Category Archives: organic

Will This Be the Nail in the Coffin of Toxic Flame Retardants?

Mother Jones

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Flame retardant chemicals are in millions of products, from mattresses and couches to car seats to electronics. In 2011, Environmental Science & Technology published a study that found that 80 percent of 100 randomly tested children’s products were covered in fire-retardant chemical. But there’s a growing consensus that these chemicals don’t belong in our homes: They’ve been linked to cancer, hormone deficiencies, and neurological and developmental problems.

Between 2009 and 2013, the chemical industry agreed to phase out a particularly harmful flame retardant known as polybrominated diphenyl ethers (PBDEs)—but further research from scientists at the Environmental Working Group and Duke University has found that manufacturers are simply replacing PBDEs with just-as-toxic, structurally similar chemicals.

Now, a diverse group of organizations—including the American Academy of Pediatrics, the International Association of Fire Fighters, and the Consumer Federation of America—is calling for the ban of any children’s products, furniture, mattresses and electronics that have traces of any of the chemicals associated with flame retardants.

“It’s time to stop moving from one harmful flame retardant to its chemical cousin,” said Arlene Blum, founder and executive director of the Green Science Policy Institute, in a statement about the petition that she and nine other organizations filed with the Consumer Product Safety Commission (CPSC).

If the ban catches on, it will come as a major blow to the chemical manufacturers, who, for decades, have been downplaying concerns about flame retardants’ toxicity. The companies’ strategies have been compared to those used by Big Tobacco: They cleverly confuse the public into believing scientific findings are a matter of opinion and up for debate.

The similarities between the two industries shouldn’t come as a surprise, given their interconnected past. In an explosive 2012 investigative series, the Chicago Tribune reported that tobacco companies played a major role in the promotion of flame retardants. After a slew of apartment fires caused by lit cigarettes, the tobacco companies looked for a scapegoat and found one in furniture. Suddenly the media was focusing on flammable dangers we live around everyday—instead of the actual cause of many of these household fires: cigarettes.

The chemical companies, too, quickly realized how lucrative fire retardants could be—in 2012, the value of the market for the chemicals was estimated at $5.1 billion. Part of the reason for the companies’ success was a subtle astroturf campaign: In 2007, Albemarle Corporation, a leading flame retardant manufacturer, teamed up with two other chemical conglomerates to create Citizens for Fire Safety, an organization that advocates for increased use of flame retardants. The organization, which marketed itself as a neutral source of information for consumers, folded in 2012 after the Tribune exposed the real players involved.

Another problem with flame retardants: It’s not even clear that they work. According to the Tribune, in 2009 government scientists lit two couches on fire, one with fire retardant chemicals in its foam and one with out them. Within four minutes “both were engulfed in flames.”

“We did not find flame retardants in foam to provide any significant protection,” Dale Ray, a project manager with the Consumer Product Safety Commission and overseer of the study told the Tribune.

Despite this finding, flame retardants have stuck around—in products, and in people’s bodies. The chemicals, considered persistent organic pollutants, show up in dust particles, which we (and our food) absorb. Particularly vulnerable groups are firefighters, who are exposed to immense doses when extinguishing fires in products that are covered in the chemicals, and children, who are exposed when they play on the floor near dust and stick their hands in their mouths.

Last year, scientists from Duke University and the Environmental Working Group tested the urine of 22 mothers and 26 children. All the samples came back positive for exposure to Tris(1,3-dichloroisopropyl)phosphate (TDCIPP), one of the fire retardant chemicals that was developed to replace PBDEs. The children’s average TDCIPP concentration levels were fives times that of the mothers. TDCIPP caused the growth of tumors when tested on animals and has been labeled as carcinogenic by the state of California under Proposition 65.

“The science is in on this class of flame retardant chemicals,” said Nancie Payne, president of the Learning Disabilities Association of America, which also signed the Consumer Product Safety Commission petition. “They harm brain development, and have no business being in consumer goods.”

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Will This Be the Nail in the Coffin of Toxic Flame Retardants?

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7 of My Favorite Ways to Use Beneficial Essential Oils

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7 of My Favorite Ways to Use Beneficial Essential Oils

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A new kind of dry state: California imposes mandatory water cuts, 25% reduction

Voluntary cuts are not cutting it anymore, so to speak… Continue reading:  A new kind of dry state: California imposes mandatory water cuts, 25% reduction ; ; ;

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A new kind of dry state: California imposes mandatory water cuts, 25% reduction

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It’s April: What to do in the Garden

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It’s April: What to do in the Garden

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Scientists Can Predict Your City’s Obesity Rate by Analyzing Its Sewage

Mother Jones

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If someone were to ask you what distinguishes skinny cities with from fat ones, you might think of the prevalence of fast food joints, the average length of automobile commutes, or the relative abundance of parks and jogging trails. But there’s also another, more underground factor: their sewage.

More MoJo coverage of bacteria and health:


Are Happy Gut Bacteria Key to Weight Loss?


This Is Your Body on Microbes


Should You Take a Probiotic?


Poop Therapy: More Than You Probably Wanted to Know About Fecal Transplants


Can Antibiotics Make You Fat?


Antibiotics As Key to Curing Starvation


Why You Shouldn’t Take Antibiotics for a Sinus Infection

Researchers with the University of Wisconsin-Milwaukee collected raw sewage samples from the intakes of municipal wastewater treatment plants in 71 cities around the country. Their results, published last month in mBio, the American Society for Microbiology’s open-access journal, showed that the microbial content of that sewage predicted each city’s relative obesity with 81 to 89 percent accuracy.

The finding actually isn’t all that surprising, says lead author Ryan Newton, a visiting professor at UW’s School of Freshwater Sciences. Other studies have shown that bacterial imbalances in your intestines can lead to metabolic syndrome, obesity, and diabetes. Newton’s study, however, is the first to demonstrate that those microbial differences also play out across entire populations, even after our poop gets flushed, mixed together, and sent through miles of pipes.

The UW study was enabled by computing advances have allowed scientists to rapidly sequence microbial populations and look for patterns in the results. Other researchers are using similar techniques to look for correlations between gut bacteria and a wide range of health conditions.

Newton isn’t the only scientist who sees sewage as a promising place for data dives. The Massachusetts Institute of Technology’s Underworlds project, which began in January, will study sewage for the presence of viruses such as influenza and polio; bacterial pathogens that cause cholera typhoid fever, and other diseases; and biochemical molecules ranging from antibiotics to illegal drugs like cocaine and methamphetamine. Scientists hope the resulting data could help predict epidemics and track other public health trends within particular neighborhoods.

As scientists gain a better understanding of the interplay between microbes and human health, they may eventually be able to look at municipal sewage to figure out which communities would be the best to target with public health campaigns designed to, say, get people to eat less sugar or more vegetables.

And just as important, sequencing sewage could eliminate the thorny problem of doing public health surveys. Unlike people, your poop can’t lie about what you had to eat.

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Scientists Can Predict Your City’s Obesity Rate by Analyzing Its Sewage

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Marco Rubio’s 2016 Campaign Could Depend on This Billionaire Car Dealer

Mother Jones

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As Jeb Bush sucks up cash from Florida’s wealthy Republican donors for his all-but-announced presidential bid—his allies have set a goal of raising $100 million by the end of the month—many of the state’s wealthiest conservatives have passed over Sen. Marco Rubio, another possible 2016 contender, who like Bush hails from South Florida. But Rubio’s ability to compete for the Republican nomination, should he enter the race, may be preserved by one very rich man.

Norman Braman, an 82-year-old billionaire car dealer in Miami and former owner of the Philadelphia Eagles, has taken a shine to the freshman senator and could spend up to $10 million on a Rubio run, according to the Miami Herald. “I will be providing substantial support and that will be public when that occurs,” Braman tells Mother Jones, while declining to confirm the $10 million number. Rubio is expected to make his 2016 bid official in the next few weeks.

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Marco Rubio’s 2016 Campaign Could Depend on This Billionaire Car Dealer

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Nude Parades, "Retard Olympics," And Other Twisted Prison Guard Games

Mother Jones

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The San Francisco sheriff’s office is asking the Department of Justice to investigate allegations that officials at the county jail forced inmates to fight for hamburgers and other rewards during gladiator-style matches. Speaking at a press conference Thursday, city public defender Jeff Adachi accused four sheriff’s deputies of twice pairing off a 150-pound inmate against a 350-pound inmate and betting on the outcomes. “I can only describe this as an outrageously sadistic scenario that sounds like it’s out of Game of Thrones,he said.

The smaller inmate claimed one of the deputies threatened him with violence if he didn’t fight. “He told me he was gonna mace me and cuff me if I didn’t…comply with what he wanted,” Ricardo Palikiko Garcia said in a statement, adding that three weeks later, he still has bruises on his back and suspects he fractured a rib.

However twisted this case may be, it’s not an isolated incident. Some other examples of prison guards being accused of organizing gladiator-style fights and other humiliating games for prisoners:

Human cockfights: In 1996, an investigation by the Los Angeles Times exposed how guards at California’s Corcoran State Prison, paired rival inmates “like roosters in a cockfight, complete with spectators and wagering.” Officers also allegedly organized a ritual known as “gladiator day” in which inmates in the most violent unit were sent to brawl in an empty yard, cheered on by an official who served as an announcer. Guards would break up some fights by firing gas guns that discharged wood blocks or, if that didn’t work, by firing a rifle. The FBI investigated after a 25-year-old was killed during one such shooting. In 2000, eight prison guards accused of orchestrating the matches were acquitted of federal civil rights abuses by a grand jury.

Out of Solitary: In August 2012, a federal civil lawsuit was filed on behalf of seven inmates at a St. Louis, Missouri, jail who said they were forced by guards to fight and to punish each other, according to the St. Louis Post-Dispatch. Thirty more inmates joined the lawsuit in 2013, saying they were also required to fight. At least one attack was captured on video. Daniel Brown, the attorney representing the inmates, said prisoners were even taken out of solitary confinement to brawl. “The guards were actually taking inmates out of the cells, placing them in cells with other inmates, and forcing them to fight each other,” he told a St. Louis radio station.

“Retard Olympics”: In 2013, three corrections officers at a prison in York County, Pennsylvania, were accused of organizing competitions dubbed the “Retard Olympics,” in which a prisoner with bipolar disorder and another inmate were forced to do stunts like drinking a gallon of milk in an hour, as well as water mixed with pepper spray foam. Other challenges included eating a spoonful of cinnamon and snorting a line of spicy vegetable powder, as well as licking a guard’s boots. The guards denied any wrongdoing and described the allegations as “fabrications.” York County paid a $40,000 settlement to avoid going to court.

Nude Lines: A class-action lawsuit filed March 19 on behalf of hundreds of Illinois inmates alleges that more than 230 officials from a state corrections unit called Orange Crush sexually abused and beat inmates during “shakedowns” last year. During a shakedown in April 2014, officials allegedly forced inmates to take off their clothes and stand in line with their backs at 90-degree angles so each person’s genitals rubbed against the behind of whomever was in front of him. (Orange Crush referred to this position as “Nuts to Butts”). They were told to walk like this to the gym and were allegedly beaten with batons if they failed to follow orders.

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Nude Parades, "Retard Olympics," And Other Twisted Prison Guard Games

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Laura Marling Just Keeps Getting Better

Mother Jones

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Laura Marling
Short Movie
Ribbon Music

With her clear, forthright voice and ringing acoustic guitar (not to mention enormous songwriting smarts), Britain’s Laura Marling has always been a bit intimidating, and this stunning fifth album may be her strongest work yet. Short Movie is an extended meditation on the endless tug of war between the fear of loneliness and the desire to be free from the affections and expectations of others. “Is it still okay that I don’t know how to be alone?” she asks in “False Hope,” while “I Feel Your Love” finds her declaring, “You must let me go before I get old / I need to find someone who really wants to be mine,” throwing cold water on romantic clichés with her usual blunt vigor. In “Don’t Let Me Bring You Down,” she exclaims, “Did you think I was fucking around?” Another cut, “Howl,” finds her parting from a lover in far gentler fashion. Short Movie varies its textures with occasional drums and electric guitar, as well as lovely dashes of cello, but Marling’s restless, relentlessly honest songs remain the main attraction. Despite superficial similarities to the young Joni Mitchell, she’s her own amazing creation, and just keeps getting better.

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Laura Marling Just Keeps Getting Better

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Satanic Reverses: Religious Exceptions Are A Real Win For Devil Worshippers

Mother Jones

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Illustration by Andrew Rae

Last May, the Supreme Court decided in favor of Christians asserting their right to open town meetings with prayers. An unintended consequence of this and other recent court rulings knocking holes in the wall between church and state is that Satanists, pagans, and pranksters have eagerly embraced their newfound right to express their spiritual beliefs on public time and property:

Two days after the Supreme Court’s decision, a newly converted Satanist started asking towns in Florida if he could open town meetings with a prayer to his “Dude in Charge.” (So far, without luck.)

In September, an “agnostic pagan pantheist” opened a county commission meeting in Escambia County, Florida, with a two-and-a-half-minute chant invoking the elements and four directions. (“Powers of Air! We invoke and call you/Golden Eagle of the Dawn, Star-seeker, Whirlwind.”)

After a judge ruled in September that religious pamphlets could be handed out in public schools in Orange County, Florida, the Satanic Temple published The Satan­ic Children’s Big Book of Activities, a coloring book that includes a connect-the-dots pentagram.

In December, a chapter of the Satanic Temple was allowed to display a fallen angel in the Capitol of (where else?) Florida, alongside a holiday display by Flying Spaghetti Monster-worshipping Pastafarians and a Festivus pole made of beer cans.

Also at Christmastime, Satanists in Detroit set up a “Snaketivity Scene” on the lawn of the Michigan Capitol. A Republican lawmaker who set up a competing nativity scene insisted, “I’m not afraid of the snake people. I’m sure that Jesus Christ is not afraid.”

The Satanic Temple has commissioned a nearly nine-foot-tall bronzed statue of a Baphomet, a goat-headed idol seated on a throne before two children, which it plans to erect in the Oklahoma Capitol. The building already has an enormous copy of the Ten Commandments that’s being challenged by the ACLU.

Illustrations from The Satanic Children’s Big Book of Activities

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Satanic Reverses: Religious Exceptions Are A Real Win For Devil Worshippers

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British Jazzman Jamie Cullum Is Not Your Grandfather’s Crooner

Mother Jones

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The British jazz pianist, singer, and songwriter Jamie Cullum rose to fame in 2003 with his major-label debut, Twentysomething, which sold more than 2.5 million copies. With successful follow-up albums, he has earned the distinction, at age 35, of being the highest selling UK jazz artist ever. On his BBC Radio 2 show—modeled on the work of British radio greats Gilles Peterson and John Peel—Cullum passionately curates a wide spectrum of jazz and improvisational music. His charm and energy, both on the air and as a stage entertainer, has earned him a lot of loyal fans, and opening slots for Billy Joel’s recent shows at Madison Square Garden.

Against a traditional big band set-up, his recent performance at the New York City’s Beacon Theater involved pogo dancing, beat-boxing, a flying leap off the piano and entreaties to the audience to take more cell-phone videos. He was touring in support of his seventh studio album, Interlude, produced by fellow old-soul-with-youthful spirit Benedic Lamdin—also known as Nostalgia 77. Interlude was recorded straight to tape with a live orchestra. It features a mostly-classic jazz repertoire, with covers of Sufjan Stevens and Randy Newman thrown in for good measure.

I photographed Cullum at the Beacon Theater. We spoke on the phone later about the freedom of limitations, the predictability of rock, and Billy Joel‘s staying power.

Mother Jones: In your musical arrangements, I hear a lot of connections back and forth between jazz, modern rock, and R&B.

Jamie Cullum: I look at it a bit like joining the dots. Gilles Peterson has had as much influence on me as any musician. He has helped form my tastes through years of listening to his radio show. He does this thing where he kind of joins the dots between styles. Getting into heavy metal got me into Jimi Hendrix eventually, and as I was getting into Hendrix, I discovered Frank Zappa, and as I was getting into Zappa, I heard him referencing quite a lot of jazz things, prog-rock and improvisation. Before you know it, I’d found Herbie Hancock, Art Tatum, Thelonius Monk, and Nat King Cole. A lot of my musical ideas come from being a music geek. I think a bit like a radio DJ might.

MJ: You’ve opened for Billy Joel at several recent Madison Square Garden shows. Did you gain any insights that you might want to apply to your own approach?

JC: You see the power of having such a catalog of hit songs. His songs really live in people’s bones and when you see 20,000 people singing to “New York State of Mind” or “We Didn’t Start the Fire,” or any of his millions of hits, you get a sense of the community that creates. Very few people can make Madison Square Garden feel small. He doesn’t amplify his gestures with big stage production. He walks onto the stage and goes, “Welcome to the Garden. What songs do you wanna hear? Hey, let’s play that.” He is himself. He’s naturally funny, a bit of a joker, a wise guy kind of vibe. He’s lovely, he’s a human being, he’s well aware of his own faults and his own flaws. He seems like one of us, you know? Everyone feels like they’re standing next to the piano with him. That is very much a gift.

MJ: You cover a lot of rock and R&B, and are influenced by it, but you also have a pretty traditional approach to jazz, especially on this album.

JC: I think I fell in love romantically with the idea of the jazz musician before I became a jazz musician. You know, reading Kerouac as young teenager and looking at the photos of Chet Baker and Count Basie by William Claxton—the iconography of it and how different it was to where I grew up—got to my young soul. But the level of mastery you need to be a jazz musician—incidentally, I feel I’m only 10 percent of the way there—is very appealing. Improvisation means not having to do the same thing twice, which very much appeals to my personality. I’m an improviser at life, anyway. I don’t do well with really set plans; I thrive on unpredictability. I love the language of jazz, the fact that you can take interesting musical turns and twists that are informed by some musical mastery and education.

When I was in rock bands, I loved the image of the rock star and carrying the guitar, being on the road and wearing a leather jacket, and that kind of thing. I was in a band that supported Paul Weller on tour; we were having an amazing time. But it became to me a little bit predictable: After you’ve done 10 shows, you’ve done it the same way musically every time.

MJ: With Interlude, you’ve removed your own songwriting and some of the modern instrumentation you’ve had in the past from the equation. What were you going for?

JC: Interlude is very much a collaborative album between myself and the producer, Ben Lamdin. I was in love with the way his records sounded. We booked three days in the studio with him and his band; my label didn’t know anything about it. I said, “Look, I want to live in your world for three days.” We didn’t know if it was going to be an album, maybe just a couple of EPs or something we put out on his small record label under a different name. I didn’t have the chance to think about it.

But the truth of it is that limitation, and giving ourselves less options, is the most freeing thing ever. You sit there and you go, right, we’ve got these instruments, we’ve got this amount of time, we’re not even going to be able to mix the album because we’re all playing in the same room, so this is how it’s gonna sound. But let’s get this incredible repertoire, we’ll get great performances, and it’s gonna be imperfect, you’re gonna hear what the room sounds like, you’re gonna here the count-off, you’re gonna hear the beer being drunk between solos. I’ve learned a lot about what I want to do on my next record by doing things that way; giving yourself certain limitations gives you the freedom to do something really special.

MJ: You recorded with all live takes. How did that affect the process?

JC: We did it in two and a half days. We weren’t even listening back to takes after we did them. If it felt good, we would move on. So rather than kind of picking through it and going, “Well, I don’t like that,” we’d all kind of look around and say, “You know, that was good.” We’d trust the feeling. And it keeps the energy going, it keeps an excitement in the room, because you’re always moving forward.

MJ: At your Beacon Theater show, after you encouraged people to come up closer, I really got a sense of the communal nature of your performance. Not to diminish it, but there was a sing-along element.

JC: Obviously there are some of my originals that the audience knows really well and will literally sing along to. But one of the things that I think makes it communal is that on stage, I’m also a fan. I wasn’t the kid who stood in front of the mirror with a hairbrush for a microphone wanting to be famous. And when I’m on stage I don’t feel a big audience-performer divide. I’m enjoying watching my musicians play, and we often have guest musicians, so I’m enjoying them too. And I think the audience can feel my passion for what is going on. I couldn’t be aloof if I tried. Being aloof seems very cool—I would love to be a bit aloof, but I’m shit at it.

MJ: So, has your manager been pushing to get you a movie role as a heartthrob vampire or anything like that?

JC: Laughs. I don’t think so. I’m not really quite dark in the spirit enough. Not yet.

In Close Contact is an independent documentary project on music, musicians, and creativity.

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British Jazzman Jamie Cullum Is Not Your Grandfather’s Crooner

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