Cell Press about their collaboration:

“It’s Oz, pure and simple,” Davis says. “The total amount of resources in this environment and the minds that are accessible, it’s like I come to the city of Oz every day.”

But it’s not a one-way street. “My particular lab depends on thinking outside the box and not dismissing things because they sound like science fiction,” says Church, who is also part of the Wyss Institute for Biologically Inspired Engineering. “Joe is terrific at keeping us flexible and nimble in that regard.”

For example, Davis is working with several members of the Church lab to perform metagenomics analyses of the dust that accumulates at the bottom of money-counting machines. Another project involves genetically engineering silk worms to spin metallic gold — an homage to the fairy tale of Rumpelstiltskin.

Bioart isn’t entirely new. It goes all the way back to the 1920s, when one Alexander Fleming was making stick figure paintings with bacteria and discovered that a fungus called penicillin was killing some of his work. It also hasn’t always been successful. There was one time, for example, in 1970, when German artist Hans Haacke tried to draw attention to the destructiveness of the pet trade by buying and releasing ten endangered Hermann’s tortoises in a part of France where the tortoises roam free. Turned out, a few of Haacke’s purchases belonged to the wrong subspecies of tortoise and ended up messing with the local gene pool, ultimately compromising the distinct genetic lineages of both subspecies.

And then there was the controversial environmental art of the ’60s, ’70s, and ’80s — hillsides paved with asphalt, islands covered in plastic, craters carved with tunnels and chambers. Davis, Church, and their co-authors note that environmental art eventually became more about restoring nature, and together with advances in biological sciences, paved the way for today’s bioart.

With the rise of Romanticism several centuries ago, artists seemed to shed longstanding commitments to scientific and technical literacy while, at the same time, science started its long march toward secularization [68]. In this century, art and science are in the process of disengaging from this legacy of separation. The interdisciplinary landscape of life sciences has come to include chemists, physicists, engineers, mathematicians, and computer scientists. Partnerships with bioartists can contribute cultural and aesthetic contexts essential to translating basic research into useful applications. While the role of bioart in both the criticism and application of science will undoubtedly continue, perhaps a more profoundly important and yet less recognized contribution may be the ability of bioart to help science understand itself.

That’s deep, man. Call it Oz, call it Wonderland, call it whatever you want — all I know is, this is one glowing white rabbit that I intend to follow.

Share

Please

enable JavaScript

to view the comments.

Find this article interesting?

Donate now to support our work.

Get Grist in your inbox

Advertisement

Original post:

Forget psychedelics. If you wanna get weird, check out this bioart

Posted in Anchor, Eureka, FF, GE, ONA, oven, PUR, Radius, Smith's, Ultima, Uncategorized | Tagged , , , , , , , , | Comments Off on Forget psychedelics. If you wanna get weird, check out this bioart

Rumor of the Day: Gay Marriage Martyr Kim Davis Met With the Pope Last Week

Mother Jones

<!DOCTYPE html PUBLIC “-//W3C//DTD HTML 4.0 Transitional//EN” “http://www.w3.org/TR/REC-html40/loose.dtd”>

Here’s your spine-tingling rumor of the day, straight from Robert Moynihan of Inside the Vatican. He claims that gay marriage martyr Kim Davis met with Pope Francis last Thursday at the Vatican embassy in Washington DC, just before he left for New York City:

“The Pope spoke in English,” she told me. “There was no interpreter. ‘Thank you for your courage,’ Pope Francis said to me. I said, ‘Thank you, Holy Father.’ I had asked a monsignor earlier what was the proper way to greet the Pope, and whether it would be appropriate for me to embrace him, and I had been told it would be okay to hug him. So I hugged him, and he hugged me back. It was an extraordinary moment. ‘Stay strong,’ he said to me. Then he gave me a rosary as a gift, and he gave one also to my husband, Joe. I broke into tears. I was deeply moved.”

….Vatican sources have confirmed to me that this meeting did occur; the occurrence of this meeting is not in doubt.

Davis’s lawyers also say the meeting took place, and told WDRB News that although they don’t have photos of the meeting yet, they’ll release them as soon as they get them. Davis herself, though, is silent about all this—which seems a little odd since she hasn’t been shy about talking to the media before. So far there’s neither confirmation nor denial from the Vatican.

Did this actually happen, or is it a truly bizarre hoax? I cannot tell you. But I figured you’d want to know.

See original article here: 

Rumor of the Day: Gay Marriage Martyr Kim Davis Met With the Pope Last Week

Posted in FF, GE, LAI, LG, ONA, Uncategorized, Venta | Tagged , , , , , , , , , , , | Comments Off on Rumor of the Day: Gay Marriage Martyr Kim Davis Met With the Pope Last Week

3.5 Minutes, 10 Bullets, and 1 Racially Charged Tragedy

Mother Jones

<!DOCTYPE html PUBLIC “-//W3C//DTD HTML 4.0 Transitional//EN” “http://www.w3.org/TR/REC-html40/loose.dtd”>

On Black Friday 2012, 17-year-old Jordan Davis, who was sitting with three friends in a car at a Florida gas station, cranked up the rap on the stereo. Three and a half minutes later, he was dead, shot at 10 times by Michael Dunn, a middle-aged white man bristling at the black teens’ “thug music.” In a new documentary, 3-1/2 Minutes, Ten Bullets, director Marc Silver explores the perfect storm of racism and lax gun laws that led to the killing.

The film, which opened in theaters this month, comes at a time when a lot of racially motivated tragedies have been in the news—the most recent being the church massacre in Charleston, South Carolina. Jordan’s death wasn’t classified as a hate crime, but the film makes an implicit argument for Dunn’s racial motivations, zooming in on his testimony and his jailhouse phone calls with his girlfriend, in which he insists the teens were armed and dangerous—no gun was found—and that he acted in self defense. Throughout, the film touches on the murky legal ground at the nexus of bias and self-defense laws: What constitutes a “reasonable belief” that one’s life is in danger when that belief may be borne out of racial stereotypes?

The film documents both of Dunn’s trials—the first, which ended in a hung jury, and the second, in which he was convicted of first degree murder and sentenced to life without parole. Silver follows Ron Davis and Lucia McBath, Jordan’s parents, as they go to court each day and wait for the final verdict in their son’s death. The pair must maintain their decorum in the courtroom as the defense vilifies their son and his friends—all while wondering whether his legacy will match that of another unarmed Florida teen whose shooter walked free; in one scene, Jordan’s father recalls a text he got from Trayvon Martin’s dad: “I just want to welcome you to a club that none of us want to be in.”

Mother Jones: Tell me a little about why you decided to make this film.

Marc Silver: I saw a tension, a film that would be able to explore this awful moment when two cars happen to pull up next to each other, and within that coincidence this tragedy that consisted of racial profiling, access to guns, and laws that give people the confidence to use those guns. It was unique that you would be able to deconstruct this one tight moment and come out with the big, macro issues. I also felt like it was important to learn about Michael Dunn. I was interested in the idea that there would be audience members who would have some sense of empathy with him at the outset, who also might have felt fear when a car full of young black teenagers pulled up and they start having an argument over music. Through Michael Dunn, you learn about many other people in America who have that same implicit bias, and it might make audiences look at themselves in a different way.

MJ: Jordan’s parents, Ron and Lucy, are featured prominently. You capture some heart-wrenching moments. How did you get that kind of access?

MS: I shoot and do sound on my own, so I’m not approaching them with a big crew and lights and all the rest of it. That’s the technical answer. There was also a huge emotional relationship. We met about seven months before the trial. By the time the trial came, I asked, “Would you be okay if I did several mornings with you and several evenings? It’s really important that the audience gets to see not just you guys sitting there stoically in court, but actually what impact this really has on you.” They were very open to that. They could see the bigger picture, in terms of audiences really understanding that, however many shootings and racist incidents there are in the US, that this is the effect.

MJ: It does feel like, since Ferguson, we hear news about the killing of black men almost daily.

MS: I really hope people walk away from the film remembering that there are concentric circles around these events. If you put these on a map and you actually counted the number of people affected, that would be a very different picture. It’s not just families; it’s communities.

MJ: What was it like documenting Ron and Lucy’s trepidation?

MS: That was a horrific journey. We could feel the tension, the exhaustion, the horror of having to sit through the trial. Every day in the courtroom, the judge reminded people that they weren’t allowed to show emotion—I presume because it might affect the jury. They also weren’t allowed to talk about race because it wasn’t officially declared a hate crime. That’s when I understood this difference between the cold environment of the courtroom and this emotional, every-parent’s-worst-nightmare story unfolding outside the courtroom that the public were finding themselves attached to—because clearly it was about racism.

MJ: A second thread in the film touches on stand your ground and gun laws. What made you decide to toggle between those two plotlines?

MS: The 50 pages, or whatever it was, of self-defense laws the judge had to read out to the jury lasted about 30 minutes. That obviously wasn’t going to work in the film. And the specifics are really difficult to explain. So we put that across to the audience in the simplest way possible by using the jury—in the way the prosecutor, the defense, and the judge explained self defense. It was essential that we embedded that into the story. Of course, you come up against something really weird: Trayvon Martin wasn’t a stand-your-ground case. Jordan Davis’ case wasn’t a stand-your-ground case. That really complicates stuff.

We really didn’t get into gun control because the heart of the film is about race. There are subsequent things in the film that may make you think about gun control without us having to slap you with it. One was the white witness at the gas station: He describes the gun in such great detail. To be able to say the name, make, and model of a gun you saw for a split second goes to show how embedded gun culture is in Florida.

MJ: You’re from the UK, which treats firearms very differently than the United States does. How did that affect the film’s outlook?

MS: I like to think that it gave me a less judgmental perspective. It’s always weird coming to the US and seeing how powerful the gun lobby is and how passionate some people are about the use of guns when you come from a place where hardly any of our police have guns. I understand philosophically the right to self-defense and the Second Amendment. But consider what practical effect these concepts have. It’s very simple: If there wasn’t a gun in Michael Dunn’s car, Jordan Davis would not be dead, and Michael Dunn would not be spending the rest of his life in prison. The gun created a totally different narrative.

MJ: You’re also white. Did that affect the process in any way?

MS: I didn’t feel it hindered my making the film. That’s not to say if I was African American, or American, or owned a gun, I may not have told the story in a different way. But being white made me want to explore what proportion of white America Michael Dunn represents.

MJ: Did you find an answer?

MS: I always had a suspicion that Dunn’s perception of race was wildly skewed. Then we found the prison phone calls. The way he described, as you hear in the film, his conviction that Jordan’s friends are thugs, that they won’t tell the truth in court, that him killing Jordan actually potentially saved someone else’s life because Jordan didn’t get to kill somebody else. And that all of this is related to baggy pants, their fathers not being around, and MTV. The belief system he had in place led to Jordan’s killing. And there were some things that Michael Dunn said that were, for me, metaphorical of what many white people in America say and how they perceive black men. A lot of people think that MTV is this, or all black fathers are that. I don’t know how many people who have those opinions would then reach for their gun. But I think a lot of people have those opinions. Michael Dunn is just one person, but what he comes to represent is much more interesting.

Also, I thought one of the maddest things about Dunn’s rant about black fathers not being present was this amazing irony that Dunn had not seen his son in many years and was literally going to his estranged son’s wedding that day. So he would be a not-present father, and Ron, Jordan’s dad, would be ever-present father. Even in death, Ron is essentially fathering and standing up for his son.

MJ: You started this film before Ferguson got more of America talking about race again. How has the explosion of debate on this topic affected the final product?

MS: I remember we were sitting in the edit suite watching Ferguson erupt on Facebook and in the media. There were moments when we were itching to go out and shoot, not really knowing why. So we held ourselves back. But actually that was the wisest thing. Because Jordan’s story held within its DNA all of these layers that not only spoke to what happened specifically to him, but spoke to bigger things that were, and obviously have been happening in the US for many years—this year in particular. All of that had already happened before Ferguson. So technically nothing changed on the timeline. It just resonated more powerfully.

Ferguson happened in between the two Dunn trials. Members of the public obviously knew it had happened, and then 12 of those members of the public ended up on the second jury. I’ve always wondered if some social change had actually occurred. Whether that second jury had been affected by what happened in Ferguson, and they did look at racial bias in a different way and thought, “This isn’t self defense.” I could never prove that, but I like to think that sometimes.

Read original article:  

3.5 Minutes, 10 Bullets, and 1 Racially Charged Tragedy

Posted in Anchor, FF, GE, LAI, LG, ONA, Radius, Uncategorized, Venta | Tagged , , , , , , , , | Comments Off on 3.5 Minutes, 10 Bullets, and 1 Racially Charged Tragedy

How smart meters are helping California save water

How smart meters are helping California save water

By on 15 Jun 2015commentsShare

“The sprinklers were running so hard at a McDonalds in Long Beach, California, recently that water was pooling up and running into the streets,” noted tattletale Wired reported earlier today. It’s not clear what running “so hard” means in the context of sprinklers — perhaps just that they were on for a long time when they didn’t need to be? Regardless, McDonalds: Relax. No one’s going there for the grass.

As #DroughtShaming has made clear, overwatering is a cardinal sin in California these days, which is why McDonalds’ own employees reported the burger pusher to the city of Long Beach (a tip of the visor to you, brave insurgents). But as Wired reports, so-called smart meters that track real time water use could help cities catch irresponsible users in the act without having to rely on third party informants:

After employees reported McDonalds for water usage violations, the Water Department installed a meter at the restaurant that reports water usage over the web every five minutes. Not only did this provide the city with the proof it needed to fine the restaurant, it also provided McDonald’s with data it could use to clean up its act.

McD’s isn’t the only one in Long Beach getting an upgrade. Since April, the city has installed about 225 smart meters at both residential and commercial locations, Rachel Davis, an operations analyst at the Long Beach Water Department, said over the phone. The meters record data every five minutes and send a report of the day’s readings out once every night, Davis said. The hope is that this constant stream of data will help people conserve water and spot leaks better than they could using old analog meters. Here’s more from Wired:

Traditional water meters essentially provide a running tally of how much water a customer has used. Your bill is based on your current total, minus last month’s total. The utility has no idea how much water you actually use on a day-to-day basis, let alone what time of day you use the most water. But to enforce water restrictions, utilities need to know exactly that. The Long Beach Water Department is one of a small but growing number of utilities turning to electronic “smart” meters to solve the problem.

These smart meters seem like a no-brainer for utilities that might otherwise send workers around to check meters manually, but the required infrastructure can make the shift intimidating. Long Beach found a way around that problem:

For its pilot program, Long Beach turned to a smart meter company called T2. The company’s meters are powered by batteries the company claims can last at least ten years, saving utilities from having to run electricity to the meters. They communicate wirelessly over Verizon’s cellular data network, which means utilities don’t have to install network infrastructure. And the company provides a web-based analytics service to both utilities and customers that allows them to visualize their water usage. The City of Long Beach didn’t need to write code, or even buy servers, since the whole thing is hosted on Microsoft’s Azure Cloud.

Still, transitioning to a smart meter system is expensive. The actual meters stay the same, Davis said, but replacing the analog “meter register” on top of the meter to a digital one that can connect to the wireless network costs about 300 dollars.

It’s too early to report any overall changes in water use since installing the meters, Davis said, but anecdotal evidence suggests that they can help people conserve water. One woman, for example, cut her water bill by more than 80 percent after uncovering a massive leak beneath the foundation of her house, Davis said.

Not to rain on Long Beach’s parade (although I’m sure they’d appreciate the water), but California golden child San Francisco is already way ahead of the curve on this one. When San Fran’s water meters were due for an upgrade six years ago, the water department decided to go all in on smart meters. According to Greentech Media, the new system cost about twice as much as the old system, but the city can now collect water use data every few hours, and if an abnormality shows up for more than three days, the city will call and send a postcard to the source, warning of a possible leak (they hope to eventually make this alert system automatic and digital).

So far, only about 6 percent of customers in San Francisco actually use the web portal that allows them to track real-time consumption. “Even so,” Greentech Media reports, “the water agency credits the portal with being one of the tools that helped San Francisco achieve an additional 8 percent water savings last summer, on top of about 20 percent in the past decade.”

According to Wired, severe blackouts in the early 2000s led to the widespread use of smart electric meters throughout California, so maybe this drought will do the same for smart water meters.

That said, a note to all the underpaid and miserable employees of California: If you get a chance to rat out your employers for wasting water, do it now before smart meters ruin everything!

Source:
Smart Meters Snitch on Water Wasters in a Drought


, Wired.

Smart Water Meters Gain Traction in Drought-Ridden California

, Greentech Media.

Share

Please

enable JavaScript

to view the comments.

Get Grist in your inbox

Original article – 

How smart meters are helping California save water

Posted in alo, Anchor, FF, GE, LAI, ONA, Radius, Uncategorized | Tagged , , , , , , , , , | Comments Off on How smart meters are helping California save water