Category Archives: New Chapter

Climate change threatens the economy. Here’s what regulators can do right now.

Many of the economic risks of climate change are already crystal clear, and yet financial markets have yet to take them into account. That dangerous disconnect is the impetus behind a new report out on Monday from the sustainable finance nonprofit Ceres.

“U.S. financial regulators, who are responsible for protecting the stability and competitiveness of the U.S. economy, need to recognize and act on climate change as a systemic risk,” the report says. It calls on financial regulators across seven federal agencies as well as state agencies to do so, offering more than 50 recommendations that the authors believe are under the purview of regulators today, without the need for any additional legislation.

The report highlights three ways climate change is a systemic risk to financial markets. There are the physical risks of a warming planet — droughts, wildfires, and more frequent and intense storms will cause direct economic losses. This reality is already abundantly clear: The 2017 hurricane season caused $58 to $63 billion in damages in Florida alone. In 2018, wildfires in California burned up $12 billion in insured losses and led to the bankruptcy of the state’s largest utility, which took criminal responsibility for starting one of the fires.

Then there are socioeconomic risks, which are manifold. Industries that rely on physical outdoor labor, like agriculture and construction, will see productivity losses as temperatures rise. Economies that rely on tourism could be hurt by not only the physical risks outlined above but also by biodiversity loss. Higher temperatures will come with significant health impacts, including respiratory issues, premature deaths, and the spread of disease as carriers like mosquitos move into new habitats.

The third category is transition risk — the idea that the transition to a carbon-neutral economy is inevitable, and that companies in denial about that are setting themselves up to lose money. Transition risk includes possibilities like a carbon tax, changes in consumer sentiment, or the loss of investments in fossil fuel assets with long lifespans, like pipelines, that could end up out of commission before they are paid off.

The report calls on the Federal Reserve System, the Securities and Exchange Commission (SEC), the Commodity Futures Trading Commission, the Housing Finance Authority, and insurance regulators, among other financial regulatory bodies, to first and foremost acknowledge that climate change poses a systemic risk to financial market stability. Veena Ramani, Ceres’ senior program director for capital markets systems, said in a press call that once these agencies publicly affirm this fact, that will mean acknowledging that it’s within their mandate to address climate risks in their rulemaking.

So what might that look like? Ceres’ recommendations for regulatory agencies include doing deeper research on how climate change will affect the economic stability of the U.S. Regulators could also require banks and insurance companies to integrate climate change into their “stress tests” — analyses of how well an entity can withstand a financial crisis — and to reflect the costs of climate change in their decision making. The report also recommends that regulators encourage corporate transparency about climate risk — something that the SEC actually issued guidance on a decade ago, but then promptly eased up on enforcing. The SEC’s Division of Corporation Finance sent 49 comment letters to companies about their climate risk disclosures in 2010, but has sent only six such letters over the last four years.

Finally, the report advocates for financial regulators to require that banks disclose the carbon emissions from their lending and investment activities, and define which activities will make climate change worse and which will help mitigate the systemic risks posed by the crisis — and then reorient capital toward those solutions.

Many of the recommendations made in the report have already been implemented in other countries. For example, late last year, the Bank of England announced it would subject U.K. banks and insurers to climate resilience stress tests. Just this past Friday, the E.U.’s top banking regulator, the European Banking Authority, issued new guidelines that require banks to incorporate climate risks into their credit policies. The guidelines also say that banks should assess whether borrowers could be found responsible for contributing to global warming. They cite a European Commission report from 2018 that found that “close to 50% of the exposure of euro area institutions to risk is directly or indirectly linked to risks stemming from climate change.”

Also on Friday, the International Monetary Fund published a new chapter of its latest global financial stability report calling for climate risk to become a part of international reporting standards. The chapter highlights how little of an impact known risks like extreme weather events have had on markets.

In a press call about the Ceres report, Senator Sheldon Whitehouse of Rhode Island said that industries are finally awakening to the fact that climate change is not just a public relations issue. “This is something for their risk managers, this is something for their chief executives,” he said. “Whether you’re in agriculture, or insurance, or banking, or investment, these are dire warnings pointing right at the heart of your business.”

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Climate change threatens the economy. Here’s what regulators can do right now.

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The Skeptics’ Guide to the Universe – Dr. Steven Novella, Bob Novella, Cara Santa Maria, Jay Novella & Evan Bernstein

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The Skeptics’ Guide to the Universe

How to Know What’s Really Real in a World Increasingly Full of Fake

Dr. Steven Novella, Bob Novella, Cara Santa Maria, Jay Novella & Evan Bernstein

Genre: Essays

Price: $11.99

Publish Date: October 2, 2018

Publisher: Grand Central Publishing

Seller: Hachette Digital, Inc.


The USA TODAY bestseller is now in paperback with a new chapter on Global Warming! This all-encompassing guide to skeptical thinking from podcast host and academic neurologist at Yale University School of Medicine Steven Novella and his SGU co-hosts , which Richard Wiseman calls "the perfect primer for anyone who wants to separate fact from fiction." It is intimidating to realize that we live in a world overflowing with misinformation, bias, myths, deception, and flawed knowledge. There really are no ultimate authority figures-no one has the secret, and there is no place to look up the definitive answers to our questions (not even Google). Luckily, THE SKEPTICS' GUIDE TO THE UNIVERSE is your map through this maze of modern life. Here Dr. Steven Novella-along with Bob Novella, Cara Santa Maria, Jay Novella, and Evan Bernstein-will explain the tenets of skeptical thinking and debunk some of the biggest scientific myths, fallacies, and conspiracy theories-from anti-vaccines to homeopathy, UFO sightings to N- rays. You'll learn the difference between science and pseudoscience, essential critical thinking skills, ways to discuss conspiracy theories with that crazy co- worker of yours, and how to combat sloppy reasoning, bad arguments, and superstitious thinking. So are you ready to join them on an epic scientific quest, one that has taken us from huddling in dark caves to setting foot on the moon? (Yes, we really did that.) DON'T PANIC! With THE SKEPTICS' GUIDE TO THE UNIVERSE, we can do this together. "Thorough, informative, and enlightening, The Skeptic's Guide to the Universe inoculates you against the frailties and shortcomings of human cognition. If this book does not become required reading for us all, we may well see modern civilization unravel before our eyes." –Neil deGrasse Tyson "In this age of real and fake information, your ability to reason, to think in scientifically skeptical fashion, is the most important skill you can have. Read The Skeptics' Guide Universe ; get better at reasoning. And if this claim about the importance of reason is wrong, The Skeptics' Guide will help you figure that out, too." –Bill Nye

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The Skeptics’ Guide to the Universe – Dr. Steven Novella, Bob Novella, Cara Santa Maria, Jay Novella & Evan Bernstein

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Nathaniel Rich’s ‘Losing Earth’ tells lost history of our current climate predicament

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Nathaniel Rich published his 30,000-word account of the years between 1979 and 1989 — the decade humanity missed its chance to fix climate change — in the New York Times Magazine last August. The response to the piece was so staggering that Rich put aside his other projects and started turning it into a book the very next week. Losing Earth: A Recent History is out on the shelves April 9, just eight months after the magazine version hit newsstands.

Our near-constant companion throughout the whole sordid tale is an environmental lobbyist by the name of Rafe Pomerance. In 1979, when the story begins, Pomerance happened upon a report warning that continued use of fossil fuels would cause “significant and damaging” changes to the planet’s atmosphere in the span of a few decades. Alarmed, Pomerance, with the aid of a geophysicist named Gordon MacDonald, decided to try to bring the issue to the attention of the U.S. government.

At first, serious progress appeared to be underway. The Carter administration commissioned a report to ascertain whether the issue was really as dire as some scientists were saying. (It was.) But when a team of scientists, policy experts, and government officials convened at a hotel in Florida to craft a framework for addressing the problem, they couldn’t even agree on what the opening paragraph of their statement should say. Thus began an excruciating decade of indecision, delay, and obstruction.

Pan Macmillan, 2019

If you finished the marathon task of reading the original magazine article, you’ll find the plotline more or less familiar, though there are some new chapters. And this time around, Rich addresses something many readers, including this one, were left wondering: What do we make of this history?

“We can realize that all this talk about the fate of Earth has nothing to do with the planet’s tolerance for higher temperatures and everything to do with our species’ tolerance for self-delusion,” he writes in the afterword. “And we can understand that when we speak about things like fuel efficiency standards or gasoline taxes or methane flaring, we are speaking about nothing less than all we love and all we are.”

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Grist caught up with Rich to talk about his new book and what we can make of the agonizing history he unearthed. Our conversation has been condensed and edited for clarity.

Q.Did you plan to turn your article into a book?

A.As soon as the piece was published, I realized there were some very large questions that arose from the history. I felt some obligation to try to answer those questions more explicitly than I was able to do in the article. I wrote a new afterword that’s essentially a stand-alone essay. I also wanted to go into a little more depth and bring the story up to date from 1989 to the present. Despite the length of the magazine piece, there was actually a lot I had to leave out. And so I was excited for the opportunity to publish a definitive version of the story that I think is fuller, more comprehensive, and more complete as a work of writing.

Q.I’m curious about some of the criticism your article received. Robinson Meyer of the Atlantic wrote that you let “fossil-fuel interests off the hook entirely,” and Naomi Klein argued that you overlooked the role capitalism played in dooming us all. How did you respond to that?

A.I was very surprised at some of those criticisms. As you said, there was this accusation, and usually it was expressed very viciously, that I had downplayed the oil and gas industry’s role in blocking climate policy during that decade. At first I was worried. I thought maybe — in my two-year survey and my interviews with like 100 people — maybe I did miss something.

The [oil and gas] industry wasn’t helping matters, as I write about in detail. Of course, they were aware of the science, just like the government, just like anybody who was following the issue, and made little effort to publicize it or anything else. They made no efforts to pass laws to limit emissions — that would be sort of a ridiculous expectation.

No one is disputing what happened since 1988 and ’89, but the suggestion was that there was a coordinated effort to stop climate policy earlier than that, and nobody in their attacks on the piece was able to come up with a single example.

Q.Why did you choose to tell the story this way, through the lens of a single decade in American history?

A.I felt that the story from 1989 to the present has been extraordinarily well told, and exhaustively told. And I didn’t feel like I had much to add to the story of industry involvement, the corruption of politicians, the corruption of scientists, the Republican Party’s embrace of, first, disinformation propaganda fed to it by oil and gas industry, and then the metastasizing of that into the full-fledged fantasy world of denialism.

What I felt was not understood very well, including by me when I first started researching it, was how we got to that point: the pre-history of our current paralysis. Paralysis not only in the political process but in some sense the dialogue, the public conversation about the subject. It’s been relatively unchanged since the 1990s. So there was this opportunity to tell the story of exactly a decade, from the establishment of scientific consensus about the nature of the problem and the birth of this movement to try to bring about a solution. That was the story that I feel like has been forgotten, including by a lot of people who are on the front lines of the climate change conversation.

A lot of activists and advocates are still under the impression that the problem started with James Hansen speaking before Congress in 1988. Even New York Representative Alexandria Ocasio-Cortez the other day was giving an extraordinarily passionate, eloquent speech on the floor of the House about how we need to take action on climate, and she said that the government has known about this since 1989. I don’t mean to single her out, but even people on the leading edge of this are still essentially taking for granted the industry talking point that this is a new problem, something that has just come to light as recently as the 1980s. Of course, the government knew about it in the 1950s. And scientists knew about it decades before that. The amount of public amnesia around the issue is staggering.

Q.A few times throughout the decade you focus on in your book, the United States was on the precipice of real climate action. It never materialized. Now, it feels like parts of the public are mobilizing toward action again. Could this time be different?

A.What’s changed really in recent months in the public conversation is that the young leaders are now bringing new momentum to the issue. They’re saying things like, “our lives are at stake, you people in positions of power are robbing our future from us.” They’re also making very emphatic connections in the way they talk about how the climate crisis is inextricable from almost every issue of social injustice in the U.S. and globally. When you hear Ocasio-Cortez or Greta Thunberg talk about it, they’re making a moral argument that I think is frankly stronger and more profound, and ultimately more politically effective, than making only the logical argument. There’s a moral tenor to the way they’re talking about it that I don’t think was present and couldn’t have been present in the 1980s.

It’s a transformation of the dialogue that I think was inevitable, but it’s heartening to see it happening now. It’s extremely powerful and it will only become more so. I also think it’s a more honest way of speaking about the problem, as something that is a threat to our very humanity and the way we view ourselves. That’s why I went back to this period [between 1979 and 1989] because I think it’s a way of writing about this story in human terms, before the poisoning of the dialogue.

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Nathaniel Rich’s ‘Losing Earth’ tells lost history of our current climate predicament

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X-15 Diary – Richard Tregaskis

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X-15 Diary
The Story of America’s First Space Ship
Richard Tregaskis

Genre: Science & Nature

Price: $10.99

Publish Date: November 15, 2016

Publisher: Open Road Media

Seller: OpenRoad Integrated Media, LLC


The riveting true story of the world’s fastest plane and the first manned flights into outer space. First tested in 1959, the X-15 rocket plane was at the forefront of the space race. Developed by the US Air Force and the National Aeronautics and Space Administration (NASA) in collaboration with North American Aviation, the X-15 was sleek, black, and powerful—a missile with stubby wings and a cockpit on the nose. By 1961 it could reach speeds over three thousand miles per hour and fly at an altitude of thirty-one miles above the earth’s surface—the lower reaches of outer space.   Acclaimed journalist and bestselling author Richard Tregaskis tells the story of the X-15’s development through the eyes of the brave pilots and brilliant engineers who made it possible. From technological breakthroughs to disastrous onboard explosions to the bone-crushing effects of intense g-force levels, Tregaskis captures all the drama and excitement of this crucial proving ground for the Mercury, Gemini, and Apollo missions.   X-15 Diary recounts a thrilling chapter in the history of the American space program and serves as a fitting tribute to the courageous scientists and adventurers who dared to go where no man had gone before.   This ebook features an illustrated biography of Richard Tregaskis including rare images from the American Heritage Center at the University of Wyoming. “Arresting glimpses of man’s most daring venture with the machine.” — The New York Times Book Review   “Fascinating, detailed.” — Kirkus Reviews   Praise for Guadalcanal Diary “The book’s secret is the simple secret of all good reporting—fidelity and detail.” — Time   “A great new chapter in American history. One of the best books of the war.” — The Philadelphia Inquirer   “Tregaskis shaped America’s understanding of the war, and influenced every account that came after. . . . A superb example of war reporting at its best.” —Mark Bowden, author of Black Hawk Down Richard Tregaskis (1916–1973) was a journalist and award-winning author best known for Guadalcanal Diary (1943), his bestselling chronicle of the US Marine Corps invasion of the Solomon Islands during World War II. Born in Elizabeth, New Jersey, Tregaskis graduated from Harvard University and reported for the Boston American before joining the International News Service. Assigned to cover the Pacific Fleet operations after Pearl Harbor, he was one of only two reporters to land with the Marines on Guadalcanal Island. His dramatic account of the campaign was adapted into a popular film and became required reading for all Marine Corps officer candidates. Invasion Diary (1944) vividly recounts the Allied invasions of Sicily and Italy and Tregaskis’s brush with death when a chunk of German shrapnel pierced his skull. Vietnam Diary (1963) documents the increased involvement of U.S. troops in the conflict between North and South Vietnam and was awarded the Overseas Press Club’s George Polk Award. Tregaskis’s other honors include the Purple Heart and the International News Service Medal of Honor for Heroic Devotion to Duty. He traveled the world many times over, and wrote about subjects as varied as the first space ship ( X-15 Diary , 1961), John F. Kennedy’s heroism during World War II ( John F. Kennedy and PT-109 , 1962), and the great Hawaiian king Kamehameha I ( Warrior King , 1973). On August 15, 1973, Tregaskis suffered a fatal heart attack while swimming near his home in Hawaii. After a traditional Hawaiian funeral, his ashes were scattered in the waters off Waikiki Beach.  

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X-15 Diary – Richard Tregaskis

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A New Wave of Left-Wing Militants Is Ready to Rumble in Portland—and Beyond

Mother Jones

One week after two men were stabbed to death while defending two girls from a racist and Islamophobic diatribe on a commuter train, Portland, Oregon, is bracing for more violence. On Sunday, over the mayor’s objection, a right-wing group will hold a pro-Trump “free speech rally,” while anti-fascist activists are preparing to protest the gathering.

It’s a pattern that has played out across the country since the election: Pro-Trump events from Pikeville, Kentucky, to Berkeley, California, attract white nationalists, neo-Nazis, and Klansmen along with other provocateurs from the so-called “alt-right.” And, predictably, “antifa” counterprotesters mask up to oppose them—often physically.

Yet joining up with the well-established networks of antifascists and anarchists is a new generation of militant organizers. In Portland, Rose City Antifa’s coalition at this weekend’s pro-Trump rally will include the local chapter of Redneck Revolt, a national network whose outreach has targeted right-wing militia members.

Redneck Revolt is just one among a handful of left-wing groups that have pledged to resist emboldened white supremacists and right-wing extremists through “direct action” that sometimes goes beyond nonviolent protest—including picking up arms. Some see themselves as the heirs of ’60s radicals like the Black Panthers, while others look to the antifa movement for inspiration. Here are a few:

Bastards Motorcycle Club: A couple of years ago, South Carolinians Steven “Chavez” Parker and Joseph Guinn organized an anti-racist, LGBT-friendly motorcycle gang. Traditional biker clubs, Parker thought, “were all going to think one thing: ‘What a bunch of bastards.'” Since then, the Bastards Motorcycle Club has rolled up to oppose racist events across the South, sometimes armed and ready to rumble. April 2016 they joined a small army of counterprotesters at a rally of white supremacists in Stone Mountain, Georgia, home of a rock carving honoring the Confederacy. They’re now looking to set up new chapters—women need not apply. That’s “not the way things work,” says the group’s president, who insists on being called by his biker name, Gigolo.

By Any Means Necessary: BAMN formed in 1995 to fight California’s rollback of affirmative action. The group, which is led by civil rights lawyer Shanta Driver, has organized anti-Trump rallies and high school walkouts. But it also supports more aggressive tactics. “When we say ‘by any means necessary,’ we mean everything from doing legal cases to organizing more militant actions,” Driver says. “We are not people who believe, in situations where we’re under attack, that we should turn the other cheek.” Last June, BAMN teamed up with antifas to confront a small group of white nationalists marching outside California’s Capitol building in Sacramento. Anti-racist protesters, many in black clothing and masks, pelted marchers with water bottles and hit them with wooden bats. Several people from both camps were beaten or stabbed. “They are organizing to attack and kill us, so we have a right to self-defense,” BAMN activist Yvette Felarca told a TV crew. “Anyone who’s thinking about joining them, don’t. Because it’s not going to be a good day for you.”

Redneck Revolt: This network, largely made up of anarchists and libertarians, is focused on anti-racist organizing among the white working class. Inspired by the Young Patriots—white Appalachian activists who allied with the Black Panthers in the late 1960s—the group now claims chapters in more than 30 regions. Redneck Revolt’s members can speak to their neighbors more easily than ivory-tower liberals, says Lucas Kelly, a member of the Phoenix chapter. “‘Privilege’ means one thing to them. It means a different thing to working-class folks who put in 60, 80 hours a week to support their family.” The group also runs firearms trainings. Last December, Kelly’s chapter sent members to a gun show, where they handed out posters tagged with the slogan “Fighting Nazis Is an American Tradition: Stop the Alt-Right.”

Huey P. Newton Gun Club: After a white Dallas police officer killed an unarmed black man in 2013, community organizers Yafeuh Balogun and Babu Omowale launched the Huey P. Newton Gun Club, a coalition of black self-defense groups named after the co-founder of the Black Panthers. “We’re going to educate black, brown, and poor white people to arm up or at least get familiar with weapons,” Balogun says. “So if a situation does arise, if they feel threatened, at least they can defend themselves.” When an anti-Muslim group held an armed protest outside a Nation of Islam mosque in South Dallas in April 2016, armed Gun Club members showed up to counterprotest. Balogun says his group, which operates armed patrols in South Dallas, has drawn the attention of the FBI. But he also emphasizes that it’s not just about guns: “What we advise people is to not necessarily be so quick, so fast, to pick up arms.”

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A New Wave of Left-Wing Militants Is Ready to Rumble in Portland—and Beyond

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Norway will reopen Barents Sea for drilling exploration

Norway will reopen Barents Sea for drilling exploration

By on May 19, 2016Share

Norway has just announced that it will begin issuing drilling licenses to oil companies looking to cash in in the Arctic — after two decades of declining their advances.

“Today, we are opening a new chapter in the history of the Norwegian petroleum industry,” said petroleum and energy minister Tord Lien in a statement. “For the first time in 20 years, we offer new acreage for exploration. This will contribute to employment, growth and value creation in Norway. Northern Norway is now in the forefront of further developing the Norwegian petroleum industry.”

Environmental groups fighting to keep oil well underwater are, naturally, displeased. Aside from the carbon impact of burning fossil fuels, the drilling will take place in the ecologically delicate Barents Sea.

“The Barents Sea is one of the richest, most unique marine ecosystems in the world, with remarkable concentrations of seabirds, marine mammals, fish, and other marine life,” wrote Greenpeace’s Rick Steiner in 2014. “The potential short-term energy potential here is truly not worth the long-term environmental risk from offshore drilling.”

Norway’s announcement comes after state revenues around the country have been slashed by the global drop in crude oil prices. That drop has hit many economies dependent on oil, like Alaska’s. Still, Norway is in a better position than most oil-rich countries due to having diversified its economy with industries such as tourism and fisheries, as well as raising taxes, reports KTOO. In a visit to Anchorage this week, Ambassador Kare Aas said that the Norwegian government currently receives about 20 percent of its revenue from fossil fuel interests — while Alaska’s oil and gas industry produced roughly 90 percent of the state’s funds until fairly recently.

With luck, drillers won’t find enough easily accessible oil in the Barents Sea to make it worth their while. That’s what happened in Alaska last year: After a heated battle over offshore drilling in the Arctic, Royal Dutch Shell ultimately it wasn’t worth the bother and pulled out.

Either way, we’ll find out soon enough: Statoil plans to begin drilling in the Barents in 2017.

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Norway will reopen Barents Sea for drilling exploration

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Trump’s campaign manager is as shady on clean energy as you’d expect

Trump’s campaign manager is as shady on clean energy as you’d expect

By on 30 Mar 2016commentsShare

This story was originally published by Mother Jones and is reproduced here as part of the Climate Desk collaboration.

Before becoming the controversial campaign manager of Donald Trump’s presidential bid, Corey Lewandowski oversaw the New Hampshire chapter of Americans for Prosperity, the advocacy group founded by the Koch brothers. The conservative activist, who was charged with battery on Tuesday, led an aggressive operation dedicated to slashing government spending — including earmarks and subsidies — and eviscerating government regulations, particularly the green-energy agenda of the Obama administration. Yet Lewandowski led something of a double life, because while he was battling the government for AFP, he was also working as a lobbyist and seeking federal funds for clients that included a solar power company.

In June 2008, when Americans for Prosperity set up a new chapter in New Hampshire and tapped Lewandowski as its head, the group declared that it intended to bolster conservative politics in New Hampshire and noted that it was “a leader in the fight against pork-barrel earmarks and economy-destroying policies being advanced in the name of global warming.” Known as a hard-charging political brawler, Lewandowski had been drifting through the political world before joining AFP. He had been an administrative assistant to Ohio Republican Rep. Bob Ney (who was later jailed on corruption charges), served a brief stint as legislative director for a regional branch of the Republican National Committee, and worked on Sen. Bob Smith’s failed Senate reelection bid in New Hampshire.

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While running AFP’s New Hampshire operation, Lewandowski had at least two other jobs. From 2006 to 2010, he served as a marine patrol officer trainee, working on a seasonal basis with the state law enforcement agency that patrols New Hampshire’s lakes and seacoast. He also was a registered federal lobbyist employed by Schwartz Communications, a Massachusetts-based public relations firm.

As he played a prominent role at AFP stoking Tea Party anger over government spending and President Obama’s agenda, Lewandowski represented three clients for Schwartz Communications: Passport Systems, a company that manufactures radiation detectors for ports; Logical Images, a firm that makes healthcare software; and Borrego Solar, a California-based corporation with offices in Massachusetts that designs and installs solar power systems.

According to federal filings, Lewandowski lobbied on various appropriations bills, suggesting that he was striving to obtain government contracts and subsidies for his clients. In one case, he helped to land a lucrative earmark for the type of solar power project he publicly has criticized as government waste.

In 2009, AFP was sponsoring anti-Obamacare protests and opposing a cap-and-trade program designed to counter climate change. Meanwhile, Lewandowski, according to disclosure forms, was lobbying members of the House and Senate on behalf of Borrego Solar in connection with the 2010 Energy and Water Appropriations Act, a $33.5 billion spending bill that financed major energy and water infrastructure projects. In early 2009, as the bill was under consideration, Lewandowski escorted a group of Borrego executives to Capitol Hill for meetings with lawmakers, including Rep. Nikki Tsongas (D-Mass.). Tsongas — whose office confirmed the meeting with Lewandowski — later inserted a $500,000 earmark into the appropriations bill for a major solar electricity project in Lancaster, Mass., that involved Borrego.

Orlando Pacheco, who at the time was town administrator for Lancaster, recalled that Lewandowski was an important part of the team that brought the project to fruition. “All I can say is all those involved have made an incredibly long-lasting impact on Lancaster,” Pacheco said. “All those people involved, Mr. Lewandowski, Congresswoman Tsongas … that project is really the only one of its kind in Massachusetts, and we would not have been able to pull it off without their help, and I’m deeply appreciative.”

Lewandowski’s firm, Schwartz, later declared on its website that it had helped Borrego secure “federal government financing for a solar project during the depths of the financial crisis.” But the company ultimately ended up backing out of the project, which continued without Borrego’s participation. A Borrego Solar representative declined to comment.

Though he had succeeded as a pro-solar lobbyist looking for government assistance, at AFP he waged a campaign against government programs that supported green energy. In early 2011, Lewandowski penned an op-ed for the Concord Monitor in which he railed against a regional program that sought to address climate change by spawning investment in green-energy projects. And, with AFP’s president, Tim Phillips, Lewandowski cowrote another op-ed condemning green energy and the government policies, including subsidies and grants, that support the industry:

In reality, the subsidies keep taxes high on productive companies while politicians get to pursue their favorite pet projects, all while energy prices continue to rise … Obviously it’s time for lawmakers to realize that if a new technology truly has worthwhile benefits for American consumers (lower cost, higher efficiency, environmental benefits, or otherwise) then that technology will demonstrate its value by competing for consumers’ dollars in the open market — not by gobbling up special handouts from their pals in Washington.

And AFP targeted government grants to the green energy industry as part of its anti-Obama crusade, launching a fusillade of television ads accusing Obama of handing out irresponsible grants to California-based solar technology company Solyndra.

In addition to Borrego Solar, Lewandowski’s other clients landed lucrative government funding while he represented them. Passport Systems secured more than $23.9 million in federal dollars between 2008 and 2011, according to a federal contracting database. In the six years Lewandowski represented Passport Systems, it paid his firm more than $350,000.

Lewandowski was paid $40,000 in 2009 for his lobbying work for Logical Images. In recent years, the company has sold more than $6.5 million worth of software to the federal government. (Art Papier, the company’s CEO, says Logical Images hired Lewandowski’s firm to do PR work and that he wasn’t aware any lobbying was done on the company’s behalf.)

Lewandowski did not respond to a request for comment.

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Trump’s campaign manager is as shady on clean energy as you’d expect

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Taking Charge of Your Fertility – Toni Weschler

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Taking Charge of Your Fertility

The Definitive Guide to Natural Birth Control, Pregnancy Achievement, and Reproductive Health

Toni Weschler

Genre: Health & Fitness

Price: $12.99

Publish Date: July 14, 2015

Publisher: William Morrow Paperbacks

Seller: HarperCollins


This new edition for the twentieth anniversary of the groundbreaking national bestseller provides all the information you need to monitor your menstrual cycle—along with updated information on the latest reproductive technologies Are you unhappy with your current method of birth control? Or demoralized by your quest to have a baby? Do you experience confusing signs and symptoms at various times in your cycle? This invaluable resource provides the answers to your questions while giving you amazing insights into your body. Taking Charge of Your Fertility has helped literally hundreds of thousands of women avoid pregnancy naturally, maximize their chances of getting pregnant, or simply gain better control of their gynecological and sexual health. Toni Weschler thoroughly explains the empowering Fertility Awareness Method (FAM), which in only a couple of minutes a day allows you to: Enjoy highly effective and scientifically proven birth control without chemicals or devices Maximize your chances of conception before you see a doctor or resort to invasive high-tech options Expedite your fertility treatment by quickly identifying impediments to pregnancy achievement Gain control and a true understanding of your gynecological and sexual health This new edition includes: A fully revised and intuitive charting system A selection of personalized master charts for birth control, pregnancy achievement, breastfeeding, and menopause An expanded sixteen-page color insert that reflects the book’s most important concepts Six brand-new chapters on topics including balancing hormones naturally, preserving your future fertility, and three medical conditions all women should be aware of

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Taking Charge of Your Fertility – Toni Weschler

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Check Out Yoav Litvin’s "Outdoor Gallery" of New York City Street Art

Mother Jones

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NDA’s work is “fantastic and gruesome,” Litvin writes. All photos from “Outdoor Gallery,” by Yoav Litvin.

Yankees caps, tattooed children, cartoonish women, men riding lions, Nazis in gas masks, dragons in hats: All of these figures decorate the buildings of New York City, and photographer Yoav Litvin’s new book, Outdoor Gallery, is the fulfillment of his mission to bring their vibrant shapes, colors, and lines to a larger public audience. “I learned a visual language spoken by a thriving community of artists that interact with each other, their environment, and a diverse public,” Litvin writes on what inspired his glossy tome on Big Apple street art.

Yoav Litvin, a New York-based writer and science researcher at Rockefeller University, started taking photographs of street art two years ago when he was recovering from a rugby injury. After the ill-fated match, Litvin was left to walking for exercise. The daily walks turned into a project to document what he saw–art work that most New Yorkers typically breeze by without much notice. Before that, he spent years studying the brain and later giving talks on “progressive, creative, and nonviolent causes.” His talents, creativity and attention to detail elevate his photographs and give him a platform to explore the racial, social, and political conversations going on between artists and their communities.

Many of the New York City’s graffiti artists, according to Litvin’s book, started around the age of 10, and thrive on the city’s culture of free expression. Litvin’s book captures the lives and work of 46 artists, whose reasons for painting and backgrounds often diverge, despite their commitment to working with a freedom and openness that’s seldom possible in stuffy indoor galleries. “It seemed like the natural place for art to be,” says Chris Stain, whose portrait of a woman with her young children appears on Brooklyn’s Lafayette Avenue—some of the “common people” he so often paints. Stain tells Litvin he’s been arrested, threatened, and nearly provoked into fistfights during his work sessions. But that’s all part of the process, and the thrill: “There is more drama on TV than what I have to offer.” Now he’s working on a degree in arts education, so he can teach as he continues to paint.

Many of the artistic messages are familiar: give peace a chance, women are treated like objects, death is inevitable. The subjects of race, social struggle, and politics often go hand in hand with the rebellious nature of painting illegally. It’s the variety and personality, the crazy and the unique, in Litvin’s portraits that make his book special: Each artist has a distinctive voice and style. They help shift the graffiti dynamic away from mere vandalism, and become like characters in a street novel—each portrait a new chapter.

My favorites are the strange, absurd, and mystical portraits that are sufficient to make New Yorkers pause from their bustling to ponder for a few seconds. And while some of the art is in that classic bombing style consisting of colorful, jumbled letters—channeling the defiance of leaving your mark on a place—far more compelling are the odd, yet oddly cohesive, works.

Consider QRST’s portrait on Brooklyn’s Troutman Street of a a man with a ram’s head. Naked and cross-legged, he holds a lantern and a bird cage with cardinals inside, all while floating on a broad pink flower. It’s weird and thought-provoking. Why a ram? Why cardinals? Is that peace I see in the ram’s eyes, or a foreboding fortune? And why does ASTRODUB, who graced a wall in Brooklyn’s Williamsburg with a sexy, terminator-esque woman, orange skulls, pink birds, and the words “Love hurts so good” say that she “can’t really identify as a street artist?” How does NDA manage to combine cartoonish elements of children’s books—big yellow faces with pickle-sized noses, purple flowers, dogs—with macabre skulls, dragon snouts, and rap lyrics, and still inspire joy and melodic rhapsody? The book is full of mysteries. And that’s the best part.

Here are some of Litvin’s favorites:

Bunny M pastes her intricate, often mythological, figures all over Brooklyn and Manhattan.

Chris Stain and Billy Mode produce evocative neighborhood murals.

Cope2 and Indie184 specialize in classic graffiti.

“I love this picture a lot,” Litvin says. “Here, I am serving as the photographer whereas Dain’s artwork is my model.”

Hellbent uses abstract colorful patterns and texture for a striking effect.

Kram, a transplant from Barcelona, combines humor and technical skill in his popular work.

“Mimi” appears in many pieces by Shiro, which embody hip-hop and street culture.

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Check Out Yoav Litvin’s "Outdoor Gallery" of New York City Street Art

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Can Concerts in Bars and Cafés Save Classical Music?

Mother Jones

It’s Monday evening, and as the light wanes, the din of Revolution Café spills onto the street. An eclectic crew has been gathering here—hoodies, tattoos, leather jackets, and high heels all in one room. Their owners sip beer and sangria from tall glasses as they chat and look for spare tables in the dim, cramped room. Finding all seats filled, newcomers stand outside on the porch.

Standing room only on Monday nights is par for the course at this café/bar in San Francisco’s Mission district, because on Mondays, the café hosts live chamber music. The musicians, a mix of freelancers, conservatory students, and techies who play on the side, are volunteers with Classical Revolution, a program that brings high-level classical music into intimate public spaces.

A violinist announces that they’re getting started with the Mendelssohn octet. He and seven other string players sit at a makeshift “stage”—really just a spot where tables have been replaced by music stands. They bring their instruments to the ready as the buzz quiets to a murmur. They pause, bows hovered over strings. From outside the wall-length window, you can hear a motorcycle whizzing by. But when the musicians start to play, the crowd is enraptured.

I have been playing violin since I was four, performing in more classical concerts than I can remember. Whether I was screeching away at Hot Cross Buns or playing “The Rite of Spring” with an orchestra, the players and listeners followed an unspoken set of rules. The musicians, almost exclusively white or East Asian, walked on stage quietly. While we performed, the listeners certainly didn’t chatter, they didn’t eat or drink, and they tried not to cough or squirm. Yet not once did I glance down to find a crowd as captivated—or as diverse—as the one here.

The easy exposure to classical music, up close and casual, is exactly what Classical Revolution is shooting for, says Chardith Premawardhana, the group’s 34-year-old founder, a violist himself. The reason that more young people aren’t interested in classical isn’t the music, he explains, but the setting: tickets are expensive, and you have to dress up and be quiet for hours. “It’s restricting for a lot of young people.” His goal for Classical Revolution is simple: “It’s high art, but it’s not high brow. We’re taking it seriously and playing passionately, but we’re taking out all the other stuff that you get in a normal classical music setting: the formal dress, the formal attitude, the stuffy environment. The music is kept at a high level but the rest is chill.”

Of the dozen or so people I spoke with on my first visit to Revolution Café, only one had ever been to a formal classical music concert. Premawardhana says this is often the case: “They say things like ‘I never realized how much I liked Mozart!'” In a more intimate atmosphere, he says, “You can see the musicians’ fingers move. You can see their facial expressions. It makes the audience feel like they’re more involved.”

Classical Revolution got its start in 2006 when Premawardhana, a recent grad from San Francisco Conservatory, found a cheap room in the Mission and was looking for places to play. He would often walk to Revolution Café—”back then, it was genuinely bohemian”—to hear live music, often jazz or rock, and mingle with fellow musicians. One week, the café’s manager, wanting to mix things up a little, invited Premawardhana’s chamber group to play. Soon enough, musicians in his network of friends were playing chamber music there every week. New players, hearing about a chance to perform with other skilled musicians for a fun audience, were welcomed into the fold. The musicians began performing on Mondays instead of on weekends, because too many people were coming to watch them play. Now, Classical Revolution has volunteer musicians playing regularly or semi-regularly in 30 cities across the world.

Whether Classical Revolution, as its name suggests, will truly rejuvenate the classical world is up in the air. I can hear the complaints of professional musicians already: How are you supposed to play with the murmur of the bar and the background noise of the street? How can you expect listeners to really hear the subtleties of the phrasing and the dynamics if they’re constantly hearing the tinkle of drinks being poured—especially if they’ve already downed a glass themselves?

The program also has some organizational issues to sort out: It have no institutional funding—it’s all volunteer work, not counting the modest cash musicians and organizers get from venues and tips. Currently affiliated with San Francisco Friends of Chamber Music, Classical Revolution is in the process of becoming a 501(c)(3) nonprofit. But the skyrocketing interest from musicians and listeners—and the frequent line out the door of their two regular San Francisco venues (they also play at Salle Pianos)—is undeniable. Premawardhana estimates that in this city alone, CR musicians have played more than 1,200 concerts. In recent weeks, he’s heard from groups in Korea and Iceland wanting to start new chapters.

Many of today’s orchestras and symphonies are struggling with budget cuts and dwindling ticket sales, and professional musicians worry that classical music is dying. But here at Revolution Café, it seems more alive than ever. The octet moves into the final movement of Mendelssohn, a fiery, romantic, jaw-dropping piece of music. Some people have taken out their phones, sipping their beer with one hand and collecting video with the other. Just in front of me, a guy in a hoodie and sneakers nods with the beat. The woman next to me, with short hair and big earrings, has closed her eyes, a smile drifting across her face. When the piece is finished, the audience roars unabashedly, and passersby on the sidewalk stop and stand outside, wondering what’s causing all the commotion.

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Can Concerts in Bars and Cafés Save Classical Music?

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