Category Archives: Abrams

Once Again, American Weapons-Makers Are Making a Killing in Iraq

Mother Jones

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This story first appeared on the TomDispatch website.

The current American war in Iraq is a struggle in search of a goal. It began in August as a humanitarian intervention, morphed into a campaign to protect Americans in-country, became a plan to defend the Kurds, followed by a full-on crusade to defeat the new Islamic State (IS, aka ISIS, aka ISIL), and then… well, something in Syria to be determined at a later date.

At the moment, Iraq War 3.0 simply drones on, part bombing campaign, part mission to train the collapsed army the US military created for Iraq War 2.0, all amid a miasma of incoherent mainstream media coverage. American troops are tiptoeing closer to combat (assuming you don’t count defensive operations, getting mortared, and flying ground attack helicopters as “combat”), even as they act like archaeologists of America’s warring past, exploring the ruins of abandoned US bases. Meanwhile, Shia militias are using the conflict for the ethnic cleansing of Sunnis and Iran has become an ever-more significant player in Iraq’s affairs. Key issues of the previous American occupation of the country—corruption, representative government, oil revenue-sharing—remain largely unresolved. The Kurds still keep “winning” against the militants of IS in the city of Kobani on the Turkish border without having “won.”

In the meantime, Washington’s rallying cry now seems to be: “Wait for the spring offensive!” In translation that means: wait for the Iraqi army to get enough newly American-trained and -armed troops into action to make a move on Mosul. That city is, of course, the country’s second largest and still ruled by the new “caliphate” proclaimed by Islamic State head Abu Bakr al-Baghdadi. All in all, not exactly inspiring stuff.

You can’t have victory if you have no idea where the finish line is. But there is one bright side to the situation. If you can’t create Victory in Iraq for future VI Day parades, you can at least make a profit from the disintegrating situation there.

Team America’s Arms Sales Force

In the midst of the December holiday news-dumping zone, the US Defense Security Cooperation Agency (DSCA) quietly notified Congress of several pending arms deals for Iraq. DSCA is the Pentagon office responsible for coordinating arms agreements between American defense contractors and foreign buyers.

Before those thousands of not-boots-on-the-ground troops started hemorrhaging back into Iraq late last year, DSCA personnel made up a significant portion of all US military personnel still there. Its staff members are, in fact, common in US embassies in general. This shouldn’t be surprising, since the sales of weaponry and other kinds of war equipment are big business for a range of American companies, and the US government is more than happy to assist. In fact, there is even a handbook to guide foreign governments through the buying process.

The DSCA operates under a mission statement which says the “US may sell defense articles and services to foreign countries and international organizations when the President formally finds that to do so will strengthen the security of the US and promote world peace.” While the Pentagon carries out the heavy lifting, actual recommendations on which countries can buy US gear are made by the secretary of state, and then rubber-stamped by Congress.

As for countries that can’t afford US weaponry, Washington has the Foreign Military Finance program up its sleeve. This opens the way for the US government to pay for weapons for other countries—only to “promote world peace,” of course—using your tax dollars, which are then recycled into the hands of military-industrial-complex corporations.

Iraq’s Shopping List

Here’s part of what the US is getting ready to sell to Iraq right now:

* 175 M1A1 Abrams main battle tanks;

* 15 Hercules tank recovery vehicles (you can’t have a tank without the tow truck);

* 55,000 rounds of main gun ammunition for the tanks (the ammo needed to get the biggest bang for your bucks)

And what will all that firepower cost? Just under $3 billion.

Keep in mind that these are only the most recent proposed sales when it comes to tanks. In July, for example, General Dynamics received a $65.3 million contract to support the existing Iraq M1A1 Abrams program. In October, the US approved the sale of $600 million in M1 tank ammunition to that country. There have also been sales of all sorts of other weaponry, from $579 million worth of Humvees and $600 million in howitzers and trucks to $700 million worth of Hellfire missiles. There are many more examples. Business is good.

While the collapse of the Iraqi army and the abandonment of piles of its American weaponry, including at least 40 M1s, to IS militants, helped create this new business opportunity for weapons-makers like General Dynamics, the plan to cash in on Iraq can be traced back to America’s occupation of that country. Forward Operating Base Hammer, where both Private Chelsea Manning (she collecting State Department cables for WikiLeaks) and I (supervising State Department reconstruction efforts) lived for a year or so, was built across the street from the Besmaya Firing Range. That testing grounds was US-outfitted not just for the live firing of artillery, but for—you guessed it—M1 tanks. It was to be part of the pipeline that would keep an expensive weapons system heading into Iraq forever. In 2011, as US troops left the country, both facilities were “gifted” to the Iraqis to serve as logistics bases for training in, and the repair of, US-sold weapons.

As I write this, American contractors still live on the remnants of Hammer, supporting the Iraqi army’s use of whatever M1 tanks they didn’t turn over to the Islamic State. On a contractor job-review site, “job work/life balance” at the base gets an acceptable 3.5 stars from those working there and one American trainer even praises the fact that work starts and ends before the heat of the day (even if another complains that the only toilets available are still port-a-potties).

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Once Again, American Weapons-Makers Are Making a Killing in Iraq

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One Simple Change – Winnie Abramson

READ GREEN WITH E-BOOKS

One Simple Change

Surprisingly Easy Ways to Transform Your Life

Winnie Abramson

Genre: Health & Fitness

Price: $1.99

Publish Date: December 3, 2013

Publisher: Chronicle Books LLC

Seller: Chronicle Books LLC


Small changes add up! We all want to look and feel better, and One Simple Change shows us how. In this wellness guide, Healthy Green Kitchen blogger Winnie Abramson compiles 50 small changes that readers can easily make to improve their everyday well-being. Abramson—who has a doctorate in naturopathic medicine—throws fad diets out the door in favor of age-old culinary wisdom, green living tips, cutting-edge nutrition information, and 15 simple and easy recipes. Readers can work through the tips week by week or dip in and out of the book at will. This game-changing guide will be treasured by anyone hoping to look and feel healthier, younger, and happier.

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One Simple Change – Winnie Abramson

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The 19 Best Photobooks of 2014

Mother Jones

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The tide of excellent photobooks continues to rise, with new releases straining wallets and bookshelves of collectors as well as those of us who just enjoy a well-put-together body of photography. While there are worse predicaments than wondering where you’ll keep all these gems, it’s definitely been tough to keep up. Here’s a round-up of the ones that stood out to the Mother Jones photo department this year.

Night Walk & Invisible City, Ken Schles (Steidl)
Night Walk is an essential companion to the new, long-awaited reprint of Schles’ gritty 1988 classic Invisible City. A document of life on Manhattan’s Lower East Side as it went through the death throes of being a dirty, lawless pocket of the city, Invisible City and Night Walk evokes a sense of danger and fun in roaming through this veritable no man’s land. The grainy black-and-white photos make you feel like you’re falling through a dream.

Frontcountry, Lucas Foglia (Nazraeli Press)
Lucas Foglia‘s second monograph looks at the intersection and conflict of mining, ranching, and environmental interests in the American West. It’s a wry, beautiful book. Unlike a lot of fine-art-oriented documentary photobooks, Frontcountry feels grounded while still serving page after page of gorgeous photos that at times feel surreal. Foglia has a knack for putting humans in their place against expansive landscapes, as well as capturing serene moments of breathlessness, waiting to exhale.

Red Ball of a Sun Slipping Down, Eugene Richards (Many Voices Press)
This self-published book brings together Eugene Richards’ work from the Arkansas Delta since the days he first went as there a Vista volunteer in 1969. Some of the work appeared in his first book, Few Comforts or Surprises, published in 1972. It’s a mix of classic documentary reportage of the ’60s and ’70s; the forceful, wide-angle work for which Richards became known in the ’80s; and his recent, sublime color work. A single line of text on each page opposite the photographs strings the whole thing together. It’s very lyrical, in a way you may not expect if the last Eugene Richards book you looked at was Cocaine True Cocaine Blue or even Walking Through the Ashes. Far more than a collection of Richards’ work in the Delta, Red Ball of a Sun Slipping Down is about his fulfillment of a promise made to a woman he met long ago—and to himself.

Still Moving, Danny Clinch (Harry Abrams)
He would probably shun the comparison, but Danny Clinch has become something akin to this era’s Jim Marshall. He shoots plenty of great portraits, sure, but unlike a lot of music photographers who eventually abandon shooting concerts, Clinch still gets in the mix, capturing great backstage moments as well as generation-defining live moments. He’s certainly among the best living music photographers.

The Sound of Two Eyes Opening, Spot (Sinecure)
Well known to punks as the man who recorded dozens of ’80s hardcore records on SST Records and toured with their bands (namely Black Flag), it turns out Spot was also something of a shutterbug. This book gives an unflinching look at beach life in the LA area during the ’70s. Lots of girls on roller skates in short shorts and dudes in tube socks skateboarding, as well as early photos of Black Flag and the Los Angeles punk scene. It’s worth picking up the slipcase deluxe edition which comes with a poster, print, and record (available only from the publisher).

Disco Night 9/11, Peter van Agtmael (Red Hook Editions)
Disco Nights has made a number of appearances on other “Best Of” lists—for a good reason. Though it’s a pretty simple book, lacking some of the bells and whistles that other notable photobooks include, the simplicity in this case reinforces the weight of the subject and lets the photos stand out. Having covered the wars in Iraq and Afghanistan, van Agtmael continues his coverage by following the soldiers home and photographing their struggles getting used to normal life.

War Porn, Chris Bangert (Kehrer Verlag, Heidelberg)
“These are not by best pictures,” Chris Bangert writes of this uncensored, unvarnished book of photos from the wars in Iraq and Afghanistan. “This book is not about the drama of war or the phony myth of the heroic war photographer.” Rather, it’s about a photographer dealing with everything he’s seen, and the images he’s captured that linger in his mind. It’s full of the grisly, gruesome photos war photographers make but we rarely see. Editors don’t want them and often the photographers themselves don’t like to face them. All of which makes War Porn a tough little book to look at. It’s punctuated by a haunting epilogue involving Bangert’s grandfather, who served as a doctor with the Wehrmacht in Russia during World War II.

Chris Stein/Negative: Me, Blondie and the Advent of Punk (Rizzoli)
Pick this one up along with Playground, by Paul Zone (Glitterati Incorporated; I review it here) and you have an unbeatable ringside seat to the nascent days of New York City punk. Both Zone (of the Fast) and Stein (Blondie) were musicians foremost, but they seemed to always have their cameras on them, capturing the New York scene as it evolved from an eclectic group of musicians, artists, poets and filmmakers into the ground zero of American punk rock—until New Wave swept it away.

Rich and Poor, Jim Goldberg (Steidl)
Every write-up of this reprint mentions how it’s as poignant today as back in 1985 when it was published. As the title suggests, the book, shot in San Francisco from the late ’70s through the mid-’80s, is a study of the very wealthy and the very poor. In what was to become his trademark style, Jim Goldberg photographs subjects and then has them write something about themselves on the print. Of course, San Francisco is a different city now, with the income gap between rich and poor having grown to an enormous chasm. For the redesigned book, available in hardback, Goldberg added a few photos revisiting locations and people he shot for the original.

Bedrooms of the Fallen, Ashley Gilbertson (University of Chicago)
It’s a simple idea: Photograph the bedrooms of soldiers who died in Iraq and Afghanistan using a wide angle panoramic camera. The resulting images are a stirring and unsettling documentation of lives left behind. Many bedrooms show transitions—remnants of boyhoods and teenage years mixed in with the trappings of new military personas. Some of the bedrooms have been made into shrines, carefully maintained by the parents. In other images, you sense the parents slowly moving on, with boxes and household items beginning to impose on the bedroom space. The very still, voyeuristic photos draw you in slowly and hold your attention through the book.

Vietnam: The Real War, AP (Abrams)
One of the better photobooks on the Vietnam War, Vietnam: The Real War, pulls images from the AP archives to trace the history of America’s involvement in the conflict. It’s a powerful collection that includes those iconic photos that altered the war’s trajectory by changing hearts and minds back home: Malcolm Browne’s 1963 photo of the Buddhist monk setting himself ablaze, Eddie Adams’ image of the chief of the South Vietnamese national police executing a suspected Viet Cong official in the street, Nick Ut’s image of the little girl running naked, burned by napalm.

Afghanistan, Larry Towell (Aperture)
Essentially a richly detailed scrapbook of Larry Towell’s time covering Afghanistan, this reproduction of his original artist’s maquette gets under the skin of the country and into the mind of the photographer. It’s about as close to a 360-degree view of the place as a Westerner can provide. The book covers ordinary Afghans, Western and Afghan soldiers, war victims, street scenes, and political machinations. The inclusion of Towell’s notes, contact sheets, and of course, excellent images, makes this a treasure for those who like to pull back the curtain on a photographer’s process.

The Decisive Moment, Henri Cartier-Bresson (Steidl)
One of the most influential (and yet hardest to find) photobooks in print gets the Steidl gold-standard reprint treatment here. Available for the first time in sixty years, Henri Cartier-Bresson’s Decisive Moment still sizzles with taut, kinetic energy. From the Matisse-designed cover through the tightly edited image selection, it’s a brilliant mix of street photography and reportage, photos that, despite being perfectly composed, feel very alive. Many of them have evolved from classics to cultural wallpaper. The book reminds us of Cartier-Bresson’s genius—just in case you needed a reminder.

Ponte City, Mikhael Subotzky and Patrick Waterhouse (Steidl)
A multi-part book about a 54-story residential building in Johannesburg that Mikhael Subotzky describes as, “a huge blinking advertising crown visible from Soweto in the south to Sandton in the north.” Built in 1976, “Ponte City” housed young professional types before falling on hard times in ’90s, as those people fled to the suburbs. Developers who bought the building in 2008 with grand plans to refurbish it went belly-up. Subotzky and Waterhouse’s book-in-a-box includes a standard hardcover photobook along with 17 pamphlet/zine type booklets, each focusing on a different aspect of the building. It’s an audacious deep-dive into Ponte City that traces its history through archival documents and photographs of those who live there.

Testament, Chris Hondros (powerhouse)
This retrospective of Chris Hondros, a photojournalist killed in Tripoli while covering the Libyan civil war, proves what a talented and courageous photographer he was. Testament, which I reviewed earlier this year, holds up as a standout. Even in volatile situations, Hondros managed to find the poignant, emotional image that often told more of what was going on than the bang-bang shot. And it’s worth mentioning that proceeds from Testament go to the Chris Hondros Fund.

Minor White: Manifestations of the Spirit, Paul Martineau (Getty Publications)
Fully appreciating Minor White’s images, like learning to taste the subtleties of a good wine, requires something of a learning curve. His landscapes, nudes, still lifes and street photos all bear a very classic beauty. Very fine grained, precisely printed and composed, technically perfect in nearly every way, these are photos that legions of photographers have tried to imitate. As this book makes clear, White was a tour de force, constantly seeking, always challenging himself with new projects. His impact extends well beyond his work as a photographer. He was a founder of Aperture and worked closely with Ansel Adams at the California School of Fine Arts (now the San Francisco Art Institute), eventually leading the photo program there. Amid the many retrospectives of White’s career, this stands as one of the best overviews, an excellent starting point in your education on one of the world’s greatest photographers.

Superlative Light, Robert Shults (Daylight)
Superlative Light is a simple soft-cover book of black-and-white photos of the Petawatt Laser facility in Austin, Texas, that look like stills from an old sci-fi movie. It’s an unassuming project really, basic reportage about the facility that in 2009, when these photos were taken, produced the most powerful laser pulse to date. Translating something so magnificent yet so clinically mundane in such striking photos is no small feat.

The Photobook: A History, Vol. III, Martin Parr and Gerry Badger (Phaidon)
The third and final installment in a series that jump-started a recent increased interest in photobooks. Parr and Badger’s insightful series highlights books that mark significant points of evolution in the medium. From well-known masterpieces like Robert Frank’s The Americans to lesser-known books like Morten Andersen’s Fast City, the series leaves no stone unturned. This third edition focuses on photobooks published from World War II to the present.

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The 19 Best Photobooks of 2014

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You Probably Had No Idea the US Military Is Obsessed With Giant Cakes

Mother Jones

Yesterday was the United States Marine Corps’ 239th birthday. Jarheads and leathernecks celebrated as they long have—with big-ass cakes like the one above, which commemorated the Corps’ 233rd birthday in 2008.

The Marines’ big birthday cake bashes date back to at least 1935. They’re such a part of Marine tradition that there’s even a protocol for cake serving, including the ceremonial use of the Mameluke sword (below) and who gets the first slices (the guest of honor, followed by the eldest and youngest Marines present).

National Archives

And it’s not just Marines who love their cake. The entire military appears to be preparing for the day when the Pentagon has to hold a bake sale. That means plenty of sheet cake with white frosting—but also some more elaborate creations like the ones collected here.

(How much of the Pentagon’s $600 billion budget goes to cakes? It’s not clear, though this 2010 Marines memo notes that there are strict rules for pastry funding: Only three to four slices of each cake may be paid for with appropriated funds.)

Now, 10 delicious deployments of military cake:

1. For the Army’s 237th birthday in 2013, a cupcake tank rolled into the Pentagon. The confection included 5,000 cupcakes, more than 200 pounds of camouflage fondant, and a functioning “cupcake cannon.” It also came in massively over budget at a total cost of $1.2 billion. (Not really.)

US Army

2. The 40th anniversary of the Air Force Defense Support Program is observed with a cake shaped like a missile-detecting satellite. (According to the after-action report, “an anomaly prevented the cake from entering the ballroom as planned.”)

Manisha Vasquez/US Air Force

3. To welcome the USS Theodore Roosevelt in March 2002, the commissary at the Naval Air Station in Virginia Beach, Virginia, baked this 750-pound, 12-foot cake, complete with “an edible aircraft carrier layer on top.”

DoD News

4. Last year, three Marines spent five days making this 500-pound cake to commemorate the Marine Corps’ 238th birthday.

US Marines

5. The 150,000th safe arrested landing on the aircraft carrier George Washington was celebrated with a cake shaped like an aircraft carrier.

William Pittman/US Navy

6. In 2007, the Food Network’s Ace of Cakes wheeled out an M-1 Abrams cake for the Army’s 232nd birthday.

US Army

7. A cake resembling the painted rocks at the Fort Irwin National Training Center, California, made for the Army’s 239th birthday in June.

Gustavo Bahena/US Army

8. An enormous, creepy George Washington hovered behind Army Chief of Staff Gen. Ray Odierno (third from left) as he engaged in a show of symbolic bureaucratic redundancy at the Army’s 239th birthday party.

Eboni Everson Myart/US Army

9. Two Air Force service members slice an otherwise ho-hum cake with an airplane propeller to commemorate the 59th anniversary of Special Operations Command Europe (whose acronym, SOCEUR, is clearly meant to test the loyalty of our European allies).

U.S. European Command

10. If a propeller isn’t handy to make your cake ceremony more exciting, there’s always a guest appearance by Vice President Joe Biden, who popped up at Camp Liberty in Baghdad in January 2010 just to make Dick Cheney jealous that he’d found the missing Iraqi yellow cake.

Kristina Scott/US Army

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You Probably Had No Idea the US Military Is Obsessed With Giant Cakes

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Can This Democrat Win on a No More “Trayvon Martin Tragedies” Platform?

Mother Jones

Wilcox for Congress

Could the 2012 killing of Florida teenager Trayvon Martin prove a deciding factor in an Arizona Democratic congressional primary? Former Maricopa County Supervisor Mary Rose Wilcox certainly hopes so. Seeking to gain an edge over her rival, ex-state Rep. Ruben Gallego, in the weeks leading up to Tuesday’s primary, Wilcox’s campaign has invoked Martin’s shooting and her opponent’s past support for a controversial Stand Your Ground law.

“America doesn’t need more Trayvon Martin tragedies,” read a mailer distributed by Wilcox’s campaign earlier this month that blasted Gallego for voting “for an NRA-backed ‘Stand Your Ground’ law that made it easier to shoot someone and claim self-defense.” The mailer went on to cite Gallego’s B+ rating from the National Rifle Association, while asking voters to remember “tragedies like Newtown, CT” and “the theater in Aurora, CO.” (Those shootings did not involve Stand Your Ground.)

Wilcox, who was shot in the hip in 1997 by an angry constituent, has kept gun control front and center during the campaign, although not always successfully. She brought up Gallego’s vote at a recent debate; in June, her husband, Earl, confronted Gallego at a gun control rally, alleging that he was a “traitor to the cause.” Gallego, a former NRA member, has said he brought a handgun to work at the state capitol after receiving threats, but supports a ban on assault rifles and the county buyback program Wilcox helped to start.

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Can This Democrat Win on a No More “Trayvon Martin Tragedies” Platform?

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Anyone With a Concealed Carry Permit Can Now Come Dangerously Close to the White House

Mother Jones

A federal judge has ordered the District of Columbia to stop enforcing its restrictions on carrying handguns on the streets of the nation’s capital. The decision also forced the District government to allow out-of-state concealed carry and open carry permit holders to wield their weapons within steps of the White House.

Senior District Court Judge Fredrick Scullin Jr., ruling from his regular post in Syracuse, New York, said that the case is a no-brainer. Based on the US Supreme Court’s 2008 ruling in DC v. Heller, which validated the individual right to bear arms, Scullin said the city’s gun laws were clearly unconstitutional. He sided with the plaintiffs, who argued that while the city passed a law requiring a permit to carry a handgun in public, it then refused to grant them to anyone who planned to carry their weapons outside their homes, a move that violated the Second Amendment.

The Heller case, spearheaded by Alan Gura, the same lawyer who won this weekend’s ruling, struck down DC’s long-standing ban on the ownership of handguns. But in complying with the ruling, the city passed new laws in 2008 that were so restrictive that, the court said, they still prevented virtually anyone from getting a license to carry a handgun outside of their homes. And that, Scullin said, just won’t fly.

The potential implications of the decision are enormous, should it be allowed to stand. The District of Columbia is unlike any other American city. It’s filled with important federal agency buildings, monuments, courthouses, not to mention the White House. Visiting dignitaries, heads of state, and many members of Congress travel its streets on a daily basis.

DC is also home to large public events attended by all manner of VIPs, including presidential inaugurations, which are difficult enough to secure without the prospect of gun-toting citizens joining the fray. The security apparatus in DC is intense. And assassination attempts aren’t unheard of. Former Mayor Marion Barry Jr. was shot in 1977 in the DC Council building. John Hinckley Jr. shot President Reagan as he left the Washington Hilton. There was also the 2013 Navy Yard shooting that left 12 people dead. DC is a magnet for crazy people with guns, something law enforcement officials have long recognized.

Metropolitan Police Chief Cathy Lanier testified before Congress in 2008 against a bill pending in the House that would have accomplished what Scullin’s ruling effectively did, overturning the city’s gun laws. She noted that in order to watch the oral arguments in the Heller case, she had to leave her gun behind. No weapons are allowed inside the very building where the justices decided that the city’s gun restrictions were just too restrictive.

Many of those type of restrictions in DC will remain in place, regardless of Scullin’s ruling. Both DC and federal laws will still allow the government to bar the bearing of arms in certain places, including federal buildings, schools, the Capitol, etc. Traversing the District without encountering terrain that prohibits guns would be difficult. Just crossing the trendy DuPont Circle neighborhood might entail stepping foot on federal parkland, where guns are barred.

Even so, the ruling, which took effect almost immediately, could put a lot more guns into a city that’s spent untold millions trying to secure and defend against terrorist and other public safety threats. The plaintiffs in the case that prompted Scullin’s ruling, Palmer v. DC, argue that DC’s gun laws need to be overturned for the benefit of law-abiding citizens. The plaintiffs are all described as upstanding folks just looking to defend themselves on the mean streets of DC (or at least not get arrested for having a gun in the car, as one of them did). But, as any number of recent gun-related massacres can attest, not all legal gun owners are sane, stable, or well intentioned.

The Violence Policy Center has been keeping a running tally of all the people in the US who’ve been killed by people legally carrying a concealed weapon. Since 2007, that figure has reached 644, and it includes 14 law enforcement officers. Fewer than 20 of those deaths were deemed lawful self-defense. There’s a good reason why DC has banned the open or concealed carrying of weapons by ordinary citizens for 150 years. But thanks to the US Supreme Court, and now Judge Scullin, those common sense practices may go out the door.

Scullin’s ruling, at least in the near-term, is likely to be short-lived. The District has asked the court to stay its decision and let the city’s current laws stand until it can formally appeal the ruling or until it can revise its laws to meet constitutional scrutiny.

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Anyone With a Concealed Carry Permit Can Now Come Dangerously Close to the White House

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How "Citizen Koch" Saw the Light of Day After Public TV Snubbed It

Mother Jones

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Oscar-nominated filmmakers Carl Deal and Tia Lessin were steeped in the production of a documentary on the influence of money in politics, but it wasn’t until funding for their project was unceremoniously yanked last year that the power of big donors truly hit home.

The pair had received a $150,000 commitment from the Independent Television Service (ITVS), a Corporation for Public Broadcasting-funded organization that bankrolls projects aired on PBS. They would later learn that their film, Citizen Koch, which explores the post-Citizen United political landscape and the rise of the tea party, had touched a nerve among public television officials worried about angering a generous benefactor, David Koch, who served on the boards of Boston’s WGBH and New York City’s WNET. In the fall of 2012, PBS had aired Alex Gibney’s Park Avenue: Money, Power and the American Dream, which featured a highly unflattering portrait of the billionaire, including an interview with a former doorman at Koch’s elite Manhattan apartment building who singled him out as its most miserly resident. Public television officials were sensitive about offending Koch again.

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How "Citizen Koch" Saw the Light of Day After Public TV Snubbed It

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Supreme Court to NRA: No, People Can’t Lie to Buy Guns

Mother Jones

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Gun control lives! In a 5-4 decision Monday, the high court knocked down a National Rifle Association-backed challenge to elements of a 1968 statute that criminalizes lying about the intended owner of a firearm. The law—which basically says that you can’t claim you’re buying a gun for yourself when you’re really buying it for someone else—has been used by the Department of Justice to target gun traffickers, who routinely employ third parties known as straw purchasers to bypass the federal background check system.

In the case, Abramski v. United States, the NRA and other gun groups argued that lying about who would end up with the gun shouldn’t matter if the intended owner could legally own one—and more broadly, that the entire prohibition on straw purchasing was itself a “legal fiction” with no real basis in the law itself. Twenty-six states signed on in support, arguing that the law infringed on their rights to regulate gun sales.

In the majority opinion, Justice Elena Kagan, who was joined by the three other liberal-leaning justices and the swing vote, Anthony Kennedy, emphatically disagreed: “No piece of information is more important under federal firearms law than the identity of a gun’s purchaser—the person who acquires a gun as a result of a transaction with a licensed dealer.”

The challenge arose out of a case of mistaken identity. Angel Alvarez sent his nephew, Bruce Abramski, a check for $400 with instructions to purchase and deliver to him a Glock 19 handgun. Ambraksi walked into a firearm dealership in Rocky Mount, Virginia, two days later, passed a background check, and signed a form indicating that he was the intended owner of the firearm. When investigators later misidentified Abramski as a suspect in a bank robbery (he wasn’t charged), federal investigators found a copy of the receipt revealing that he had purchased the Glock for his uncle—meaning he’d lied on a federal form to purchase the gun.

In lower courts, Abramski argued that his straw purchase was immaterial because his uncle was legally empowered to own a gun and could have passed a background check. But Abramski then made a far larger argument—that the 1968 gun control law really only governs the initial purchase, and had nothing to do with straw purchases. According to the NRA, federal regulators simply pulled the straw purchasing prohibition from thin air. Kagan wanted nothing of it:

The provision thus prevents remote sales except to a small class of buyers subject to extraordinary procedures—again, to ensure effective verification of a potential purchaser’s eligibility. Yet on Abramski’s view, a person could easily bypass the scheme, purchasing a gun without ever leaving his home by dispatching to a gun store a hired deliveryman. Indeed, if Abramski were right, we see no reason why anyone (and certainly anyone with less-than-pure motives) would put himself through the procedures laid out in §922(c): Deliverymen, after all, are not so hard to come by.

Abramski envisioned a federal gun control law that “would stare myopically at the nominal buyer while remaining blind to the person exiting the transaction with control of the gun,” Kagan argued.

Monday’s decision is good news for the Justice Department. The law stands. Now the government just has to find a way to enforce it.

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Supreme Court to NRA: No, People Can’t Lie to Buy Guns

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Dear Hollywood: Please Don’t Make the New “Battlestar Galactica” Movie About Drones

Mother Jones

Universal is planning a major film reboot of the sci-fi franchise Battlestar Galactica, according to a report in Variety. Jack Paglen (Transcendence) has reportedly signed on to write the screenplay, and original series creator Glen Larson is set to produce.

I have one modest request: Don’t make it a movie about Obama’s killer drones. Please. Don’t do that. It’s super zeitgeist-y, but please, just don’t.

The rebooted Sci-Fi Channel series, which ran from 2003 to 2009, garnered much critical acclaim, in large part because it was smartly topical and political. That reboot focused on war between human civilization and the cybernetic Cylon race. The series worked as an allegory of the War on Terror, and incorporated themes of religious extremism, suicide bombing, and state-sanctioned torture. Many images called to mind the Iraq War, Nazi occupation, and the Vietnam War.

So it would only make sense if an upcoming film version of Battlestar Galactica were also deeply political. And with the Bush years in the rearview, Hollywood has frequently (almost relentlessly) turned to drone warfare as a go-to subject for big-budget political critique in the Obama era.

Here are a few examples of drones in big Hollywood fare released in the past year or so:

1. Captain America: The Winter Soldier, which is about “civil liberties issues, drone strikes, the president’s kill list, and preemptive technology,” according to its directors.

2. RoboCop (2014), which features autonomous killer robots called “drones” that are prominently used in an American invasion and occupation of Iran (“Operation Freedom Tehran,” it’s called). OmniCorp, which designs and manufactures these military robots, wants to put this technology to use in law enforcement in the United States. Thus kicks off a national debate on civil liberties and so forth.

3. G.I. Joe: Retaliation, in which the democratic President of the United States is a foreign-born imposter who uses killer drones on American citizens overseas, and desires a world rid of nuclear weapons. (REMIND YOU OF ANYONE???)

4. Pacific Rim, which has drones in the form of gargantuan robots called Jaegers (the robots fight amphibious monsters called Kaiju).

5. Iron Man 3, which fits in snugly with the rest of the Iron Man franchise drone imagery.

6. Star Trek Into Darkness, which covers the ethical question of extrajudicial and targeted killing of terror suspects operating outside American borders.

(And it appears this drone warfare movie is in the works, too.)

This seems like it’s on the verge of being played out. If Jack Paglen is looking for something fresher to weave into his script, maybe he can go with US special operations in Africa.

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Dear Hollywood: Please Don’t Make the New “Battlestar Galactica” Movie About Drones

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We’re Still at War: Photo of the Day for March 24, 2014

Mother Jones

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Marines with tank platoon, Battalion Landing Team 2nd Battalion, 1st Marine Regiment (BLT 2/1), 11th Marine Expeditionary Unit, fire the M256 smoothbore gun of an M1A1 Abrams tanks on static targets during Realistic Urban Training Marine Expeditionary Unit Exercise 14-1 (RUTMEUEX) at Fort Hunter Liggett, Calif., March 20, 2014. RUTMEUEX will prepare the 11th MEU Marines for their upcoming deployment, enhancing Marines’ combat skills in environments similar to those they may find in future missions. (U.S. Marine Corps photo by Gunnery Sgt. Rome M. Lazarus/Released)

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We’re Still at War: Photo of the Day for March 24, 2014

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