Category Archives: Vintage

As Listener and Saleswoman, E.P.A. Chief Takes to the Road for Climate Rules

On trips that are both listening tour and sales pitch, Gina McCarthy, the E.P.A. administrator, is trying to counter a fight against planned rules limiting emissions by power plants. See the original post: As Listener and Saleswoman, E.P.A. Chief Takes to the Road for Climate Rules Related ArticlesGroup Suggests New Rules for Further Cuts in Carbon PollutionLimits on Ivory Sales, Meant to Protect Elephants, Set Off Wide ConcernsDavid Sive, a Father of Environmental Law and Advocacy, Dies at 91

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As Listener and Saleswoman, E.P.A. Chief Takes to the Road for Climate Rules

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North Carolina Says Utility Pumped Millions of Gallons of Wastewater in River

Duke Energy illegally pumped as much as 61 million gallons of coal-ash wastewater into a river from September to last week, North Carolina regulators said. This article is from – North Carolina Says Utility Pumped Millions of Gallons of Wastewater in River Related ArticlesBy Degrees: Scientists Sound Alarm on ClimateEmails Link Duke Energy and North CarolinaRetro Report: The Battle Over the Medfly

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North Carolina Says Utility Pumped Millions of Gallons of Wastewater in River

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Carlsbad Journal: A Livelihood in Nuclear Waste, Under Threat

The Waste Isolation Pilot Plant, the nation’s only permanent underground repository for nuclear weapons waste, revived Carlsbad, N.M. But it has been closed since a leak. Continue reading: Carlsbad Journal: A Livelihood in Nuclear Waste, Under Threat Related ArticlesMuseums Special Section: After the Exhibition, Finding New Uses for DisplaysDavid Sive, a Father of Environmental Law, Dies at 91Retro Report: The Battle Over the Medfly

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Carlsbad Journal: A Livelihood in Nuclear Waste, Under Threat

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Wind Industry’s New Technologies Are Helping It Compete on Price

With new technology, the industry has been able to produce more power at lower cost by capturing the faster winds that blow at higher elevations. Link – Wind Industry’s New Technologies Are Helping It Compete on Price Related ArticlesWhite House to Introduce Climate Data WebsiteBy Degrees: Scientists Sound Alarm on ClimateMuseums Special Section: After the Exhibition, Finding New Uses for Displays

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Wind Industry’s New Technologies Are Helping It Compete on Price

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Limits on Ivory Sales, Meant to Protect Elephants, Set Off Wide Concerns

Several industries say they are frustrated and confused by new regulations that strictly limit the sale of elephant ivory. Visit site: Limits on Ivory Sales, Meant to Protect Elephants, Set Off Wide Concerns Related ArticlesMuseums Special Section: After the Exhibition, Finding New Uses for DisplaysBy Degrees: Scientists Sound Alarm on ClimateDavid Sive, a Father of Environmental Law, Dies at 91

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Limits on Ivory Sales, Meant to Protect Elephants, Set Off Wide Concerns

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How We Survived Two Years of Hell As Hostages in Tehran

Mother Jones

SHANE

The nightmare began on July 31, 2009. I was living in Damascus, covering the Middle East as a freelance journalist, with my girlfriend, Sarah Shourd, a teacher. Our friend Josh Fattal had come to see us, and to celebrate, we took a short trip to Iraqi Kurdistan. The autonomous region—isolated from the violence that wracked the rest of Iraq—was a budding Western tourist destination. After two days of visiting castles and museums, we headed to the Zagros Mountains, where locals directed us to a campground near a waterfall. After a breakfast of bread and cheese, we hiked up a trail we’d been told offered beautiful views. We walked for a few hours, up a winding valley between brown mountains mottled with patches of yellow grass that looked like lion’s fur. We didn’t know that we were headed toward the worst 26 months of our lives.

JOSH (July 31, 2009)

“You guys,” Sarah says with hesitancy. “I think we should head back.”

“Really?” Shane sounds surprised. “How could we not pop up to the ridge? We’re so close.”

Shane knows I want to reach the top. “Josh, what do you want to do?” he asks.

“I think we should just go to the ridge—it’s only a couple minutes away. Let’s take a quick peek, then come right back down.” Just as we’re setting out, Sarah stops in her tracks. “There’s a soldier on the ridge. He’s got a gun,” she says. “He’s waving us up the trail.” I pause and look at my friends. Maybe it’s an Iraqi army outpost. We stride silently uphill. I can feel my heart pounding against my ribs.

The soldier is young and nonchalant, and he beckons us to him with a wave. When we finally approach him, he asks, “Farsi?”

Shane Bauer, Josh Fattal, and Sarah Shourd hiking in the Zagros Mountains, shortly before their capture.

Faransi?” Shane asks, then continues in Arabic. “I don’t speak French. Do you speak Arabic?”

“Shane!” I whisper urgently. “He asked if we speak Farsi!” I notice the red, white, and green flag on the soldier’s lapel. This isn’t an Iraqi soldier. We’re in Iran.

The soldier signals us to follow him to a small, unmarked building. Around us, mountains unfold in all directions. A portly man in a pink shirt who looks like he just woke up starts barking orders. He stays with us as his soldiers dig through our bags. His eyes are on Sarah—scanning up and down. I can feel her tensing up.

I keep asking, “Iran? Iraq?” trying to figure out where the border lies and pleading with them to let us go. Sarah finds a guy who speaks a little English and seems trustworthy. He points to the ground under his feet and says, “Iran.” Then he points to the road we came on and says, “Iraq.” We start making a fuss, insisting we should be allowed to leave because they called us over their border. He agrees and says in awkward English, “You are true.” It’s a remote outpost and our arrival is probably the most interesting thing that has happened for years.

The English speaker approaches us again after talking to the commander. “You. Go,” he says. “You. Go. Iran.”

SHANE (August 2, 2009)

Beneath the night sky, the city is smearing slowly past our windows. Who are these two men in the front seats? Where are they taking us? They aren’t speaking. The pudgy man in the passenger seat is making the little movements that nervous people do: coughing fake coughs; adjusting his seating position compulsively. Everyone in the car is trying to prove to one another, and maybe to ourselves, that we aren’t afraid.

But Sarah’s hand is growing limp in mine. Something is very wrong.

“He’s got a gun,” Josh says, startled but calm. “He just put it on the dash.”

“Where are we going?” Sarah asks in a disarming, honey-sweet voice. “Sssssss!” the pudgy man hisses, turning around and putting his finger to his lips. The headlights of the car trailing us light up his face, revealing his cold, bored eyes. He picks up the gun in his right hand and cocks it.

Sarah’s eyes widen. She leans toward the man in front and, with a note of desperation, says, “Ahmadinejad good!” (thumbs up) “Obama bad!” (thumbs down). The pistol is resting in his lap. He turns to face us again and holds both his hands out with palms facing each other. “Iran,” he says, nodding toward one hand. “America,” he says, lifting the other. “Problem,” he says, stretching out the distance between them.

Sarah turns to me. “Do you think he is going to hurt us?” she asks. I don’t know whether to respond or just stare at her.

In my mind, I see us pulling over to the side of the road and leaving the car quietly. My tremulous legs will convey me mechanically over the rocky earth. I will be holding Sarah’s hand and maybe Josh’s too, but I will be mostly gone already, walking flesh with no spirit. We won’t kiss passionately in our final moments before the trigger pull. We won’t scream. We won’t run. We won’t utter fabulous words of defiance as we stare down the gun barrel. We will be like mice, paralyzed by fear, limp in the slack jaw of a cat.

Each of us will fall, one by one, hitting the gravelly earth with a thud.

Sarah pumps Josh’s and my hands. Her eyes have sudden strength in them, forced yet somehow genuine. “We’re going to be okay, you guys. They are just trying to scare us.”

JOSH (August 4, 2009)

My sandals clap loudly on the floor as I try to catch my momentum and keep my balance. After every few steps, they spin me in circles. My mind tries desperately to remember the way back.

The door shuts behind me. The clanging metal reverberates until silence resumes. I stand at the door, distraught and disoriented. Whatever script, whatever drama I thought I was in, ends now. Whatever stage I thought I was on is now empty. I dodder to the corner of my cell and take a seat on the carpet. There is nothing in my 8-by-12-foot cell: no mattress, no chair—just a room, empty except for three wool blankets. My prison uniform—blue pants, blue collared shirt—blends with the blue marble wall behind me and the tight blue carpet below.

Shane and Sarah are probably sulking in the corners of their cells too. We agreed we’d hunger strike if we were split up. Now I don’t feel defiant. I just feel lost.

Sarah’s glasses are in my breast pocket. She gave them to me to hold when they made us wear blindfolds. She didn’t have pockets in her prison uniform—they dressed her in heaps of dark clothes, including a brown hijab. I empty my other pockets: lip balm from the hike and a wafer wrapper—the remnant of my measly lunch.

I don’t know what I’ll do in here for the rest of the day. I sense the hovering blankness—a zone of mindlessness that looms over my psyche and lives in the silence of my cell.

SARAH (August 6, 2009)

“Sarah, eat this cookie.”

“Not until I see Josh and Shane.”

I’m sitting blindfolded in a classroom chair. A cookie is on the desk in front of me.

“Do you think we care if you eat, Sarah?”

They do care. I know that much. I’ve been on hunger strike since they split us up two days ago. At first it was difficult, but I’m learning how to conserve my energy. When I stand up, my heart beats furiously, so I lie on the floor most of the day. Terrible thoughts and images occupy my mind—my mom balled up on the floor screaming when she learns I’ve been captured, masked prison guards coming into my cell to rape me—but I’ve found ways to distract myself, like slowly going over multiplication tables in my head.

“Sarah, why did you come to the Middle East to live in Damascus?” the interrogator asks. “Don’t you miss your family? Your country?”

“Yes, of course I do. But it’s only for a couple of years. I can’t believe you’re asking me this—do you realize how scared and worried my family must be? Why can’t I make a phone call and tell them I’m alive?”

There are four or five interrogators. The one who seems like the boss is pacing and talking angrily in Farsi. They tell me if I eat their cookie, I can see Shane and Josh.

“Let me see them first—then I’ll eat.”

“Sarah, you say you are a teacher. Have you ever been to the Pentagon?”

“No, I’ve never even been to Washington, DC.”

“Please, Sarah, tell the truth. How can you be a teacher, an educated person, and never go to the Pentagon? Describe to us just the lobby.”

“I’ve never been to the Pentagon. Teachers don’t go to the Pentagon!” I almost have to stop myself from laughing, partly because I’m weak from not eating and partly because I can’t really convince myself this nightmare is real.

JOSH (August 18, 2009)

In my mind I am already running. My feet patter quickly on the brick floor. All day, my energy is dammed up, but in the courtyard, energy courses through me. They take me for two half-hour sessions per day. I’m allotted a single lane next to other blindfolded prisoners. It’s the only time I feel alive all day—when I’m out here and thinking about escaping.

Once, when I heard a helicopter whirring near the prison, I deluded myself into believing freedom was imminent. I decided US officials must be negotiating our release and that I’d be free within three days. Now I cling to the idea of being released on Day 30. In the corner of my cell, the corner most difficult to see from the entryway, there are a host of tally marks scratched into the wall. I check the mean, median, and mode of the data sample. The longest detentions last three or four months, but most markings are less than 30 days. I remember an Iranian American was recently detained and released from prison. How long was she held? Thirty days seems like a fair enough time for the political maneuvering to sort itself out.

JOSH (August 30, 2009)

Suddenly, the metal door rattles. A guard signals me to clean my room and gather my belongings. I am prepared for this. The floor is already immaculate—sweeping the floor with my hands is one of my favorite activities. I grab my book and three dried dates stuffed with pistachio nuts to share with Sarah and Shane. I wasn’t crazy. Day 30 is for real.

When we’re in the car, I can hardly control my joy. I turn to Shane and Sarah, and we start giggling—nervous laughter—at the comfort of our companionship. Now that we’re together again, the weeks of solitude I’ve just endured seem like a distant memory. Was it really a month? Somehow this is funny to us.

Sarah tells me that she and Shane spoke to each other through a vent. They what? Sarah says, “I promise we didn’t do it much.” I can’t believe they were near each other. They had each other! I had nothing.

These guys don’t have a clue what I experienced. I would have done anything for a voice to talk to. I push the idea of them talking as far from my mind as possible, trying to convince myself of what I’d always assumed—we are in this together.

In the rearview mirror, I make eye contact with the stoic driver.

He slows to a stop, then lifts the emergency brake. His gaze, knowing and pitiless, conveys the truth. Shades and bars cover every window of the dirty, gray building before us. This is another prison.

JOSH (September 2, 2009)

In this prison, guards don’t hide their faces like they did in the last one. Some even talk to me. One guard, who speaks a little English, taught me the Farsi word for the courtyard we go to, hava khori. He told me that it literally means “eating air.”

I’ve even grown friendly with a guard I call “Friend.” I treated him amiably and he has responded in kind. He speaks awkward English and tries out colloquial expressions on me. He makes small talk, which can be the most significant event of my day. Friend gave me a bed and mattress, pistachios, bottled water, and crackers. He even gave me a small personal fridge that he put in the hallway in front of my cell. With snacks in front of me, I allowed myself to feel how hungry I’ve been, and how my stomach shrank after 11 days of hunger striking and four weeks on a prison diet.

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How We Survived Two Years of Hell As Hostages in Tehran

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It’s About Time to Start Giving CPAC the Media Coverage it Deserves

Mother Jones

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CPAC, that great annual gathering of conservative red meat and can-you-top-this condemnation of President Obama, came to an end Saturday (with a petulant, syntax-challenged stemwinder from Sarah Palin, natch). In passing, Lexington mentions something that’s long puzzled me:

It is traditional for journalists to be a bit sniffy about CPAC straw polls, and with reason….CPAC attracts a very specific slice of the conservative movement, and its straw polls have a woeful record of predicting actual presidential nominees. Half the voters in this year’s effort were aged between 18 and 25, and two-thirds were male. Many seemed keen on Mr Paul’s brand of libertarianism, with its government-shrinking, pot-legalising, tax-cutting, privacy-obsessed, pull-up-the-drawbridge isolationism.

….Yet those who dismiss CPAC as a youth club for Ayn Rand (and Star Wars) fans risk overlooking the importance of the speeches here. Though the speakers pander to the crowd, they know that their words are whizzing around blogs, Twitter, talk radio and cable news TV. As a result, the senators and governors with presidential ambitions often give voice to what they believe their voters want to hear.

My puzzlement has always been just the opposite: the national political press mostly doesn’t dismiss CPAC as an inconsequential libertarian love-fest. They love covering CPAC. But why? Every year, CPAC demonstrates its own irrelevance by overwhelmingly supporting Rand Paul or Ron Paul or some other eccentric conservative type in its final-day straw poll. It’s solid proof that the attendees at CPAC represent a small and only slightly influential wing of the conservative movement.

And yet, the mere fact that CPAC reliably delivers the crazy seems to guarantee them plenty of coverage. I confess that I don’t really get it. The average CPAC attendee wants to legalize drugs, cut the military, and rein in the NSA. The conservative movement writ large supports exactly the opposite: it wants to put the stoners in jail, give Vladimir Putin what for, and send the NSA a thank you card for protecting us from terrorists.

So why all the media love for CPAC? What’s the deal?

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It’s About Time to Start Giving CPAC the Media Coverage it Deserves

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We’re Still at War: Photo of the Day for March 10, 2014

Mother Jones

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U.S. Special Forces Soldiers attached to Combined Joint Special Operations Task Force-Afghanistan, practice combat marksmanship skills training on a range, near Kabul province, Afghanistan, Feb. 24, 2014. USSF members maintain their skills for continued efficiency while assisting in operations with Afghan forces. (U.S. Army photo by Spc. Connor Mendez)

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We’re Still at War: Photo of the Day for March 10, 2014

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Le1f’s Latest Is a Panty Dropper, No Matter Your Gender

Mother Jones

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“I’m being really ratchet right now,” the up-and-coming rapper Le1f tells me over the phone. He’s on a train, and I’ve asked him what his wildest music video fantasy would look like. He laughs, but he doesn’t demur. “I don’t think I’m being like Marina Abramovic, but that’s totally where I want to take it: pulling strands of pearls through wounds in my body while rapping. That sounds really crackin’ to be honest.”

If you don’t know Le1f, aka Khalif Diouf, you will. He’s been making waves in the New York rap scene among queer and straight listeners alike. And for all his subversive ideas, he’s got the potential for broad appeal. (Referring to him as a “gay rapper,” while accurate, is a misdirection, he points out; “female rap” isn’t a genre either.)

Hey, Le1f’s new EP dropping tomorrow, includes the single “Boom.” (“How many batty boys can you fit in a jeep?”) It’s his first project since signing with Terrible Records, a move that establishes his position in the indie scene with labelmates like Grizzly Bear and Dev Hynes. The deal is part of a joint venture with XL recordings, which carries blockbuster names such as Thom Yorke and Vampire Weekend. “I don’t necessarily need it to be a fucking Lady Gaga, Janet Jackson production,” he says. “But I definitely have ideas that require screens and projection and hired dancers.”

At Wesleyan University, where he majored in dance, Le1f, 24, wrote beats for Das Racist, including the track “Combination Pizza Hut and Taco Bell,” which made them internet famous. But Le1f was destined to make his own mark on the widening hip-hop landscape. He has released three mixtapes, most recently Tree House, whose track “Damn Son” Pitchfork called an “unqualified banger.”

When I ask Le1f for a tour of his musical influences, he narrates his version of Genesis in a matter-of-fact tone. “Music history starts in 1994 with Aaliyah. And then you put on Missy Elliott and Timbaland and that’s the second day, and on the third day there was Lil’ Kim and Junior Mafia. After that it’s like Bjork and weird shit.”

Perhaps the most unique thing about Le1f’s music is it’s deep sensuality in a genre that tends toward phallus comparisons, the objectification of women, and the trivialization of sex. He is at times theatrical or ironic, but the defining characteristic of his music is potency. His lush, clubby beats and agile lyrical delivery thrust him toward a trajectory of pop-rap radio play.

That’s not to say his lyrics lack depth or timely social commentary. “It’s my place to talk about issues within the gay community as well as gay rights,” he says. “Taxi,” one of the songs on his forthcoming full-length album, is about “racist gay dudes in the club” who ignore him precisely the way taxi cab drivers ignore him on the street.

“The Gaystream doesn’t care about diversity,” Le1f says. “I’m not going to shy away from what it feels like to be unaccepted as a gay person.”

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Le1f’s Latest Is a Panty Dropper, No Matter Your Gender

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Drive-by Truckers’ Long Road Stretches On

Mother Jones

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Drive-By Truckers
English Oceans
ATO

Twelve studio albums is a long time to maintain your edge, but Drive-By Truckers show no signs of fatigue on the compelling English Oceans. While the band has maintained a consistent identity over the years, telling hard-luck stories of everyday people with nonjudgmental eloquence, subtle changes have helped them stay fresh, namely new faces in the supporting cast and a gradual shift to a greater sharing of creative power. Where Patterson Hood seemed to be the main driving force in the early days, fellow writer and singer Mike Cooley has emerged as a more substantial and confident contributor, and provides 6 of the 13 songs here. His folkier voice may sound too understated at first, but serves as an effective counterpoint to Hood’s bluesier and brasher displays. Highlights include “Made Up English Oceans,” inspired by real-life political smear master Lee Atwater, and the epic, eight-minute lament “Grand Canyon.”

Equally adept at dirty, two-fisted rock and tender ballads, Drive-By Truckers still have their mojo. Long may they roll.

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Drive-by Truckers’ Long Road Stretches On

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